patchpool

Sampleconstruct · Post by **Sampleconstruct** » Thu May 23, 2013 4:57 pm

Here is a demo with 2 patches from the upcoming Set 28 - Duduk Synth and Mellow Vibra Scape:

http://soundcloud.com/sampleconstruct/d ... ibra-scape

Sampleconstruct · Post by **Sampleconstruct** » Fri May 24, 2013 6:11 am

Sampleconstruct wrote:Set 28 will also contain some vibraphone patches, as I sampled a nice vibra yesterday, here is a little vid made while working on the first vibra patch:

http://www.youtube.com/watch?v=Roc2zw9A3bM

Now that this vibra patch is ready I made another vid, in S2 a processed derivative of the original vibra recording (S1) is playing:

http://www.youtube.com/watch?v=bB6SXHKuI-I

Sampleconstruct · Post by **Sampleconstruct** » Sun May 26, 2013 7:27 am

And a demo combining 2 Iris patches from subscription set 28 - "Vibra Mystery" and "Cello Animal"
http://soundcloud.com/sampleconstruct/v ... llo-animal

Sampleconstruct · Post by **Sampleconstruct** » Mon May 27, 2013 9:12 am

And here is a video with the patch "Bowed Vibra Scape 01" from set 28 which I will release later today:
http://www.youtube.com/watch?v=B1qN8tF3XDE

Sampleconstruct · Post by **Sampleconstruct** » Mon May 27, 2013 10:46 am

Some info for Subscriptio Set 28 which I just released, links were sent out to all subcribers:
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Iris Subscription Set No. 28 uploaded on May 21 - 2013 containing 8 presets (119.6 MB) including:

Bowed Vibra Scape 01
Bowing a series of notes on a rented vibraphone which I had in my studio for one day and one night, then processing this recording with some spatial processors. The vibrato engine was activated during the recording. S1+2 play different segments/spectral selections of the same sample, S2 running in Non-Retrigger mode. The Modwheel adds temposynced amplitude modulation to both oscillators, please check the Macro page to see how the 6 assigned Macros modifiy the sound.

Cello Animal
A cellist playing textures behind the bridge of the instrument, S1-2 play different segments of the same sample. The volume of S2 is controlled by a slow LFO so it fades in and out, the Modwheel increases the overall volume of S2 and adds distortion. S2+3 run in Non-Retrigger Mode. Macros 1+2 (x/y) control Delay and Chorus Mix, inverted M3 controls LP filter cutoff, M4 adds pitch modulation to S1+2, M5 controls the speed of the modulation.

Duduk Synth
S1+2 play different segments and spectral aspects of a Duduk phrase, S1 running in Radius RT mode for timing preservation, S2 running in Non-Retrigger mode. S3 uses the sample of a faster Duduk phrase. The Modwheel adds temposynced pitch modulation to S2+3. Macros 1+2 control Delay/Reverb Mix, M3 reduces LP cutoff, M4 adds temposynced filter modulation, only audible when M3 is turned somewhat to the right.

Ethereal Vibra Sustain
The sample of the decay phase of a vibraphone chord processed with some spectral tools (GRM) is used in S1+2, The Sub Oscillator adds a noise-modulated sinewave. The Modwheel reduces LP filter cutoff and adds filter resonance. Macro 1 (x) adds temposynced amplitude modulation.

French Horn Cloud
A french horn playing a simple major scale downwards, recorded during the warmup just before the premiere of my latest orchestral composition staged in a church in Hamburg.
S1+2 play different aspects of this sample, S1 running in Non-Retrigger mode. The Modwheel adds fast random pitch modulation to S1, Macro 1 (x) adds a strange Delay, M2 adds mean distortion, also try very low notes with the distortion fully dialed in.

Harbour Tire
A field recording of a tire being squashed between a ship and the pier, recorded in the harbour of Hamburg. S1 uses the original sample, S2 plays a processed derivative made by treating the tires with a tuned combfilter. Both oscillators run in Non-Retrigger mode. The Modwheel reduces the LP filter cutoff and adds distortion. Please check the Macro page to see how the 6 assigned Macros modify the sound.

Mellow Vibra Scape
A longer vibraphone impro I played laying out some nice chords. Very narrow and dotted spectral slsections were applied in S1+2, S1 playing more horizontal, S2 playing more punctual/dotted.

Vibra Mystery
The sample of a rising vibraphone chord with the vibrato engine on, changing the vibrato speed while playing is used in S1+2. A spectralized derivative (GRM and more) of this sample running in Non-Retrigger mode is used in S3, bring in S3 with the Modwheel. Macros 1+2 control Reverb/Delay Mix, M3 adds square-shaped pitch modulation to S1+2, inverted M4 controls the modulation speed, M5 adds aliased distortion.

The subscription price was upped to € 58 Euro.

Sampleconstruct · Post by **Sampleconstruct** » Sat Jun 01, 2013 12:57 pm

Here is a demo for a new patch from Set 29 - "Altosax Multiphonic Dots" made from/with a multiphonic sample/sound played on an Alto Sax by a master of polyphonics, recorded in my studio:

http://soundcloud.com/sampleconstruct/a ... -dots-iris

Sampleconstruct · Post by **Sampleconstruct** » Sat Jun 01, 2013 4:35 pm

And a demo for "Eternal Vibra" from Set 29:
http://soundcloud.com/sampleconstruct/e ... -iris-demo

there is also a video if you want some visuals with it:
http://www.youtube.com/watch?v=hnKv6P5ndWk

Sampleconstruct · Post by **Sampleconstruct** » Thu Jun 06, 2013 4:36 pm

Another demo using the Iris patch "Dorian Horn Cloud" from the upcoming subscription set 29, processed with B2 Reverb:

http://soundcloud.com/sampleconstruct/d ... in-b2-iris

Sampleconstruct · Post by **Sampleconstruct** » Mon Jun 10, 2013 5:15 pm

Here is a demo for Iris patch "Orchestral Magic" from Set 29. Made from a processed recording with an orchestra warming up before a rehearsal. Some external reverb (VRoom) was used in the mix.

http://soundcloud.com/sampleconstruct/o ... vroom-iris

Sampleconstruct · Post by **Sampleconstruct** » Tue Jun 11, 2013 11:21 am

And a video with Iris patch "Tuning In" using the processed sample of an orchestra tuning in which I recorded recently before a rehearsal of my most recent orchestral work:

http://www.youtube.com/watch?v=tEJP4xbDFRI

Sampleconstruct · Post by **Sampleconstruct** » Wed Jun 12, 2013 2:46 pm

A vid with Violin Arpeggios in Iris, a patch from Set 29 which I will release later today:
http://www.youtube.com/watch?v=hRYcd8pwJLI

Sampleconstruct · Post by **Sampleconstruct** » Wed Jun 12, 2013 4:14 pm

Some infos for Set 29 which I just released:

Iris Subscription Set 29 uploaded on June 12- 2013 containing 6 presets (114.6 MB) including:

Altsax Multiphonic Dots
Oscillators 1+2 both use the sample of a multiphonic chord played on an alto sax. S1 uses a dotted spectral selection and S2 plays a horizontal spectral selection. Both oscillators run in Non-Retrigger mode.
The Modwheel controls multiple parameters, please open the "Mix" tab to see what is happening. M1 (x) adds random pitch modulation to S1, control the modulation speed with M2 (y). M3 controls Reverb Mix.

Dorian Horn Cloud
A sequence of harmonic glissandi (upwards) played on a french horn, processed with a granulator (crusherX) and the result retuned in Melodyne to a dorian scale. S1-3 play different segments and spectral aspects of the same long sample. Each oscillator has a LFO assigned to it's volume, they all run at different speeds, increase the speed of all 3 LFOs with Macro 4. Macros 1+2 control Delay Time/Mix, M4 reduces the LP cutoff.

Eternal Vibra
Another vibraphone beauty, I played a simple minor7 chord arpeggiated upwards, S1+2 play different spectral aspects of the same sample, S3 running in Non-Retrigger mode uses a processed derivative of this arpeggiated chord, bring it in with the Modwheel, which at the same time reduces the level of S1. Please check the Macro page to see how the 6 assigned Macros modify the sound.

Orchestral Magic
An orchestra warming up before the rehearsal of my composition Windschatten. I retuned this chaos with Melodyne to a pentatonic scale and did some other thing to the result as well. S1-3 play different spectral aspects and segments of this same long sample. S1+3 run in Non-Retrigger mode, bring in S3 with the Modwheel. Macro 1 increases the attack time of all 3 oscillators, M3+4 add differently shaped pitch modulation to S1+2, control the distortion amount of S3 with M5.

Tuning In
An orchestra tuning in before the rehearsal of my composition Windschatten.
S1 plays a broad spectral selection of this sample, bring it in with the Modwheel. S2 plays a very narrow spectral selection, both oscillators run in Non-Retrigger mode. Macro1+2 control LP cutoff and resonance, as the filter has an envelope applied to the cutoff, turning down M2 will make this enevelope curve audible, especially when the Modwheel is up. Add temposynced ampiitude modulation to S1 with Macro 3, Macros 4+5 control Chorus and Delay amount.

Violin Derivative
A sequence of fast violin arpeggios is used in S1+2. S1 plays a convoluted spectral selection of this sample, as the bandpass filter with a high resonance setting is follwing incoming midi pitch, you'll be able to play chords with distinct pitches. Turning up the Modwheel brings in the original violin sequence with no spectral selection, the MW also adds a slow filter modulation. Macros 1-3 control Reverb, Chorus and Distortion amount.

The subscription price has been upped to € 60 Euro.

Sampleconstruct · Post by **Sampleconstruct** » Wed Jun 19, 2013 5:04 pm

Here is a patch from the upcoming subscription set no. 30 - Polynesia:
http://soundcloud.com/sampleconstruct/p ... -patchpool

Sampleconstruct · Post by **Sampleconstruct** » Thu Jun 20, 2013 3:23 pm

And a demo for Iris patch "Hammering Harmonics" from set 30, some VVVerb was used to create the space around it.
http://soundcloud.com/sampleconstruct/h ... ics-in-vvv

Sampleconstruct · Post by **Sampleconstruct** » Thu Jun 27, 2013 10:03 am

Here is a demo for Iris patch "Brass Animal" from subscription set no. 30:
http://soundcloud.com/sampleconstruct/b ... -iris-demo

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