I know WHAT I programmed, from a technical standpoint. I just don't understand the WHY, from a psychoacoustic standpoint.BDeep wrote:I sometimes am under the impression that designing reverbs is something of a black art. Hard to master, full of hidden mysteries, and always subject of some debate.Tp3 wrote:Well, shouldn't you know ?! you programmed the damn thing !valhallasound wrote:I keep trying to figure out exactly why that is, i.e. why VeeThree is wider.
Most textbooks will describe interaural correlation, or room acoustics. There are no papers out there about "bouncing something back and forth really fast inside of an allpass loop." These older reverbs are danged primitive, and are still (kinda) secret, so I haven't seen any academic papers that describe *why* these things sound good.
Sean Costello