Well, the context here is that this a serious hardware designer, who has a history of consistently calling what you describe a 4 stage envelope - and I believe nobody at this level would call an initial value (especially zero) an envelope "stage" (as it's just the start value of the attack stage).BONES wrote:No, but the IC they are using might allow for it as a fifth stage, which would be why the hardware designer might have accidentally called it a 5 stage envelope.You need to read comments in context.
I think he just made a mistake, but if it is 5 stage, I expect DADSR/HADSR or AHDSR as those are the "classic" five stage envelope types.
Yeah, that's a sensible idea for people using it on the move. I'll be using mine in a studio context as a sound module, so I'll mainly be controlling it via midi from DAWs and midi-controllers, but I do expect to use the built in multi-parameter sequencer. That seems ripe for making interesting loops for slicing and using elsewhere.You know that on UNO's front panel you can only adjust decay and sustain? You have to make changes to Attack and Release remotely through the editor software, a bit like the way Waldorf have a few parameters on the Rocket you can only access via software? It could be a bit limiting but if you save a few "init" patches with different Attack and Release settings, it will probably be easy enough to deal with.
That reminds me of a feature request (if not there already): a randomize patch parameters option. If done well, that can be a fun way to get happy accidents out of a synth eg the sub 37.
A randomize parameters for a single sequencer step option would be cool too.