Different strokes!zerocrossing wrote:This makes me think you've never used Zebra or Bazille.Beamboom wrote:I think it's grossly unfair to label Hive the "EDM synth", like I see so many do. Sure, it does the banging in-your-face EDM slams well, but its capabilities goes way, way beyond that.
I may be slammed by saying so but so be it: I think Hive is the most versatile synth of all the U-He synths. It can be as clear as the finest crystal, as sublime as a gentle summer wind or dirty as f*ck. Or produce perc sounds in a drum container. It's the one synth that's always featured in my projects. Always. From Ambient to Techno, pop to new age, from weird experimental psychedelia to classic funky house: Hive is there somewhere.
Man, writing this makes me realize how much I love that thing.
I wanted to like Diva. I really REALLY did, but I couldn't. Unless you're doing filmscore, Deep House, classic Trance, or a really REALLY retro style, it's really not a very versatile synth. It's got a great sound, but it just isn't modern or punchy enough for my taste. It's a much more limited synth than meets the eye. As great as it sounds, I found it to be the weak-link in a few of my dance tracks, and I've gotten much better results since I've stopped using it.
As for Zebra, it just sounds old-fashioned to me? ^^;. I guess once ZDFF started being a thing, it was hard to look back. It sits with Massive and other synths as sounding "last-gen". A ridiculous thing to some people, but it's hard for me not to want to use Hive's fuller punchy sound, even at the expense of less features. There's Serum and other more modern synths to help fill in the blanks.
And then there's the character ^^. Hive, like Diva, has character right from the onset. Zebra is very very 'neutral' and clear, and you're meant to stack things up to give it character with it's bajillion features. It's not something I'm personally crazy for since I'm not much of a sound-designer .