i agree that theres way too much psytrance out there thats derivative (thats saying something for a genre like this). there are still gems to find though if you know where to look. ive become much much more critical in my listening of psytrance the past 5 years or so, and really only listen to a couple of particular kinds.larm wrote:Hmm, I got bored with psytrance just because of that slogging constant monotonous bass, the atonal fx focus + the sweeping pads/fx counterparts. But the problem is if you introduce key changes and make it more melodically complex the shift becomes just soo dominant and then the melody line must follow ... and a few changes later the entire song turns into some euphoric EDM with inane chord changes+cheesy hooks and fists and panties all over the place, yeaeshchaosWyrM wrote:complaining about basslines (and drums) in psytrance is missing the point. its there to provide a solid structure for the other elements to weave around. a complex bassline would detract from the rest of whats going on and create a mess.
to say they "dont have bass" is simply incorrect. they have plenty...it just doesnt move around a lot, and if it did, it would sound like crap.
I don't know what I think about psytrance anymore.. At first when I heard it I thought it was fresh, but I must say I find the entire genre to be very conservative. I think I can stand about ~4 hours / year now, and what reaches my ears still sounds the same as it did 5 years ago. And I mean almost every track could be copied into any other track. It's mostly one note melodies with build up, fx, remove kick, build up, fx#2, remove kick ... goto start
BUT my guess for the genre's longevity is that it really captures the trance aspect, like a fever dream where you must constantly repeat the same task to keep sane, live inside that energy bubble. Guess that metal can have that focus as well.
Also take Front 242 Welcome To Paradise ... from 1988, apart from the dated drum sounds, the composition is almost like any "modern" psytrance track (+ features distorted guitars):
https://www.youtube.com/watch?v=3aXGJZmOxBM
i dont like most of it anymore.
i also agree that the...shall we call it...familiarity of the structure is part of the appeal. it is after all "trance" music and is designed to induce a trance like state. which also accounts for some of the other aspects that people tend to dislike about it.
funny you should bring up 242, as they are one of the industrial bands considered most influential to early goa.