hear my new album "Lepidoptera"
- KVRAF
- Topic Starter
- 4146 posts since 10 Oct, 2002 from Nashville, TN USA
Yeah, the only thing really accessible about these is that they're short.Glassback wrote:Well, finally got chance to listen all the way through.
Nice sounds, nice soundscaping.
I guess I was hoping for something a bit more "accessible".
Have you ever done anything like this with your dub stuff for instance?
No, it's a rare thing for me to do a dub track. I have maybe five of them total. One day I'm gonna attempt a beautiful trip-hop album/EP, though. One day. Some groundwork has been done but nothing I'd post.
- KVRAF
- Topic Starter
- 4146 posts since 10 Oct, 2002 from Nashville, TN USA
Thanks. Kit is too numerable to mention. I like freeware and I have a lot of commercial stuff, too. But honestly, anyone could make albums like this all day long with nothing but a mic, a voice, free effects, and a full-featured wave editor. There is an entire world in the sound of a mic being scraped along a block of wood or the sound of a throat hissing and gurgling. Ya just gotta want it to become music is all.JerGoertz wrote:Wow, great soundscapes!
What kit did you use?
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- KVRAF
- 3983 posts since 20 Feb, 2004
Amen to that. I've created some pretty amazing (IMNHO ) granular patches in Absynth using some perhaps "unlikely" source .wav's.Shane Sanders wrote:There is an entire world in the sound of a mic being scraped along a block of wood or the sound of a throat hissing and gurgling. Ya just gotta want it to become music is all.
A well-behaved signature.
- KVRAF
- 8997 posts since 1 Aug, 2003
listened to (and enjoyed) tracks 7 and 8, very impressive stuff (as usual...)
too bad there's no DL.
too bad there's no DL.
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- KVRAF
- 2935 posts since 14 Dec, 2003 from Edinburgh
- KVRAF
- Topic Starter
- 4146 posts since 10 Oct, 2002 from Nashville, TN USA
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- KVRAF
- 6496 posts since 26 Nov, 2004 from Frederick, MD
I normalize all my finished tracks so they have maximum volume, but when I put them in a collection I then alter their volumes so they fit in the mix correctly. Since the project's unfinished I kind of assumed this was the case here.Shane Sanders wrote:I agree with you. I still have that "keep the levels pretty high" mentality and also have trouble keeping control over some mid-range freqs. My room isn't great, either, but I've learned how to compensate for that somewhat. Was there a particular track that suffered more or was it an across the board type thing?emdot_ambient wrote:M'kay, finished listening. Very nice, as expected. I know you're not finished but [critical mode] as a work overall I think their may need to be more volume variation. It seems to stay at a fairly consistent volume overall and some of the sections would sound better if they were a little quieter.[/critical mode]
As always, I love your pacing, sense of mystery, and the way you blend instrumentation.
Also, did you listen in headphones or speakers? I enjoy these much more as headphone experiences, but miss the low-end when doing that.
But the one track I found could in parts stand a little less overall volume was Phantom Pain (at least as far as I remember).
I do listen on headphones. Not the best for analyzing mixes, but as I always listen on the same headphones I can judge one mix against another consistently, knowing the headphone's biases as I do.