70 years ago Pierre Schaeffer used turntables and loops to compose

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By 1948 he had learned how to lock-groove records, meaning that instead of a disc consisting of a spiral groove that went toward the center of the disc, there was a single circular groove (or a series of circular grooves) that could play a continuous loop. He became interested in studying the nature of natural sounds, creating recordings of percussion instruments struck in different ways, and editing recordings of bells. He discovered that, in addition to timbre, sounds could be classified by their change in volume over time (the envelope), particularly by the initial rise in volume (attack) and overall volume shape following the attack (sustain-decay).
(From: http://www.soundart.zone/2016/11/23/pie ... uits-1948/)

https://www.youtube.com/watch?v=CTf0yE15zzI

https://en.wikipedia.org/wiki/Cinq_%C3% ... _de_bruits

:hail:

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hail indeed!

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4.50 - 12.07 is one of my favourite pieces of music ever recorded. I find these piano sections, looped in such a way and with the degraded sound, so very eerie, beautiful and evocative. I've played it so many times and I never tire of it. He managed to create music with such soul with so many creative restrictions.
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The piano was recorded by a young Pierre Boulez. 8)

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rp314 wrote:The piano was recorded by a young Pierre Boulez. 8)
Such interesting chords he played. I love the quality of the recording too.
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Jebus; we're all 2nd rate hacks by comparison

No, really this is cool.

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:love:
rp314 wrote:The piano was recorded by a young Pierre Boulez. 8)

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do_androids_dream wrote:
rp314 wrote:The piano was recorded by a young Pierre Boulez. 8)
Such interesting chords he played. I love the quality of the recording too.
Can you imagine how exciting it must have been to hear that piece coming together? Like a sonic Marquette going down the Mississippi with Jolliet

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He greatly inspired me to slice and dice (with 1/4” tape and with computers.)
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if this post is edited -it was for punctuation, grammar, or to make it coherent (or make me seem coherent).

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