| Author | Topic: Unfinished products | |
| Lotuz | Posted: 19th March 2001 05:42 | |
It's great to see that Steinberg are going to release their new VSTi's soon, but I feel that they should think about updating their early VSTi's like the LM-4 and VB-1 too.
We all know about the limitations of the LM-4 and the latest update was just a minor one. You don't really make me glad with the ability to use 32 bit drum samples instead of 24 or 16 bit. For HipHop 12 bit sounds fatter anyway. The VB-1 is a great VSTi in concept, but it lacks that full sound we all need and it produces a annoying click as attack. So I'd really appreciate it if they would turn it into a professional sounding VSTi (VB-2). | ||
| manytone | Posted: 19th March 2001 13:35 | |
Hello Lotuz
There was a report in the Canadian Cubase Magazine that said that VB-1 was not actually tuned to 440 pitch. It was slightly out. Anyone know if this has been corrected? If anyone wants the exact info, I'll dig through my mags and find it. Anyway a VB-2 would be nice as a lot of the Free VSTI out there are now better than VB-1. Still though, it's a nice vsti to play with. Cheers Paul Brown Manytone Music | ||
| Ben [KVR] | Posted: 19th March 2001 19:40 | |
I'm not a fan of VB-1, but I'm gonna come out of the closet and say I like the Universal Sound Module!
There, I've said it When I first got VST 5 I played with it and dismissed it almost immediately but recently I've needed a GM soundset and couldn't get a Soundfont that sounded right, and guess what came to my rescue, good old USM It would be nice if Steinberg would release expansion banks for it. Anyway Lotuz, you own virtually every VSTi in existence and you're bitching about VB-1, you must be bored | ||
| Lotuz | Posted: 19th March 2001 20:12 | |
quote | ||
| Ben [KVR] | Posted: 19th March 2001 20:29 | |
quote: I bet you can't wait to get your hands on Waldorf's Attack and NI's FM7 These look like quality instruments! | ||
| Lotuz | Posted: 20th March 2001 03:33 | |
The Waldorf Attack does look tempting indeed. The FM7 I'm going to let me pass by. I've really got too much soft synths to handle. Somehow synths seem to be the easiest software instruments to make. Why else would there be so many? [ 20 March 2001: Message edited by: Lotuz ] | ||
| Lotuz | Posted: 20th March 2001 10:36 | |
No, I don't have the FM Heaven. The Pulsar II has an FM synth (FM One), but I haven't really checked that one out yet. I just want a much better VB-1, that's all.
I like things to be simple. For example: If I want to use an organ sound, of course I could use one of the synths' organ presets. But I will always use the B4. In the near future (end of April hopefully) if I want to use an electric piano sound, then I will use the EVP73. If I want typical synth sounds, then I will use a synth (now I use the Pro-52 most of the time, but when the Pulsar XTC is released probably some of the Pulsar synths). And if I want to use a bass guitar sound, then I want to use a VSTi like the VB-1 specialized in bass guitar sounds. | ||
| kevvvvv | Posted: 20th March 2001 14:50 | |
Ben mentioned USM a few threads back ... brave man.
Steinberg should offer a PRO set of sounds for USM, up to the standard of the excellent Utopia Live GM soundfont (got that one too, Lotuz? USM is only satisfactory in some areas, and very poor in others. Lotuz is right in expecting pro quality instruments. The standard has moved on. Personally I'm waiting for a pro synth that starts with imported wav and sf2 samples, instead of saw waves etc, like in Orion, only better. Anyone who has used Orion knows that there is great potential in the sample-synth player idea, but unfortunately, not in Orion. | ||
| Uncle E | Posted: 20th March 2001 21:19 | |
Does that mean you've got the FM Heaven, as well? Either that or the DX-G patch for SynC oughtta be able to do a much better job for basses than the VB-1, that is if they sound faithful to the original, could you comment?
NI got it right by having the FM7 read dx-100 patches, even my fs1r can't do that! | ||
| DavidGig | Posted: 21st March 2001 13:18 | |
On the subject of the VB-1: You know it can be made to sound quite good. I agree with Lotuz that the attack transients are much too strong. (They're actually modelled quite nicely, with lots of delicate information that sounds, to me, quite good. But just not like an electric bass.) I spent the longest time twiddling with the parameters to try to find the combo that tames them, but it turns out that what it needs is EQing. Try a massive (24dB) cut at 6000 Hz, with a Q just narrow enough so that the bass isn't weakened. If you're using Cubase, try a Q setting of 5 or 6. Now I'm quite happy with the instrument. (And thanks to sirius and Baesil for the banks they posted.)
Paul at Manytone, I would appreciate any details you can recall on the tuning issue. I have had some doubts, but I thought it was just a matter of enharmonic overtones--or something David Gigante Lawrence, Kansas | ||
| manytone | Posted: 21st March 2001 15:04 | |
Hi David
Well I dug out the info. It is in the Club Cubase mag issue 9 3 2000. Page 6 - News and Tech. It says: "The VB1 sounds slightly Detuned. "A" is not 440hz but actually 438hz. Watch for updates to cure this soon." And that's all it says. I have not checked this out yet but when I get a minute, I will go and take, and tune some samples and see whats up. Cheers Paul Brown Manytone Music [ 21 March 2001: Message edited by: manytone ] | ||
| David Abraham | Posted: 21st March 2001 17:00 | |
quote: yikes please don't say that, there are only 2 shipping softsynths that I can use. Pro52 and B4, everything else is either: not shipping, buggy, proprietary, un-interesting or too cpu intensive for my needs. I'm hoping at some point for the real "Native Power Pack" <g> to come from Native Instruments. Until they have a Rhodes, Acoustic Piano and multitimbral sampler on their roadmap I won't be satisfied. I'm also very curious to see what STL (VAZ) will come up with. -david abraham [ 21 March 2001: Message edited by: David Abraham Fenton ] | ||
| manytone | Posted: 21st March 2001 17:30 | |
Back to the tuning thing.
I just checked out my VB1. I took some samples at "C" and Analog X Autotune reports them as Being IN TUNE. But, The VB1 i got was downloaded after this announcement in the Cubase Mag, so it could have been fixed. Anybody got an old copy to check or other findings to report. I find it Strange that the official Magazine would report it, but nothing else has been said. Paul Brown | ||
| Jambo | Posted: 22nd March 2001 10:56 | |
quote: Wow, only 2 out of all the available ones BTW Surely B4 isn't actually a softsynth its a physically modelled organ | ||
| David Abraham | Posted: 22nd March 2001 16:55 | |
nope, the others aren't doing it for me
quote: Well I do plan to make extensive use of Cakewalk SONAR XL, and have been recently told that VAZ is incredible, so I'll certainly check out the DXi version. But as a musician I don't like my synths being locked into one platform. quote: Yeah the terminology is getting rough. How about "plug-in instrument"? Actually to me the B4 is so good that it deserves to be called an organ, period. -david abraham | ||
| Uncle E | Posted: 22nd March 2001 17:01 | |
quote | ||
| Uncle E | Posted: 22nd March 2001 17:03 | |
quote | ||
| David Abraham | Posted: 22nd March 2001 17:33 | |
quote: when you compare it to Reaktor I immediately think high cpu, low polyphony in the context of a sequencer. Also I'm not really into sound design. (yet) Is this the same product that recently merged with Native Instruments? "Dr Sync" or something like that? -david abraham | ||
| Uncle E | Posted: 22nd March 2001 19:50 | |
quote | ||
| David Abraham | Posted: 22nd March 2001 20:19 | |
quote: thanks Uncle E! I'll look into it right away. -david abraham | ||
| realmarco | Posted: 2nd February 2002 12:52 | |
the B4 isn't physical modelling its sample playback...
plus the b4 are samples played back thru some ingenious b3 FXs [ 02 February 2002, 15:53: Message edited by: realmarco ] | ||
| Horse | Posted: 2nd February 2002 12:57 | |
quote:I thought it was physical modelling...? H ![]() | ||
| realmarco | Posted: 2nd February 2002 13:41 | |
its not | ||
| bajongo | Posted: 2nd February 2002 14:13 | |
But it sounds good... | ||
| MadGav | Posted: 2nd February 2002 20:19 | |
quote:No, it comes as standalone, VSTi and DXi. Martin (VAZ Designs) | ||
| realmarco | Posted: 3rd February 2002 01:32 | |
nice signature bajongo hehe
yeah B4 does sound good...
[ 03 February 2002, 04:33: Message edited by: realmarco ] | ||
| Funkybot | Posted: 3rd February 2002 04:05 | |
How is the the B4 sample playback? If it was sample playback how can the drawbars have such a drastic effect on the sound. How could it possibly sound so good. From what I understand the B4 is actually additive synthesis. Do you know something we don't? I'm not trying to pick a fight, I'm just curious. | ||
| stratman | Posted: 3rd February 2002 06:46 | |
The B4 tonewheels are sample based. The rest of the instrument is physical modelling. Or so I heard. | ||
| Bram | Posted: 3rd February 2002 08:15 | |
Hi.
B4 works by playing back sampled tonewheel waveforms. When u slide a drawbar it mixes in more 'samples' at higher pitches. So, it's a bit like additive synthesis, but you don't use sine-waves as waveforms, but you use sampled tonewheel samples. Allso, the different tonewheels have constant amplitude so, the partials don't have separate envelopes. NI most likely did some optimalisation tricks to keep the CPU-usage down... One of the tricks they most likely used is this: If you have a note at C4 and open an octave drawbar (which sounds at C5) it mixes in a C5 tone. But, maybe you're allready pressing C5 too! Then it only needs to ampify the note @ C5. So what this boils down to is that you never -ever- have more than 127 oscs's going (and most of the time a LOT less). This makes the B4 a very CPU-friendly instrument... It's not a physical modeling instrument though. Physical modeling uses methods based on physics to generate tones. Most of the time you'd have things like strings, rods, plates and other vibrating stuff modeled inside the instrument which are "excited" by other stuff (modeled breath, modeled bowing, etc etc). cheers, Bram. | ||
| Jambo | Posted: 3rd February 2002 08:45 | |
quote:Hehe, well that post is nearly a year old now, I'm older and wiser in the ways of the world ![]() | ||
| MadGav | Posted: 3rd February 2002 10:04 | |
quote:lol, thought it was a new topic! Martin | ||
| Peter from LinPlug | Posted: 3rd February 2002 21:14 | |
quote:Well, if NI did it this way, they did it exactly like we did in daOrgan. Maybe perhaps because it's the way the B3 works ![]() | ||
| G. | Posted: 4th February 2002 06:43 | |
quote:Erm... that's me
Watch out for a new version of DX-G (1.9) in the next few days. On this same issue, no DX-7 clone emulates it prefectly. I tried them all and there is always a preset of the original Yamaha ROM set that sounds slightly weird. Cheers, G. |



![[Smile]](smile.gif)
![[Roll Eyes]](rolleyes.gif)
![[Big Grin]](biggrin.gif)







