Thanks, Tim! The sequencer is a 1:1 clone of the Moog 960, even down to the incandescent lamps instead of the usual LEDs. That means that it has three rows of eight steps each. Uisng the 962, you can alternate rows, giving you up to 24 steps.tconrardy wrote:had a listen
Nice sequencer work..how many stage is that?..so it sounds like you are aDDING STAGES BY HAND ( PRE-PROGRAMMED OF COURSE) ( opps capps off..sorry) and also adjusting the delay time. is the delay a module, or on your board?
Tim
I am indeed changing and rearranging the pattern on the fly. You can change the length of the pattern by flicking a switch below a given step, and you can skip steps. You can also create a patch with the 962 that allows you to play, say, steps 1-8, then 6-8, or whatever.
In addition, each stage has a separate trigger input and output. That means that you can send individual triggers out so that a different row plays a different rhythmic pattern from any other. These can also be routed through a 961 interface and then sent to more oscillators to play a different part (that's what i did here). It really is versatile, and lends itself to live performance. You can get a taste of it with the Arturia Moog Modular V, but that plug lacks the 961 and 962 modules that add so much functionality. This is only a little of what it can do. Take a look here to see more:
http://www.synthesizers.com/q960.html
You are right about the delay. I have a Blacet Time Machine analog delay module custom formatted to the Dotcom specs. It CV inputs to control all of its functions, though in this case, I was simply adjusting the mix and regeneration level by hand.