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AuthorTopic: Lexicon PSP 42
putte
Posted: 5th December 2003 07:06
Surprised

As i mostly use delays for weird stuff Ohmboyz is my first choice. (and Spektral Delay)

But then again iīm stunned to see how damn "expensive", brilliant and rich the PSP 42 delay sounds.
Itīs so ... erm ... super-hi-fi ...

TopStuff .. Smile

Comments?

putte
Phaedo
Posted: 5th December 2003 07:24
The only criticism of the product I can think of is: why would you want it when there's a PSP84?
Beardedone
Posted: 5th December 2003 07:30
PSP42 have a phrase sampling mode that apparently is not in PSP84. I still have to figure out how it works. Hey I've only had it for year!

Gordon
Embarassed
chagzuki
Posted: 5th December 2003 07:30
Tried the demo of both and thought what a waste of money. There's nothing special about these delays.

I'll stick with OhmBoyz.
putte
Posted: 5th December 2003 07:38
Chagzuki ... i first also doubted why i should use it, but then i realized itīs opulence ... itīs like a Mercedes, when it comes to soundquality. HiHi

putte
Beardedone
Posted: 5th December 2003 07:43
Putte is right on PSP42 sound veryy rich to me also and I'm using a dreaded PC with Windows Shit!
chagzuki
Posted: 5th December 2003 08:01
In eXT I can create delays and then use any EQ I want to filter.

I'm using the PSP84 demo now and I'm not hearing this amazing sound quality you speak of.
putte
Posted: 5th December 2003 08:05
okay Smile
Phaedo
Posted: 5th December 2003 08:10
Bear in mind that PSPxx isn't a modDelay, it actually performs physical tape simulation. So you're not getting the same behaviour.
chagzuki
Posted: 5th December 2003 08:10
What's important in terms of sound quality in a delay anyhow?
wrench45us
Posted: 5th December 2003 08:52
c: how do you go about creating a delay in ext?
is this a matter of manually editing and repeating notes at lowered velocity, volume levels or ???
chagzuki
Posted: 5th December 2003 08:59
Oh, I just meant I could use any of the freeware/commercial delays and route it to any other plugin, etc..
Phaedo
Posted: 5th December 2003 09:42
Yeah, doing a feedback loop might be a bit trickier.
jocoltrane
Posted: 5th December 2003 10:11
It's not actually a tape delay simulator:
it simulates the digital delay PCM42 from lexicon:
a fantastic delay that can modulate the delay buffer both with lfo and envelope following , and have a repeat command (which is kind of strange cause it takes a random part of the buffer).
other strong points: a lo fi button to double the delay time, halving the sample rate and an analog limiter circuit on the input.....

the emu is quite good! it capture lot of the character.... but I own the original so why buy the emu?
jocoltrane
TennesseeVic
Posted: 5th December 2003 10:46
chagzuki wrote:
What's important in terms of sound quality in a delay anyhow?


I've never understood delays and what they *should* sound like. The only non-reverb delay I ever use is the Logic TapeDelay which I set to damp out high frequencies very quickly. Nice way to fatten up a lead sound.

Victor.
dr.wackler
Posted: 5th December 2003 11:01
chagzuki wrote:
I'm using the PSP84 demo now and I'm not hearing this amazing sound quality you speak of.


You might want to buy a new pair of monitors then - or a new pair of ears maybe... HiHi
chagzuki
Posted: 5th December 2003 11:12
My ears and monitors are fine. This one I just don't buy into. Flicking through the presets I think 'I have no need for any of these sounds'. Somewhat like Hematohm - that one never gets used.

Mind you, I never liked Vintage Warmer. I'm not a great PSP fan.
DevonB
Posted: 5th December 2003 11:29
TennesseeVic wrote:
chagzuki wrote:
What's important in terms of sound quality in a delay anyhow?


I've never understood delays and what they *should* sound like. The only non-reverb delay I ever use is the Logic TapeDelay which I set to damp out high frequencies very quickly. Nice way to fatten up a lead sound.

Victor.


It's not a matter of how it 'should' sound like, it's a matter of having a different tonal characteristic that's different than your average delay. If you like the sound of a tape delay, PSP's Lexicon's are pretty nice. I liked what I heard when I played with them, but stopped quickly, because I didn't want to fall in love with a delay that was $149! No thanks.

Devon
chagzuki
Posted: 5th December 2003 11:43
I did the opposite. I tried to like it and found nothing out of the ordinary.

I guess I've reached a saturation point in terms of the tools I have. I barely need any more VSTs. I need orchestral sample libraries.
SIR has cleared up reverb problems.
I'm also hoping for a quality compressor - perhaps the Sonalksis one will deliver.
DevonB
Posted: 5th December 2003 11:46
chagzuki wrote:
I did the opposite. I tried to like it and found nothing out of the ordinary.

I guess I've reached a saturation point in terms of the tools I have. I barely need any more VSTs. I need orchestral sample libraries.
SIR has cleared up reverb problems.
I'm also hoping for a quality compressor - perhaps the Sonalksis one will deliver.


Got a UAD-1 yet?

Devon
chagzuki
Posted: 5th December 2003 11:48
Nope.
I've heard only good things.
Beardedone
Posted: 5th December 2003 11:49
CAn you direct me to a review or two on UAD vs Powercore.

Thanks,
Gordon
DevonB
Posted: 5th December 2003 12:37
Beardedone wrote:
CAn you direct me to a review or two on UAD vs Powercore.

Thanks,
Gordon


I can sum it up in one word. Infuckincredible! How's that for a review? Laughing Seriously, I don't have links for reviews though. I've heard UAD-1 in action, and was suitably impressed. From what I've read, UAD-1 for a vintage sound, as its strengths are the compressor and EQ. Powercore is strong at the more 'modern' sound. That's about all I remember. Either way, you really can't go wrong for HIGH quality effects. I need a UAD-1 still. Crying or Very sad

Devon
Beardedone
Posted: 5th December 2003 12:42
Quote:
I need a UAD-1 still.


Ooh That's gotta hurt! I thought you had one already. I'll talk to Santa if you like. Very Happy

Thanks DevonB!

Cheers,
Gordon
DevonB
Posted: 5th December 2003 13:23
Beardedone wrote:
Quote:
I need a UAD-1 still.


Ooh That's gotta hurt! I thought you had one already. I'll talk to Santa if you like. Very Happy

Thanks DevonB!

Cheers,
Gordon


No, I was JUST about to buy one and stopped as I watched the account dwindle and resorted priorities! Wink Soon, I hope though. Smile

Devon
Uncle E
Posted: 5th December 2003 13:52
Phaedo wrote:
Yeah, doing a feedback loop might be a bit trickier.


Can you do a feedback loop with the PSP delays? Or do you mean with eXT? Either way, I'd love to hear more about this!
auxbuss
Posted: 5th December 2003 15:03
chagzuki wrote:
My ears and monitors are fine. This one I just don't buy into. Flicking through the presets I think 'I have no need for any of these sounds'. Somewhat like Hematohm - that one never gets used.

You definitely need something extra. Hematohm is an amazing plug-in (in my top five) and PSP?? have great character. Still love my OhmBoyz and, like putte, Spektral Delay, an amazing piece of work.
Patrick de Caumette
Posted: 5th December 2003 18:35
Chagzuki,
if you took this silly rubber off, maybe you could hear what PSP is about... Very Happy Very Happy Wink
chagzuki
Posted: 5th December 2003 18:42
Can't you see the special auditory fibres emanating from the sides of my head?
Phaedo
Posted: 15th December 2003 02:01
Uncle E wrote:
Phaedo wrote:
Yeah, doing a feedback loop might be a bit trickier.


Can you do a feedback loop with the PSP delays? Or do you mean with eXT? Either way, I'd love to hear more about this!


Don't think it can be done, sadly. There's two things you need to be able to do this (it would certainly be desirable)
i) Use a delay that is only playing the delay line, or have a delay with multiple outputs.
ii) Route the output of the delay back to the original delay (after passing through weird stuff)

Now, ii) is naively impossible, but conceptually possible if you insert a 1 sample delay into the chain. Problem is, plug-ins process more than 1 sample at a time, so you'd have to insert a plug-in process block of delay. And fiddle the time on the delay to take that into account. And have EnergyXT support all of this. Be very cool, though.

Which leaves things like PSP84 which have routing possibilities beyond those of VST making weird, unique noises. Smile

On reflection, the "trickier" should have had a smiley on it. Sorry. Smile
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