Here comes a rather cosmic demo track combining 5 new patches from the upcoming set. I had a long impro session live on tape yesterday using a plethora of synths and FX, then I isolated 12 samples from that session and irisised them, so here are some of those sounds:
http://soundcloud.com/sampleconstruct/s ... bscription
Iris subscription thread patchpool - fresh Iris 2 sounds
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286 - KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Set 44 was just released, here comes the info:
Iris Subscription Set 44, uploaded on May 13 - 2014 containing 12 presets (262.6 MB) including:
Big Filterscape Split
Electronic texture made with various synths processed with patches from DNA for Molekular. Each oscillator plays a different segment from the same sample, overlapping split, S1 mapped up to C4 (C5 in Iris), S2 mapped from C3 (C4) upwards. The inverted Modwheel controls LP filter cutoff. Macros 1+2 (x/y) control amount of Delay/Chorus FX. M3 adds temposynced amplitude modulation to both oscillators.
Bizarreness Split
Electronic texture made with various synths processed with patches from DNA for Molekular. Each oscillator plays a different segment and spectral selection from the same sample, overlapping split, S1 (running in Non-Retrigger mode) mapped from C2 upwards (C3 in Iris), S2 mapped up to C3 (C4). The Modwheel adds fast random pitch modulation to both oscillators. The FX section runs in Send-mode, Macro 1 (x) adds distortion to the lower sound (S2), M2 (y) adds Delay FX to the upper sound (S1). M3+4 are dedicated reverb sends for each osc.
Brain Pings
Two electronic textures made with various synths processed with patches from DNA for Molekular. S2+3 use the same sample, a perforated percussive texture (Rattle Hits), S2 running in Non-Retrigger mode playing the full frequency range. S1 uses the percussive sample Brain Ping. Each osc has a dedicated volume control (Macros 4-5). Apply pitch modulation to S2+3 using the Modwheel. The FX section is running in Send-mode, Macro 1 (x) adds Delay FX to S2+3, M2 (y) controls various delay parameters. M3 adds reverb to all oscillators.
Dark Droners Split
Two drones made with various synths processed with patches from DNA for Molekular split across the keyboard, overlapping split point C3 (C4 in Iris). S2+3 are layered and play different segments of the same drone. The inverted Modwheel controls LP filter cutoff. Macro 1 (x) controls amount of Delay FX, M2 introduces temposynced amplitude modulation to all oscillators. M3 adds flanging, M4 controls flanging speed.
Jetstream Droner Split
Two electronic textures made with various synths processed with patches from DNA for Molekular. S1+2 use the same sample (Phase Droner) playing different segments and spectral selections, mapped up to C3 (C4 in Iris). S3 (running in Non-Retrigger mode) uses a long tonal, rather cosmic texture mapped from C3 (C4) upwards. The inverted Modwheel controls LP filter cutoff. Macro 1 (x) adds temposynced pan modulation to the upper sound (S3), M2 (y) adds temposynced amplitude modulation to S1. M3 controls amount of temposynced Delay FX.
Nightingale Resynthed Split
The resynthesized/metasynthed field recording of a lovely nightingale singing outside my studio window is used in all three oscillators, playing different segments and spectral selections. S3 is mapped up to B2 (B3 in Iris), S1+2 (running in Non-Retrigger mode) are mapped from C3 (C4) upwards. All oscs have a tiny bit of pitch modulation applied. The Modwheel adds aliasing distortion and Chorus FX. Macros 1+2 (x/y) control amount of Delay/Reverb FX, M3 controls LP filter cutoff.
Nightingale Scape
A processed segment of the field recording of a nightingale (only the repeqting notes between the verses) singing outside my studio window is used in all three oscillators, each osc playing a different spectral band and segment of the same sample. S1 plays over the entire range, S2 is mapped from C3 (C4 in Iris) upwards, S3 is mapped up to C3 (C4). All oscillators are running in Non-Retrigger mode. S1+2 both have a slow LFO assigned to their volume, so they fade in and out at different speeds. The inverted Modwheel controls LP filter cutoff. Please have a look at the Macro section to see how the 5 assigned Macros affect the sound.
Oud Harmonics Texture Split
A textural Oud sample recorded during the first sample session for my Alchemy library Aqualignum is used in both oscillators, overlapping split point is C3 (C4 in Iris), both oscs are running in Non-Retrigger mode. The Modwheel adds pitch modulation. The FX section is running in Send-mode, Macro 1 (x) adds Chorus FX to the upper sound (S2), M1 adds distortion to the lower sound (S1). M3 adds Delay, inverted M4 controls LP filter cutoff (post FX send, so the high frequencies are still coming through the FX returns), M5 adds reverb.
Permutated Nightingale
A segment of a field recording (with the singing pauses cut out) of a lovely nightingale singing outside my studio window, processed/destroyed with Permut8. The 3 oscs are layered and all play different segments and spectral selections of the same long sample. S1+2 are running in Non-Retrigger mode. The Modwheel shifts the oscillator balance towards S3. S1+2 have pan modulation applied, so the birds fly around the stereo field. Macro 1 (x) adds Delay FX, M2 is assigned to various delay parameters. M3 adds random pitch modulation to S3. M4 adds a strange reverb ambience.
Stereo Hacker
Electronic texture made with various synths processed with patches from DNA for Molekular, both oscillators are playing different segments and spectral selections of the same sample, osc 2 has pan modulation applied, osc 1 is running in Non-Retrigger mode. Each osc has a dedicated volume control (Macros 3+4), Macros 1+2 control amount of Delay/Chorus FX. The inverted Modwheel controls LP filter cutoff.
Stretched Valium Split
Electronic texture made with Spectral, processed with a patch from DNA for Molekular, timestretched with RX3. Both oscillators use the same sample, both running in Non-Retrigger mode, overlapping split point is C3 (C4 in Iris). Modwheel adds Chorus FX. Macro 1 (x) adds temposynced amplitude modulation to the lower sound, M2 (y) controls LP cutoff, M3 adds Delay FX.
Vivid Arp Scape Split
Electronic texture made with various synths processed with patches from DNA for Molekular. All 3 oscillators use the same long textural sample, osc 1+2 are layered with an offset using the first half of the sound, S3 plays the second half - overlapping split point is G3 (G4 in Iris). The inverted Modwheel controls LP filter cutoff., with MW up the envelope modulation applied to filter cutoff becomes audible. Macros 1+2 (x/y) control amount of Delay/Chorus FX, M3 introduces pan modulation to all oscs.
----
Here is video with a patch walkthrough from set 44:
http://www.youtube.com/watch?v=ybLBNvtgUXs
The subscription price has been upped to € 105, the collection now contains 319 patches including 6.79 Gigabytes of samples.
Iris Subscription Set 44, uploaded on May 13 - 2014 containing 12 presets (262.6 MB) including:
Big Filterscape Split
Electronic texture made with various synths processed with patches from DNA for Molekular. Each oscillator plays a different segment from the same sample, overlapping split, S1 mapped up to C4 (C5 in Iris), S2 mapped from C3 (C4) upwards. The inverted Modwheel controls LP filter cutoff. Macros 1+2 (x/y) control amount of Delay/Chorus FX. M3 adds temposynced amplitude modulation to both oscillators.
Bizarreness Split
Electronic texture made with various synths processed with patches from DNA for Molekular. Each oscillator plays a different segment and spectral selection from the same sample, overlapping split, S1 (running in Non-Retrigger mode) mapped from C2 upwards (C3 in Iris), S2 mapped up to C3 (C4). The Modwheel adds fast random pitch modulation to both oscillators. The FX section runs in Send-mode, Macro 1 (x) adds distortion to the lower sound (S2), M2 (y) adds Delay FX to the upper sound (S1). M3+4 are dedicated reverb sends for each osc.
Brain Pings
Two electronic textures made with various synths processed with patches from DNA for Molekular. S2+3 use the same sample, a perforated percussive texture (Rattle Hits), S2 running in Non-Retrigger mode playing the full frequency range. S1 uses the percussive sample Brain Ping. Each osc has a dedicated volume control (Macros 4-5). Apply pitch modulation to S2+3 using the Modwheel. The FX section is running in Send-mode, Macro 1 (x) adds Delay FX to S2+3, M2 (y) controls various delay parameters. M3 adds reverb to all oscillators.
Dark Droners Split
Two drones made with various synths processed with patches from DNA for Molekular split across the keyboard, overlapping split point C3 (C4 in Iris). S2+3 are layered and play different segments of the same drone. The inverted Modwheel controls LP filter cutoff. Macro 1 (x) controls amount of Delay FX, M2 introduces temposynced amplitude modulation to all oscillators. M3 adds flanging, M4 controls flanging speed.
Jetstream Droner Split
Two electronic textures made with various synths processed with patches from DNA for Molekular. S1+2 use the same sample (Phase Droner) playing different segments and spectral selections, mapped up to C3 (C4 in Iris). S3 (running in Non-Retrigger mode) uses a long tonal, rather cosmic texture mapped from C3 (C4) upwards. The inverted Modwheel controls LP filter cutoff. Macro 1 (x) adds temposynced pan modulation to the upper sound (S3), M2 (y) adds temposynced amplitude modulation to S1. M3 controls amount of temposynced Delay FX.
Nightingale Resynthed Split
The resynthesized/metasynthed field recording of a lovely nightingale singing outside my studio window is used in all three oscillators, playing different segments and spectral selections. S3 is mapped up to B2 (B3 in Iris), S1+2 (running in Non-Retrigger mode) are mapped from C3 (C4) upwards. All oscs have a tiny bit of pitch modulation applied. The Modwheel adds aliasing distortion and Chorus FX. Macros 1+2 (x/y) control amount of Delay/Reverb FX, M3 controls LP filter cutoff.
Nightingale Scape
A processed segment of the field recording of a nightingale (only the repeqting notes between the verses) singing outside my studio window is used in all three oscillators, each osc playing a different spectral band and segment of the same sample. S1 plays over the entire range, S2 is mapped from C3 (C4 in Iris) upwards, S3 is mapped up to C3 (C4). All oscillators are running in Non-Retrigger mode. S1+2 both have a slow LFO assigned to their volume, so they fade in and out at different speeds. The inverted Modwheel controls LP filter cutoff. Please have a look at the Macro section to see how the 5 assigned Macros affect the sound.
Oud Harmonics Texture Split
A textural Oud sample recorded during the first sample session for my Alchemy library Aqualignum is used in both oscillators, overlapping split point is C3 (C4 in Iris), both oscs are running in Non-Retrigger mode. The Modwheel adds pitch modulation. The FX section is running in Send-mode, Macro 1 (x) adds Chorus FX to the upper sound (S2), M1 adds distortion to the lower sound (S1). M3 adds Delay, inverted M4 controls LP filter cutoff (post FX send, so the high frequencies are still coming through the FX returns), M5 adds reverb.
Permutated Nightingale
A segment of a field recording (with the singing pauses cut out) of a lovely nightingale singing outside my studio window, processed/destroyed with Permut8. The 3 oscs are layered and all play different segments and spectral selections of the same long sample. S1+2 are running in Non-Retrigger mode. The Modwheel shifts the oscillator balance towards S3. S1+2 have pan modulation applied, so the birds fly around the stereo field. Macro 1 (x) adds Delay FX, M2 is assigned to various delay parameters. M3 adds random pitch modulation to S3. M4 adds a strange reverb ambience.
Stereo Hacker
Electronic texture made with various synths processed with patches from DNA for Molekular, both oscillators are playing different segments and spectral selections of the same sample, osc 2 has pan modulation applied, osc 1 is running in Non-Retrigger mode. Each osc has a dedicated volume control (Macros 3+4), Macros 1+2 control amount of Delay/Chorus FX. The inverted Modwheel controls LP filter cutoff.
Stretched Valium Split
Electronic texture made with Spectral, processed with a patch from DNA for Molekular, timestretched with RX3. Both oscillators use the same sample, both running in Non-Retrigger mode, overlapping split point is C3 (C4 in Iris). Modwheel adds Chorus FX. Macro 1 (x) adds temposynced amplitude modulation to the lower sound, M2 (y) controls LP cutoff, M3 adds Delay FX.
Vivid Arp Scape Split
Electronic texture made with various synths processed with patches from DNA for Molekular. All 3 oscillators use the same long textural sample, osc 1+2 are layered with an offset using the first half of the sound, S3 plays the second half - overlapping split point is G3 (G4 in Iris). The inverted Modwheel controls LP filter cutoff., with MW up the envelope modulation applied to filter cutoff becomes audible. Macros 1+2 (x/y) control amount of Delay/Chorus FX, M3 introduces pan modulation to all oscs.
----
Here is video with a patch walkthrough from set 44:
http://www.youtube.com/watch?v=ybLBNvtgUXs
The subscription price has been upped to € 105, the collection now contains 319 patches including 6.79 Gigabytes of samples.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Another track using several patches from the upcoming set no. 45 - 100% Iris:
http://soundcloud.com/sampleconstruct/a ... bscription
http://soundcloud.com/sampleconstruct/a ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set 45:
Iris Subscription Set 45, uploaded on June 8 - 2014 containing 9 presets (231.8 MB) including:
Ambient Guitar Scape Split
The long sample of a repeated chord arpeggio played on an electric guitar processed with various things is used in all three oscillators.
Osc 1+2 are mapped up to C3 (C4 in Iris) and play the same segment but with inverted frequency selections. The Modwheel is assigned to the volume of Osc 2, turn up the wheel to get the full sonic picture. Osc 3, mapped from C3 (C4 in Iris) upwards, plays the reverb tail of the sample looped back and forth with a slow LFO modulating pan position. Macros 1+2 (x/y) control amount of Delay/Distortion FX, M3 controls LP cutoff, M4 introduces temposynced amplitude modulation to S1+2.
Ebow Being Split
Two samples with processed ebowed electric guitar split across the keyboard. S1 plays from C3 (C4 in Iris) upwards, S2 plays from C3 (C4) downwards. The Modwheel introduces temposynced pitch modulation. Macros 1+2 (x/y) control amount of Delay/Reverb FX, M3 controls LP cutoff, M4 adds Chorus FX, M5 controls various parameters of the chorus.
EBow Harmonic Organism
Two samples with processed ebowed electric guitar layered in S1+2, both oscs are playing in Non-Retrigger mode. The Modwheel adds Chorus+Distortion FX, Macro 2 (y) controls LP cutoff, M1 (x) introduces temposynced filter modulation. Balance tthe 2 oscillators using Macros 3+4, M5+6 add pan modulation, M7 adds Delay FX, M8 adds reverb.
Ebow Lead Scape
The same sample of a processed ebowed electric guitar is used in both oscillators, S1 has a dedicated volume control (Macro 1/x). Both oscs play in Non-Retrigger mode. The Modwheel adds pitch modulation. M2 (y) controls LP cutoff, M3 adds Delay FX, M4 adds aliasing distortion, M5 controls amount of reverb. Glide is activated.
Ebow Mayhem Split
The same sample of a processed ebowed electric guitar reminding of an alien animal is used in both oscillators, each one playing a different segment/spectral selection and split across the keyboard, the split point is located at C3/C#3 (C4/C#4 in Iris). Both oscillators are playing in Non-Retrigger mode. The Modwheel adds fast random pitch modulation to both oscs. Macros 1+2 control amount of Delay/Reverb FX, M3 controls LP cutoff.
Echo Loop Layers 98BPM
The long sample of an electronic rhythmical loop produces with Filterscape VA and various delay processors is used in all 3 oscillators, all oscs are playing in Radius RT mode which preserves the original tempo of the loop (98 BPM), if you want to alter the loop speed, switch to "Resample"-mode. Each osc has a dedicated volume control (Macros 3-4). M1+2 (x/y) control amount of Phaser/Distortion FX, M6 adds pitch modulation, M7 controls reverb amount, M8 controls various reverb parameters. The inverted Modwheel is assigned to LP filter cutoff.
Guitar Monster Split
The same long sample of a processed electric guitar is used i all 3 oscillators, each one playing a different segment/spectral selection and split across the keyboard:
Osc 2 - C-2 - C3 (C-1 - C4 in Iris), Osc 1 - C3 - C5 (C4 - C6), Osc 3 - C5 upwards (C6 upwards). S1+2 are playing in Non-Retrigger mode. The Modwheel adds temposynced amplitude modulation to all oscs. Macro 2 (y) controls LP cutoff, M1 (x) introduces temposynced filter modulation. M3+4 control amount of delay/delay time, M5 controls release time, M6 introduces distortion.
Spectral Harmonics Split
A drone/pad sound with rich harmonics made with Spectral and HALion 5, two samples at different pitches were produced (C1/C4), the oscillators in Iris overlap between C2 – C3 (C3/C4 in Iris). The Modwheel introduces temposynced amplitude modulation. Macro 1 adds Chorus FX, M2 (y) controls LP cutoff. M3 adds Delay FX, M4 controls release time, M5 controls reverb amount.
TamTam Scrapes
The sample of a Tamtam (gong) scraped with a drumstick is used in both oscillators, S2 playing the inverted frequency selection of S1 and tuned down an octave, both oscs are running in Non-Retrigger mode. The volume of S2 is assigned to Macro 3. The Modwheel adds noise-shaped pitch modulation. M1+2 (x/y) control amount/speed of Chorus FX, M4 adds delay, M5 controls delay time (tweak the knob for interesting pitch modulation effects), M6 adds reverb.
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We now have 328 patches including 7.03 Gigabytes of samples in the iris subscription. I'll be sending out the links to all subscribers in a minute.
Iris Subscription Set 45, uploaded on June 8 - 2014 containing 9 presets (231.8 MB) including:
Ambient Guitar Scape Split
The long sample of a repeated chord arpeggio played on an electric guitar processed with various things is used in all three oscillators.
Osc 1+2 are mapped up to C3 (C4 in Iris) and play the same segment but with inverted frequency selections. The Modwheel is assigned to the volume of Osc 2, turn up the wheel to get the full sonic picture. Osc 3, mapped from C3 (C4 in Iris) upwards, plays the reverb tail of the sample looped back and forth with a slow LFO modulating pan position. Macros 1+2 (x/y) control amount of Delay/Distortion FX, M3 controls LP cutoff, M4 introduces temposynced amplitude modulation to S1+2.
Ebow Being Split
Two samples with processed ebowed electric guitar split across the keyboard. S1 plays from C3 (C4 in Iris) upwards, S2 plays from C3 (C4) downwards. The Modwheel introduces temposynced pitch modulation. Macros 1+2 (x/y) control amount of Delay/Reverb FX, M3 controls LP cutoff, M4 adds Chorus FX, M5 controls various parameters of the chorus.
EBow Harmonic Organism
Two samples with processed ebowed electric guitar layered in S1+2, both oscs are playing in Non-Retrigger mode. The Modwheel adds Chorus+Distortion FX, Macro 2 (y) controls LP cutoff, M1 (x) introduces temposynced filter modulation. Balance tthe 2 oscillators using Macros 3+4, M5+6 add pan modulation, M7 adds Delay FX, M8 adds reverb.
Ebow Lead Scape
The same sample of a processed ebowed electric guitar is used in both oscillators, S1 has a dedicated volume control (Macro 1/x). Both oscs play in Non-Retrigger mode. The Modwheel adds pitch modulation. M2 (y) controls LP cutoff, M3 adds Delay FX, M4 adds aliasing distortion, M5 controls amount of reverb. Glide is activated.
Ebow Mayhem Split
The same sample of a processed ebowed electric guitar reminding of an alien animal is used in both oscillators, each one playing a different segment/spectral selection and split across the keyboard, the split point is located at C3/C#3 (C4/C#4 in Iris). Both oscillators are playing in Non-Retrigger mode. The Modwheel adds fast random pitch modulation to both oscs. Macros 1+2 control amount of Delay/Reverb FX, M3 controls LP cutoff.
Echo Loop Layers 98BPM
The long sample of an electronic rhythmical loop produces with Filterscape VA and various delay processors is used in all 3 oscillators, all oscs are playing in Radius RT mode which preserves the original tempo of the loop (98 BPM), if you want to alter the loop speed, switch to "Resample"-mode. Each osc has a dedicated volume control (Macros 3-4). M1+2 (x/y) control amount of Phaser/Distortion FX, M6 adds pitch modulation, M7 controls reverb amount, M8 controls various reverb parameters. The inverted Modwheel is assigned to LP filter cutoff.
Guitar Monster Split
The same long sample of a processed electric guitar is used i all 3 oscillators, each one playing a different segment/spectral selection and split across the keyboard:
Osc 2 - C-2 - C3 (C-1 - C4 in Iris), Osc 1 - C3 - C5 (C4 - C6), Osc 3 - C5 upwards (C6 upwards). S1+2 are playing in Non-Retrigger mode. The Modwheel adds temposynced amplitude modulation to all oscs. Macro 2 (y) controls LP cutoff, M1 (x) introduces temposynced filter modulation. M3+4 control amount of delay/delay time, M5 controls release time, M6 introduces distortion.
Spectral Harmonics Split
A drone/pad sound with rich harmonics made with Spectral and HALion 5, two samples at different pitches were produced (C1/C4), the oscillators in Iris overlap between C2 – C3 (C3/C4 in Iris). The Modwheel introduces temposynced amplitude modulation. Macro 1 adds Chorus FX, M2 (y) controls LP cutoff. M3 adds Delay FX, M4 controls release time, M5 controls reverb amount.
TamTam Scrapes
The sample of a Tamtam (gong) scraped with a drumstick is used in both oscillators, S2 playing the inverted frequency selection of S1 and tuned down an octave, both oscs are running in Non-Retrigger mode. The volume of S2 is assigned to Macro 3. The Modwheel adds noise-shaped pitch modulation. M1+2 (x/y) control amount/speed of Chorus FX, M4 adds delay, M5 controls delay time (tweak the knob for interesting pitch modulation effects), M6 adds reverb.
----
We now have 328 patches including 7.03 Gigabytes of samples in the iris subscription. I'll be sending out the links to all subscribers in a minute.
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Here comes a demo for a new Iris patch from the upcoming subscription set 46, derived from a field recording I made in a Moscow church during an easter mass:
http://soundcloud.com/sampleconstruct/e ... bscription
and another one:
http://soundcloud.com/sampleconstruct/p ... bscription
http://soundcloud.com/sampleconstruct/e ... bscription
and another one:
http://soundcloud.com/sampleconstruct/p ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Here is another demo track combining six patches from the upcoming set, which uses my new Psaltery as the main instrument for source samples.
http://soundcloud.com/sampleconstruct/l ... bscription
http://soundcloud.com/sampleconstruct/l ... bscription
-
Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Here comes the release info for set 46:
Iris Subscription Set 46 uploaded on June 29 - 2014 containing 8 presets (219.3 MB) including:
Bowed Psaltery Melancholy Split
S1 in the high register plays a long bowed psaltery soundscape repeating the same motif with variations, granulated and reverbrated. S2 in the low register plays a sample with layered and processed trombone swells borrowed from my HALion 5-library Sonic Cinema. S3 (also high register) only plays the reverb tail of the sample used in S1. S1+2 play in Non-Retrigger mode, split point is B2/C3 (B3/C4 in Iris). Control the volume of S3 using Macro 3. M2 (y) controls LP filter cutoff, M1 (x) adds Delay FX. M4 controls amount of Chorus FX, M5 controls chorus depth. The Modhweel introduces noise-shaped pitch modulation to the psaltery scape and temposynced ramp-up-shaped modulation to the brass sounds.
Easter Mass Split
I recorded the long field recording used in this patch during an easter mass in a Moscow church, packed with hundreds of people, priests and choir singers. The sample is split up into 3 segments with different spectral selections playing in the 3 oscillators. S1 mapped up to C2 (C3 in Iris). S2 mapped from C2 (C3) - B3 (B4), S3 mapped from C4 (C5) upwards. S2+3 play in Non-Retrigger mode.The Modwheel adds distortion. M1 (x) controls amount of Delay FX, M2 (y) controls LP cutoff. M3 adds pitch modulation to all oscs, M4 controls modulation speed.
Plucked Psaltery Split
A multisampled psaltery patch, using 3 plectrum-plucked notes split across the keyboard with some spectral action during the looped decay phase. Split points are F3/F#3 (F4/F#4) and overlapping at C5 (C6). The Modwheel adds a tad of pitch modulation, introduce distortion with Macro 3, control LP cutoff with M4. Smoothen the attack with M5. M1+2 (x/y) control amount of Delay/Chorus FX, M6 controls reverb amount.
Psaltery Dots
The soundscape used in this patch was created by sending one of my Spectral patches from Spectral Excursions into a convolution reverb, using a psaltery octave-texture as the impulse response. Both oscillators use the same sample, the spectral selection in S1 - playing in Non-Retrigger mode - is extremely dotted (took about 2 hours to paint - LOL), S2 uses only the reverb tail. Both oscs have dedicated volume controls (Macros 3+4), S2 can be tuned down an octave using M5. M1 (x) adds square-shaped pitch modulation to S1 (+/- 1 octave with M1 fully engaged), M2 (y) controls modulation speed. Macros 6-8 conrol amount of Chorus/Delay/Reverb FX.
Psaltery Dream Scape Split
The sample of a sequence with processed psaltery intervals is playing in S1+3, mapped from C2 (C3 in Iris) upwards, S3 using only the reverb tail. S2 mapped up to C2 (C3) uses a soundscape made by sending one of my Spectral patches from Spectral Excursions into a convolution reverb, using a psaltery texture as the impulse response. The Modwheel introduces square-shaped, temposynced (triplet-based) pitch modulation to S1+2, +/- 1 octave with the wheel fully engaged. S2+3 play in Non-Retrigger mode. M1+2 (x/y) control amount of temposynced filter modulation (also triplet based) and LP filter cutoff. M3 controls the volume of S3, M4 controls amount of Delay FX.
Psaltery Drone And Riser Split
A long processed bowed psaltery drone is playing in S1, S2 uses a processed psaltery arpeggio, overlapping split point is C3 (C4 in Iris). S1 plays in Non-Retrigger mode. The Modwheel introduces temposynced amplitude modulation to both oscillators. M1 (x) adds Phaser FX, M2 (y) controls LP filter cutoff. With M2 turned downwards, the slowly rising filter envelope becomes audible. M3 controls amount of Delay FX, M4 controls delay time/feedback.
Psaltery Scale Scape
A rising plucked psaltery scale processed with various things is playing in both oscillators, S2 looping backwards/forwards for reverse effects. The Modwheel adds random pitch modulation to both oscs, control modulation speed with Macro 3. The FX section is runnin in Send-mode, M1 controls delay send for both oscs, M2 (y) controls delay time/feedback. M4 controls LP filter cutoff, when dialed to the left it also reduces the reverb send amount, as Iris' FX sends are routed pre-filter, so if you want a dull/filtered sounds, also turn down the delay send. M5 adds chorus to S1, M6 controls the sustain level of S2.
Psaltery Tremolo Duet Split
Two psaltery textures with tremoli/repetitions are used in this patch. S1 plays a bowed tremolo, mapped up to B2 (B3 in iris), S2 uses a texture played with Glockenspiel mallets on one note. Both sampes play in Non-Retriger mode. The inverted Modwheel controls LP filter cutoff. Macros 1+2 (x/y) control amount of Delay/Chorus FX. M3 introduces pan modulation to both oscillators, control modulation speed with M4. M5 adds distortion, M6 controls the amount of reverb.
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The subscription price was upped to € 110 EUR (paypal), the subscription now contains 336 patches making use of 7.25 Gigabytes of samples.
Iris Subscription Set 46 uploaded on June 29 - 2014 containing 8 presets (219.3 MB) including:
Bowed Psaltery Melancholy Split
S1 in the high register plays a long bowed psaltery soundscape repeating the same motif with variations, granulated and reverbrated. S2 in the low register plays a sample with layered and processed trombone swells borrowed from my HALion 5-library Sonic Cinema. S3 (also high register) only plays the reverb tail of the sample used in S1. S1+2 play in Non-Retrigger mode, split point is B2/C3 (B3/C4 in Iris). Control the volume of S3 using Macro 3. M2 (y) controls LP filter cutoff, M1 (x) adds Delay FX. M4 controls amount of Chorus FX, M5 controls chorus depth. The Modhweel introduces noise-shaped pitch modulation to the psaltery scape and temposynced ramp-up-shaped modulation to the brass sounds.
Easter Mass Split
I recorded the long field recording used in this patch during an easter mass in a Moscow church, packed with hundreds of people, priests and choir singers. The sample is split up into 3 segments with different spectral selections playing in the 3 oscillators. S1 mapped up to C2 (C3 in Iris). S2 mapped from C2 (C3) - B3 (B4), S3 mapped from C4 (C5) upwards. S2+3 play in Non-Retrigger mode.The Modwheel adds distortion. M1 (x) controls amount of Delay FX, M2 (y) controls LP cutoff. M3 adds pitch modulation to all oscs, M4 controls modulation speed.
Plucked Psaltery Split
A multisampled psaltery patch, using 3 plectrum-plucked notes split across the keyboard with some spectral action during the looped decay phase. Split points are F3/F#3 (F4/F#4) and overlapping at C5 (C6). The Modwheel adds a tad of pitch modulation, introduce distortion with Macro 3, control LP cutoff with M4. Smoothen the attack with M5. M1+2 (x/y) control amount of Delay/Chorus FX, M6 controls reverb amount.
Psaltery Dots
The soundscape used in this patch was created by sending one of my Spectral patches from Spectral Excursions into a convolution reverb, using a psaltery octave-texture as the impulse response. Both oscillators use the same sample, the spectral selection in S1 - playing in Non-Retrigger mode - is extremely dotted (took about 2 hours to paint - LOL), S2 uses only the reverb tail. Both oscs have dedicated volume controls (Macros 3+4), S2 can be tuned down an octave using M5. M1 (x) adds square-shaped pitch modulation to S1 (+/- 1 octave with M1 fully engaged), M2 (y) controls modulation speed. Macros 6-8 conrol amount of Chorus/Delay/Reverb FX.
Psaltery Dream Scape Split
The sample of a sequence with processed psaltery intervals is playing in S1+3, mapped from C2 (C3 in Iris) upwards, S3 using only the reverb tail. S2 mapped up to C2 (C3) uses a soundscape made by sending one of my Spectral patches from Spectral Excursions into a convolution reverb, using a psaltery texture as the impulse response. The Modwheel introduces square-shaped, temposynced (triplet-based) pitch modulation to S1+2, +/- 1 octave with the wheel fully engaged. S2+3 play in Non-Retrigger mode. M1+2 (x/y) control amount of temposynced filter modulation (also triplet based) and LP filter cutoff. M3 controls the volume of S3, M4 controls amount of Delay FX.
Psaltery Drone And Riser Split
A long processed bowed psaltery drone is playing in S1, S2 uses a processed psaltery arpeggio, overlapping split point is C3 (C4 in Iris). S1 plays in Non-Retrigger mode. The Modwheel introduces temposynced amplitude modulation to both oscillators. M1 (x) adds Phaser FX, M2 (y) controls LP filter cutoff. With M2 turned downwards, the slowly rising filter envelope becomes audible. M3 controls amount of Delay FX, M4 controls delay time/feedback.
Psaltery Scale Scape
A rising plucked psaltery scale processed with various things is playing in both oscillators, S2 looping backwards/forwards for reverse effects. The Modwheel adds random pitch modulation to both oscs, control modulation speed with Macro 3. The FX section is runnin in Send-mode, M1 controls delay send for both oscs, M2 (y) controls delay time/feedback. M4 controls LP filter cutoff, when dialed to the left it also reduces the reverb send amount, as Iris' FX sends are routed pre-filter, so if you want a dull/filtered sounds, also turn down the delay send. M5 adds chorus to S1, M6 controls the sustain level of S2.
Psaltery Tremolo Duet Split
Two psaltery textures with tremoli/repetitions are used in this patch. S1 plays a bowed tremolo, mapped up to B2 (B3 in iris), S2 uses a texture played with Glockenspiel mallets on one note. Both sampes play in Non-Retriger mode. The inverted Modwheel controls LP filter cutoff. Macros 1+2 (x/y) control amount of Delay/Chorus FX. M3 introduces pan modulation to both oscillators, control modulation speed with M4. M5 adds distortion, M6 controls the amount of reverb.
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The subscription price was upped to € 110 EUR (paypal), the subscription now contains 336 patches making use of 7.25 Gigabytes of samples.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Here comes a fresh demo combining several Iris patches from the upcoming subscription set no. 47 - some volume automation, 100% Iris:
http://soundcloud.com/sampleconstruct/e ... -iris-demo
http://soundcloud.com/sampleconstruct/e ... -iris-demo
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- KVRAF
- 35295 posts since 14 Sep, 2002 from In teh net
OK this is weird, the last email I have for this is set 43 - how have I missed 3?
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
I have no idea, ask your spam folder maybe, you´re always on the list and I did not get any bounces lately. I'll send you the respective emails in a minute.aMUSEd wrote:OK this is weird, the last email I have for this is set 43 - how have I missed 3?
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- KVRAF
- 35295 posts since 14 Sep, 2002 from In teh net
Yeah that's the first thing I checked - thanks anyway for the quick response as usual
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
My pleasure, links sent. Strange though, sometimes the net just swallows things, although it has been working really well lately with group mails, I used to get dozens of bounces and always had to resent things manually again.aMUSEd wrote:Yeah that's the first thing I checked - thanks anyway for the quick response as usual
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
I just checked the records and it was my mistake, you were temporarily off the list in April when you unsubscribed for a few days, then when you resubscribed I forgot to add you the list agin, so: sorry.Sampleconstruct wrote:My pleasure, links sent. Strange though, sometimes the net just swallows things, although it has been working really well lately with group mails, I used to get dozens of bounces and always had to resent things manually again.aMUSEd wrote:Yeah that's the first thing I checked - thanks anyway for the quick response as usual
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Demo for "Sky Mandolins" from the upcoming set 47:
http://soundcloud.com/sampleconstruct/m ... -iris-demo
http://soundcloud.com/sampleconstruct/m ... -iris-demo
