Barricade 4.1.0 has been released :)
- KVRAF
- 1959 posts since 21 Sep, 2007 from The Infinite Void
I'm not one for pushing masters loud, there's a balance to be found between limiting peaks and retaining dynamics. Perhaps that's why i've always favoured barricade over things like ozone's maximizer. I've always found when the signal exceeds the limit barricade favours the drums, whereas others tend to suppress the drums.
I've been A/Bing between the two. The natural algorithm sounds like an improvement over the B3 algo, I've not really used intensify as i'm not looking for hard limiting. The most significant difference really is the attack/release characteristic, that's where the learning curve lies for me at the moment. Previously, the settings went from 0 to 1s, in this case they go from 10ms to 100ms. They certainly have a more pronounced effect on the limiter action now too.
I've been A/Bing between the two. The natural algorithm sounds like an improvement over the B3 algo, I've not really used intensify as i'm not looking for hard limiting. The most significant difference really is the attack/release characteristic, that's where the learning curve lies for me at the moment. Previously, the settings went from 0 to 1s, in this case they go from 10ms to 100ms. They certainly have a more pronounced effect on the limiter action now too.
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- KVRAF
- 4711 posts since 26 Nov, 2015 from Way Downunder
I'm usually in the 1-3db (1.5 to 2 mostly) range with Limitless. Would consider anything 4 or 5db and over on a master as quite heavy. You want to try and get most of your volume and density prior to limiting so you don't have to do more than a few db.
I'm going to do some Barricade 4 vs Limitless comparisons at some point
I'm going to do some Barricade 4 vs Limitless comparisons at some point
- KVRist
- 454 posts since 2 Sep, 2012
Thanks, words can be vague so getting some numbers helps to get a better reference.I'm usually in the 1-3db (1.5 to 2 mostly) range with Limitless. Would consider anything 4 or 5db and over on a master as quite heavy. You want to try and get most of your volume and density prior to limiting so you don't have to do more than a few db.
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- KVRAF
- 14658 posts since 19 Oct, 2003 from Berlin, Germany
I'm not going by gain reduction, I'm going by average signal strength (what some might call "loudness").
If I shoot for -12dB RMS on average (so -8dB RMS on max), then I try to let the compressor/limiter array run as subtle as possible, only clip off the peaks, barely interfere with the "average" signal. Here the reduction (depending on the transients) can be anything between 3-10dB. If it's only transients, that's still fine. If more than transients are reduced that strong (5-10dB constantly) - then it's riding the "loudness war" wave.
Mostly these days, i try to shoot for -14dB avg (RMS or even LUFS) as "loud enough", which is barely clipping off the signal peaks.
If a client asks to go "apesh*t loud" (which makes absolutely no sense these days anymore), I'm not using Barricade...
If I shoot for -12dB RMS on average (so -8dB RMS on max), then I try to let the compressor/limiter array run as subtle as possible, only clip off the peaks, barely interfere with the "average" signal. Here the reduction (depending on the transients) can be anything between 3-10dB. If it's only transients, that's still fine. If more than transients are reduced that strong (5-10dB constantly) - then it's riding the "loudness war" wave.
Mostly these days, i try to shoot for -14dB avg (RMS or even LUFS) as "loud enough", which is barely clipping off the signal peaks.
If a client asks to go "apesh*t loud" (which makes absolutely no sense these days anymore), I'm not using Barricade...
- KVRAF
- 1959 posts since 21 Sep, 2007 from The Infinite Void
Obviously this is genre dependent, but i tend to think in terms of the ReplayGain (Foobar) reduction of the final product. For most stuff, i find somewhere between -8dB and -10db perfectly listenable (i'll let someone else work that out in LUFS). Anything more is getting too close to the loudness war territory.
Using a lot of transient boosters, i can often see Barricade hitting some serious reduction at times, but these are rare cases. I'm noticing that B4's reduction meter seems to be inconsistent with B3 (what previously may have been -1db, is now registering as -3db). I'm guessing this is to do with it registering the ISP on the input.
Using a lot of transient boosters, i can often see Barricade hitting some serious reduction at times, but these are rare cases. I'm noticing that B4's reduction meter seems to be inconsistent with B3 (what previously may have been -1db, is now registering as -3db). I'm guessing this is to do with it registering the ISP on the input.
- KVRAF
- 2861 posts since 3 May, 2003 from Germany
Very good!
Bought it now after using the old free version for a long time.
The transparent mode works well for my taste
Bought it now after using the old free version for a long time.
The transparent mode works well for my taste
Symphony Nr.1
Meet the Cities Repair Team Unimportant laughter
music has become meaningless...we just keep doing it
Meet the Cities Repair Team Unimportant laughter
music has become meaningless...we just keep doing it
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- KVRist
- 467 posts since 15 Nov, 2012 from Arkansas, USA
Just bought Barricade 4! I think I finally found a limiter that will replace my beloved LimiterNo.6.
The gui is beautiful as well. Well done Toneboosters!!!
The gui is beautiful as well. Well done Toneboosters!!!
http://www.youtube.com/c/clintmartinmusic
https://itunes.apple.com/us/artist/clin ... 1010966023
https://open.spotify.com/artist/4x4TBz32i56bTJkgu7b4tN
ADK intel i7 2600 3.40 ghz, 8gb Ram, Win 7, Presonus Audiobox 44VSL)
https://itunes.apple.com/us/artist/clin ... 1010966023
https://open.spotify.com/artist/4x4TBz32i56bTJkgu7b4tN
ADK intel i7 2600 3.40 ghz, 8gb Ram, Win 7, Presonus Audiobox 44VSL)
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- KVRer
- 10 posts since 23 Feb, 2005
Would anyone know if there is an upgrade path from version 3 (part of the Bus Tools) to version 4?