Endless possibilities - but everyone thinking along the same route?
-
- KVRAF
- 2256 posts since 29 May, 2012
One of the most creative eras in western music is traced to 68's, not surprisingly. A group of hippies were following people like Timothy Leary and profound social changes were happening in that time. The reason? https://en.wikipedia.org/wiki/Lysergic_ ... ethylamide Elves were talking to them in the 'silence'.
https://www.youtube.com/watch?v=4zLfCnGVeL4
https://www.youtube.com/watch?v=4zLfCnGVeL4
~stratum~
-
- KVRAF
- 15517 posts since 13 Oct, 2009
I think that which details matter depends quite a bit on your perspective of, wait for it, what matters.stratum wrote:I haven't either. It seems to be lost in details that do not actually matter.admittedly, i haven't really read much of it...
With respect to the OPs point, you seem to be overthinking this a bit. There is a vast ocean of music that is not "thinking along the same route." The OP's entire premise is flawed and self-centered. Of course, the bitter team is all too willing to agree with the premise if it supports their prejudice.
Last edited by ghettosynth on Mon Mar 27, 2017 8:49 am, edited 2 times in total.
-
- KVRAF
- 2256 posts since 29 May, 2012
The problem with the OPs point is answered with this statement, as chk071 also quotes:
That's all there is to it.You can't expect anyone to ride before they learn to walk.
~stratum~
-
- KVRAF
- 7400 posts since 17 Feb, 2005
I was trying to say, if you can't enjoy simplicity, a lot of music won't appeal to you.ghettosynth wrote:I'm pretty sure that he wasn't asking for, yet more, crude judgement from you. Rather, he was asking for you to defend your POV from an intellectual perspective. I'm just trying to help out here since you seem to be completely misunderstanding so much in this conversation.jancivil wrote:Where you here? It's record after record of people that can't be arsed to do more than copy the other record.camsr wrote:"idiot syncopation"
Some "music" doesn't attempt to push the limits of creativity, and that's ok.
It's an extremely stupid and annoying idea even done once.
It's profoundly stupid music, and my take on it is not what is ridiculous. I am in favor of creativity, YMMV.
-
- KVRAF
- 2256 posts since 29 May, 2012
I suspect some of that 'simple' music simply suffered from a lack of advanced aftertouch capability on early midi keyboards and analog synths and took an overly simplistic approach to musical expression. I expect that to change.
~stratum~
-
- KVRAF
- 15517 posts since 13 Oct, 2009
IIRC, you asked a question, yes? "What has to happen here?" or something, I'm too lazy to go back and quote right now.camsr wrote:I was trying to say, if you can't enjoy simplicity, a lot of music won't appeal to you.ghettosynth wrote:I'm pretty sure that he wasn't asking for, yet more, crude judgement from you. Rather, he was asking for you to defend your POV from an intellectual perspective. I'm just trying to help out here since you seem to be completely misunderstanding so much in this conversation.jancivil wrote:Where you here? It's record after record of people that can't be arsed to do more than copy the other record.camsr wrote:"idiot syncopation"
Some "music" doesn't attempt to push the limits of creativity, and that's ok.
It's an extremely stupid and annoying idea even done once.
It's profoundly stupid music, and my take on it is not what is ridiculous. I am in favor of creativity, YMMV.
But, yes, I agree, but I'll go further, you don't even have to enjoy it, you simply won't be able to appreciate it for it's contribution if you don't understand the value of simplicity. You can say "I don't like it" all you want to, there's no argument there. We all like what we like, but to say that it's "stupid" or "idiotic" because it doesn't appeal to you is, well, I think we all know what that is.
-
- KVRAF
- 2357 posts since 24 Nov, 2012
there has never been so much great creative art - the problem is finding it amongst the dross that capitalism ensures will be plopped front and center into your awareness over and over and over againghettosynth wrote:I think that which details matter depend quite a bit on your perspective of, wait for it, what matters.stratum wrote:I haven't either. It seems to be lost in details that do not actually matter.admittedly, i haven't really read much of it...
With respect to the OPs point, you seem to be overthinking this a bit. There is a vast ocean of music that is not "thinking along the same route." The OP's entire premise is flawed and self-centered. Of course, the bitter team is all to willing to agree with the premise if it supports their prejudice.
- KVRAF
- 4808 posts since 25 Jan, 2014 from The End of The World as We Knowit
That's it. I use Spotify to closely study contemporary composers I like; then I see who they like, and build a network of new possibilities. I'm doing that right now with Terry Riley's "The Book of Abbeyozzud"woggle wrote:there has never been so much great creative art - the problem is finding it
s a v e
y o u r
f l o w
y o u r
f l o w
- KVRAF
- 7356 posts since 9 Jan, 2003 from Saint Louis MO
Yeah, let's just ignore the Futurists, ametric rhythm, atonal music, 12-tone music, post-tonal music, spectralism, etc.stratum wrote:Nobody in the west had a different theory of music since the days of J.S. Bach.
- KVRAF
- 5405 posts since 20 Mar, 2012 from Babbleon
Ignore might not be the right word but the host of this documentary seems to want to. I think he called it "damage".foosnark wrote:Yeah, let's just ignore the Futurists, ametric rhythm, atonal music, 12-tone music, post-tonal music, spectralism, etc.stratum wrote:Nobody in the west had a different theory of music since the days of J.S. Bach.
https://www.youtube.com/watch?v=ZQS91wVdvYc
ah böwakawa poussé poussé
-
- KVRAF
- 2256 posts since 29 May, 2012
I knew somebody would mention atonal music and serialists, I'm not sure that's actually different, but yeah, somebody tried and faced the obvious limit - that many people do not hear their theory in action. What one can compose and communicate to the listener is limited by the listener. I don't know what the words 'futurist' and 'spectralism' refer to, perhaps they actually did something different. Would you elaborate and explain?Yeah, let's just ignore the Futurists, ametric rhythm, atonal music, 12-tone music, post-tonal music, spectralism, etc.
~stratum~
-
- Banned
- 12368 posts since 30 Apr, 2002 from i might peeramid
one thing very few kvr members demonstrate any awareness of,stratum wrote:What one can compose and communicate to the listener is limited by the listener.
when you cut into the present, the future leaks through
using "as non-weighted as can be" generative method exhibits the structure of language, the mechanisms of memetics. if you don't bastard the build trying to make it be something, an algorithmic process can reflect the listener to themselves, which generally is only accomplished with antimusic most people may not expose themselves to, since it's practically the only true music today, truth not concerning musicianship.
so technically, this is delimiting
but maybe your right, because otherwise you'd have listened to 'dope beats for suckers' and have exhibited acknowledgement of ..unparalleled expression of "the medium".
i think, it would be keen, like, if more people could transcend their certainty, like what you said. to use brain good, for function during the life.
you come and go, you come and go. amitabha neither a follower nor a leader be tagore "where roads are made i lose my way" where there is certainty, consideration is absent.
-
- KVRAF
- 2357 posts since 24 Nov, 2012
or one could say that the listener provides an opportunity for communicationstratum wrote:What one can compose and communicate to the listener is limited by the listener. I
-
- KVRAF
- 2256 posts since 29 May, 2012
xoxos - honestly I havent understood what you have meant. Returning back to atonal music, I actually do not think that they have a different theory. They know the theory damn well, pushed it to the limits and turned it upside down and made it unrecognizable to most people. That's a denial of the theory and does not look like a new one to me. yeah it is 'delimiting' perhaps, for those who can make sense of it. perhaps you weren't even referring to them. I don't know.
~stratum~
- KVRAF
- 1793 posts since 9 Apr, 2011
What is "recognizable" is so because it's familiar. People recognize what they're used to. So the reason people aren't used to atonality is because it's... new. If you change something to the point that it's something else, that is now a new thing. Nothing just happens fully formed out of nowhere.stratum wrote:xoxos - honestly I havent understood what you have meant. Returning back to atonal music, I actually do not think that they have a different theory. They know the theory damn well, pushed it to the limits and turned it upside down and made it unrecognizable to most people. That's a denial of the theory and does not look like a new one to me. yeah it is 'delimiting' perhaps, for those who can make sense of it. perhaps you weren't even referring to them. I don't know.
"musician."
http://soundcloud.com/nine-of-kings
http://soundcloud.com/nine-of-kings