The Guitar Show (Show yours)
- KVRAF
- 3303 posts since 6 Jul, 2012 from Sick-cily
@polyslax: how sounds the Nik Huber Krautster? is Rock Addicted enough? she's looking very pretty to me but the sound?
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- KVRAF
- 8072 posts since 12 Dec, 2003 from Canada
Sounds very much as you'd imagine, a classic rock warm tone and a slight jangle in coil tap.Turello wrote:@polyslax: how sounds the Nik Huber Krautster? is Rock Addicted enough? she's looking very pretty to me but the sound?
Lots of video clips available to give you an idea, like:
https://www.youtube.com/watch?v=it-pc0FTzEE
here's a variation I wasn't aware of, includes a tone knob:
https://www.youtube.com/watch?v=18W0ape96mQ
there's also a Krautster II with a soap bar in the neck:
https://www.youtube.com/watch?v=x7NTv1BNegc
- KVRAF
- 3303 posts since 6 Jul, 2012 from Sick-cily
Never see\knowed this brand in Italy (very strange, for example the same happens with the Parker Adrian Belew Signature) but sounds gorgeous (love some grungy & noisy tones)..! :-q___________
probably my next guitar!!!
probably my next guitar!!!
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- KVRAF
- Topic Starter
- 6789 posts since 20 Jan, 2008
I believe the msrp of the Adrian Belew was $9000USD a bit much even for a parker. Belew jumped ship as soon as jtv's hit the market.
Synapse Audio Dune 3 I'm in love
- KVRAF
- 3303 posts since 6 Jul, 2012 from Sick-cily
pardon Tapper but what is jtv??? Anyway I just would wanna play she... :'(
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- KVRAF
- Topic Starter
- 6789 posts since 20 Jan, 2008
Joe Tyler Variax
In this video you'll see Adrian Belew first playing his Parker signature but later he's playing the jtv and wants the jtv over the Parker in the end.
https://www.youtube.com/watch?v=uxcpyPgTUsI
In this video you'll see Adrian Belew first playing his Parker signature but later he's playing the jtv and wants the jtv over the Parker in the end.
https://www.youtube.com/watch?v=uxcpyPgTUsI
Synapse Audio Dune 3 I'm in love
- KVRAF
- 16190 posts since 22 Nov, 2000 from Southern California
That's just too awesome. Try the Dimarzio Norton, Air Zone, and 36th Anniversay PAF, it's amazing how much difference there is between them.nix808 wrote:It will take any double coil-
I have to try and find the clippy connection bit though.
I will get my Duncans back in July- plan to set them up as swappable.
- KVRAF
- 16190 posts since 22 Nov, 2000 from Southern California
I took a tour of the Fender factory this morning and they told us that they've never pounded in any frets for this very reason. They use a press that pushes down evenly over the whole fret.JCJR wrote:Thanks Uncle E. What I had read long ago, said that when it comes to pounding in stainless frets, they are too springy and on conventional wood fingerboards, one end pops out as the other end is pounded in. Guess if that info was at all accurate, then it was at least somehow incomplete.
Interesting. I play nearly on top of the frets and have never had to change my frets, despite me being a complete bend addict. I play nearly on top of the frets because it intonates and sustains better, and because it keeps me from feeling the drag of the fretboard wood underneath my fingers when I bend.One friend who plays a LOT, has to get new geetars or have the neck reworked every few years because the brass frets wear out, but another old pro who plays just as much, claims hardly any wear. That fella claims that the secret is to make sure to play "almost on top" of the frets to minimize the strings' "metal sawing" action on the frets, but it seems difficult enough to finger anywhere between the frets, much less having to target "nearly on top of the frets".
Speaking of the Fender tour, at the end of it I got to have a custom guitar put together for me out of R&D parts that had been set aside and never released for sale. I picked out a Jazzmaster with a flamed maple top, mahogany back, double Seymour Duncan pickups, and single piece rosewood neck and fretboard. It looked like a cross between a Jazzmaster and an Artist model PRS. Unfortunately, when we tallied up the bill, I found out that the flamed maple top was a $500 upgrade, the rosewood neck was a $150 upgrade, the gold hardware was a $150 upgrade, and the Seymour Duncans were a $100 upgrade. I had to walk away from it.
- KVRAF
- 16190 posts since 22 Nov, 2000 from Southern California
I remember when you first posted pictures of this one in the other thread. These pictures are even nicer.polyslax wrote:
Does the coil tap split it or make it a lower wind humbucker? I once found an independent pickup builder who made a PAF replica that could be coil tapped to be a lower wind D'Armond/Gretsch-style humbucker. I've always wanted that.
- KVRAF
- 2353 posts since 3 Mar, 2010
I've got 5 right now:
1) PRS SE One (bought new in 2008):
Not thrilled with the output of the stock P-90 on this. I have a DiMarzio P-90 sized Super Distortion ready to be installed. Gonna split the coil and have the best of both worlds, hopefully.
2) Godin Multiac Jazz (bought new in 2002):
3) Gibson Flying V (bought new in 2006):
Two more to follow (didn't realize there was an attachment limit .
1) PRS SE One (bought new in 2008):
Not thrilled with the output of the stock P-90 on this. I have a DiMarzio P-90 sized Super Distortion ready to be installed. Gonna split the coil and have the best of both worlds, hopefully.
2) Godin Multiac Jazz (bought new in 2002):
3) Gibson Flying V (bought new in 2006):
Two more to follow (didn't realize there was an attachment limit .
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Last edited by bharris22 on Thu Apr 03, 2014 2:10 am, edited 1 time in total.
- KVRAF
- 2353 posts since 3 Mar, 2010
4) Martin J-15 (Mahogany top Jumbo, bought new in 2000):
5) 1930's Birch-top Stella (bought used (obviously ) in 2006):
I love them all . If things go well at work this year, I might treat myself to a new Godin 5th Avenue archtop around the holidays. Only problem is I have nowhere to put it.
5) 1930's Birch-top Stella (bought used (obviously ) in 2006):
I love them all . If things go well at work this year, I might treat myself to a new Godin 5th Avenue archtop around the holidays. Only problem is I have nowhere to put it.
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- KVRAF
- Topic Starter
- 6789 posts since 20 Jan, 2008
Wow, quite the collection. I was very very very tempted to purchase that same Godin back in 02. It's quite a different beast then the current A6 or Spectrum.
I've told everyone else this. Last year I went looking for jazz boxes. I tried the entire Godin semi hollow/ acoustic lineup including all the 5th ave's. They gave no love to me.
The original Kingpin (no cut) had the most redeeming value as it had that late thirties / 40's vibe down pat.
http://www.youtube.com/watch?v=IRmXyXyRFCM
But i just couldn't adapt to the necks on them to save my life so I passed. Later models (kingpin2. CW) don't have the same sound or near close.
I've told everyone else this. Last year I went looking for jazz boxes. I tried the entire Godin semi hollow/ acoustic lineup including all the 5th ave's. They gave no love to me.
The original Kingpin (no cut) had the most redeeming value as it had that late thirties / 40's vibe down pat.
http://www.youtube.com/watch?v=IRmXyXyRFCM
But i just couldn't adapt to the necks on them to save my life so I passed. Later models (kingpin2. CW) don't have the same sound or near close.
Synapse Audio Dune 3 I'm in love
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Mister Natural Mister Natural https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=164174
- KVRAF
- 2830 posts since 28 Oct, 2007 from michigan
speaking of Parkers . . .
my very slightly modified p42 :
mahogany body
maple neck
ebony board
grover machines
PRS knobs(the only thing from that company I can afford)
duncan/parker pickups - both tapped from the push/pull tone pot
I replaced the 3way switch witha "blend" pot that allows full-range of PU mix(I did this once before with my old Gibson L6) and it = 44+ different tones between the blending and the coil tapping
set-up courtesy of my tech, Steve at Elderly
E.Baggs "power" slinkys .11s
I use it primarily for leads / melodies / high gain lines. Not that it sounds congested in any way with cleans or chords, but those styles are where my strat excels
peace
my very slightly modified p42 :
mahogany body
maple neck
ebony board
grover machines
PRS knobs(the only thing from that company I can afford)
duncan/parker pickups - both tapped from the push/pull tone pot
I replaced the 3way switch witha "blend" pot that allows full-range of PU mix(I did this once before with my old Gibson L6) and it = 44+ different tones between the blending and the coil tapping
set-up courtesy of my tech, Steve at Elderly
E.Baggs "power" slinkys .11s
I use it primarily for leads / melodies / high gain lines. Not that it sounds congested in any way with cleans or chords, but those styles are where my strat excels
peace
expert only on what it feels like to be me
https://soundcloud.com/mrnatural-1/tracks
https://soundcloud.com/mrnatural-1/tracks
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- KVRAF
- Topic Starter
- 6789 posts since 20 Jan, 2008
Re balance as opposed to toggle switch. That has been running through my brain for years as something for my LR Baggs installing a pickup in the neck and using a blend for that and the piezo
I usually like to blend in just a bit of piezo with the magnetics in my P44
When your playing a jazz box you'll hear the bright sound coming from the guitar and a different sound coming from the amp. The audience doesn't hear the guitar acousically just the amplified output. That's what this fellow michigander does
http://www.youtube.com/watch?v=dPMjwjHlY2c
I usually like to blend in just a bit of piezo with the magnetics in my P44
When your playing a jazz box you'll hear the bright sound coming from the guitar and a different sound coming from the amp. The audience doesn't hear the guitar acousically just the amplified output. That's what this fellow michigander does
http://www.youtube.com/watch?v=dPMjwjHlY2c
Synapse Audio Dune 3 I'm in love
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- KVRAF
- Topic Starter
- 6789 posts since 20 Jan, 2008
Before I forget.Mister Natural wrote:speaking of Parkers . . .
my very slightly modified p42 :
mahogany body
maple neck
ebony board
grover machines
PRS knobs(the only thing from that company I can afford)
duncan/parker pickups - both tapped from the push/pull tone pot
I replaced the 3way switch witha "blend" pot that allows full-range of PU mix(I did this once before with my old Gibson L6) and it = 44+ different tones between the blending and the coil tapping
set-up courtesy of my tech, Steve at Elderly
E.Baggs "power" slinkys .11s
peace
Nice axe, thanks for sharing
Synapse Audio Dune 3 I'm in love