himalaya wrote:When talking about aftertouch (whether poly or mono) it's important to remember that the Seaboards have what's called 'continuous pressure'. This is very different to how 'aftertouch' works and allows for very smooth, continuous expression via pressure. This is especially great for sounds like woodwinds, bowed strings, brass....etc.
However, if this is not desired, and you'd want to have the traditional aftertouch response in your patch, then at least in Equator, it is easily possible to get the aftertouch response by creating a deep exponential expression curve in the PRESS modulation source.
Question, himalaya. How are you dealing with this in non-Equator synths? It's my only gripe with the Seaboard. The way these controllers work, it's very difficult to separate velocity from pressure. Most of the Equator presets mitigate this with deep expression curves for pressure (many ignore pressure altogether until a certain threshold).
I wish Roli would add that option to Dashboard. Heck, I could live with not drawing my own curves. Just give me a couple curve options.