Bazille 1.0
- KVRAF
- 1737 posts since 26 Feb, 2013 from Sweden
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basslinemaster basslinemaster https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=288258
- Banned
- 834 posts since 20 Sep, 2012
I think the emperor has no clothes... (I agree with you, in other words).recursive one wrote:It seems to be geared towards the sounds I don't consider ear-pleasing, simple as that. Any musically useful sound I have pulled out this thing can be done with lesser effort with other synths, especially Zebra.Numanoid wrote:So what you don't like about it?
After all , I'm a boring EDM guy with programming skills limited to basic sounds, may be that's the problem.
Last edited by basslinemaster on Tue Oct 28, 2014 10:52 pm, edited 1 time in total.
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- KVRAF
- 8414 posts since 4 Jul, 2012 from Alesia
Bazille rewards creativity. If you want a bread and butter synth then its obviously not going to be for you. If you want a good FM easy to use synthesizer then maybe check out Tone2 Nemesis.
I personally really enjoy Bazillle it's layout. Also the modular design is a great way to work with FM & PD synthesis.
I personally really enjoy Bazillle it's layout. Also the modular design is a great way to work with FM & PD synthesis.
- KVRAF
- 12355 posts since 7 May, 2006 from Southern California
Indeed. It's not an instant gratification synth... Well it is for me but I can understand that it may not be for others.V0RT3X wrote:Bazille rewards creativity. If you want a bread and butter synth then its obviously not going to be for you.
Bazille has a lot of sweet-spots but there is nothing preventing you from making unpleasant sounds. I find that there are very few synths which offer such flexibility to manipulate basic waveforms (without use of wavetables or other methods that provide limited paramaterization). I have yet to uncover all the ways that sounds can be twisted in Bazille.
I look at Bazille a tool box for exploring synthesis techniques rather than a collection of ready to use sounds.
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basslinemaster basslinemaster https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=288258
- Banned
- 834 posts since 20 Sep, 2012
I'm just waiting to hear sounds from it that I'd actually want to use, and also most (if not all, I haven't had time to listen to them all) of the preset demos in this thread sound very 'unmusical' to me (not the melodies, the presets themselves). Unpleasant to the ear.
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- KVRist
- 176 posts since 23 Nov, 2013 from Canada
My personal favorite way to use Bazille (and the purpose of my soundset) is to add some dirt or rawness to whatever I'm working on. It's like special sauce. It also helps that it's a lot of fun to use.
Last night I was working on a track in Serum and it needed something fresh and special so I loaded up a few Bazille's and was able to take my track further.
Last night I was working on a track in Serum and it needed something fresh and special so I loaded up a few Bazille's and was able to take my track further.
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- KVRAF
- 15517 posts since 13 Oct, 2009
This is exactly correct. If you aren't spending a LOT of time working with the oscillators in Bazille, then it probably isn't going to please you. After all, without the FM and PD detail in the oscillators, there isn't much interesting beyond the slightly non-standard choice of effects modules. There are effects that one can obtain with the oscillators that would require a much larger modular palette in a typical VA synth with standard oscillators.justin3am wrote:Indeed. It's not an instant gratification synth... Well it is for me but I can understand that it may not be for others.V0RT3X wrote:Bazille rewards creativity. If you want a bread and butter synth then its obviously not going to be for you.
Bazille has a lot of sweet-spots but there is nothing preventing you from making unpleasant sounds. I find that there are very few synths which offer such flexibility to manipulate basic waveforms (without use of wavetables or other methods that provide limited paramaterization). I have yet to uncover all the ways that sounds can be twisted in Bazille.
I find that it is indeed instant gratification once you start to understand the "cliches" that made FM and PD synthesis popular for certain sounds. I find it a lot less work, for example, to get a bass sound with snap that also has some brightness and character to it with Bazille than I do with Ace. By relying less on the filter for that dynamic snap, I find that it's easier to achieve a brighter sound. However, having the filter allows you to also tame the sound and add some filter character to it after the fact. I also find that pads are much more dynamic and interesting and that it's much easier to add motion to a sound because of all of the ways that you can vary the harmonic content of the oscillators.
It definitely shares some perception characteristics of Yamaha's DX family in that it's very easy to get bad/harsh sounds out of it by knob twiddling. It's also modular so I get the sense that people start imagining that all sorts of crazy routings will lead to out of this world sounds, mostly, they lead to noise. You really have to get down with the oscillators in detail to get "nice" sounds out of it, push the modulations too far and it will turn to crap.
It's certainly possible that for many "nice" sounds, you can get similar results with Zebra, I wouldn't know, I don't have Zebra, but, I didn't think that it was on the same level as Ace/Bazille/Diva in terms of modeling. It certainly wasn't the last time that I gave it a demo spin. My understanding is that the ZebraHZ has Diva's filters, but no multicore support? In any case, Bazille works my machine(s) so I have my doubts that I would be as satisfied with Zebra.
YMMV.
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- KVRist
- 441 posts since 7 Mar, 2011 from Pleasanton, CA
I am so enjoying these experiments. Is there any chance you'd publish them as an album to, say, Bandcamp, where I could buy them?
Cheers!
- Wes
Seasoned IT vet, Mac user, and lover of music. Always learning.
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- KVRAF
- 5664 posts since 7 Feb, 2013
I just downloaded the latest demo with the presets (the one I had installed earlier didn't have any so my opinion on it was based on my own tweaking attempts and online sound demos). Actually there are some very cool sounds amoung them - I just did realize Bazille may sound that nice. Somehow I had the impression that it is positioned as a "dirt machine"
But the synthesis concept is still alien to me. There may be a quick introduction for dummies somewhere by chance?
Now I have the impression that it might be a "better sounding Zebra" for me, a synth giving new edge to familiar sounds.
But the synthesis concept is still alien to me. There may be a quick introduction for dummies somewhere by chance?
Now I have the impression that it might be a "better sounding Zebra" for me, a synth giving new edge to familiar sounds.
Last edited by recursive one on Wed Oct 29, 2014 6:11 am, edited 1 time in total.
You may think you can fly ... but you better not try
- KVRAF
- 25420 posts since 3 Feb, 2005 from in the wilds
I agree with you about the Oscillators... but disagree that there isn't much else interesting. I have a few presets where all the sound design is via the filters and some complex feedback routing and modulation. Nobody would guess that it is only one Osc set to a sine wave.ghettosynth wrote:This is exactly correct. If you aren't spending a LOT of time working with the oscillators in Bazille, then it probably isn't going to please you. After all, without the FM and PD detail in the oscillators, there isn't much interesting beyond the slightly non-standard choice of effects modules.
The filters are a whole world of creative sound design by themselves.
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- KVRAF
- 15517 posts since 13 Oct, 2009
Well, yes, and there's four of them, there's also a pretty cool sequencer, but I don't think those are what really makes Bazille stand out. I think that we just have a different barometer for "interesting." If someone is saying "I can get the same thing out of a VA, say ACE", then, telling them that there are two more filters in Bazille isn't really worth THAT much.pdxindy wrote:I agree with you about the Oscillators... but disagree that there isn't much else interesting. I have a few presets where all the sound design is via the filters and some complex feedback routing and modulation. Nobody would guess that it is only one Osc set to a sine wave.ghettosynth wrote:This is exactly correct. If you aren't spending a LOT of time working with the oscillators in Bazille, then it probably isn't going to please you. After all, without the FM and PD detail in the oscillators, there isn't much interesting beyond the slightly non-standard choice of effects modules.
The filters are a whole world of creative sound design by themselves.
- KVRAF
- 1737 posts since 26 Feb, 2013 from Sweden
Thanks.wesleyt wrote:I am so enjoying these experiments. Is there any chance you'd publish them as an album to, say, Bandcamp, where I could buy them?
Cheers!
- Wes
Currently there are no such plans.
I do intend to invest more time composing the coming year which I'm sure will carry a lot of Bazille in it.
- KVRAF
- 1737 posts since 26 Feb, 2013 from Sweden