Adding warmth and clarity to a mix

How to do this, that and the other. Share, learn, teach. How did X do that? How can I sound like Y?
Post Reply New Topic
RELATED
PRODUCTS

Post

AUTO-ADMIN: Non-MP3, WAV, OGG, SoundCloud, YouTube, Vimeo, Twitter and Facebook links in this post have been protected automatically. Once the member reaches 5 posts the links will function as normal.
Hi,
I need your expert help

I am sharing 2 mp3 files from my cloud, named First.mp3 and Second.mp3:
https://cloud.gmx.com/ngcloud/external? ... ov@gmx.com (https://cloud.gmx.com/ngcloud/external?guestToken=qdj075tfTgyIaz6EUyAwlg&loginName=tanyamolkandov@gmx.com)

My question is how can I improve second.mp3 to have the same warmth and clarity like in First.mp3?

I know it depends in many variables, Although I would like to get some tips how can I get to better results (to be as close as possible to the first).

* P.S I am using Waves plugins, and VST instruments, without live instruments.
Top

Post

From quick listening, your second.mp3 seems to lack mostly bass frequencies. You can also check with freq display :)
Are you highpassing most of them? If so, experiment with highpassing those that really need, and using lowshelf with the rest or even none if really not needed. The Mid-to-Low meat is missing.
Soft Knees - Live 12, Diva, Omnisphere, Slate Digital VSX, TDR, Kush Audio, U-He, PA, Valhalla, Fuse, Pulsar, NI, OekSound etc. on Win11Pro R7950X & RME AiO Pro
https://www.youtube.com/@softknees/videos Music & Demoscene
Top

Post

Striking difference between both (besides reaching for the volume control when I played second.mp3), not just sound-balance wise but also stylistically.

Style and arrangement difference aside, the main thing is that the second mp3 lacks the depth and weight that gives real power and propulsion to the first mp3.

Everything from the low-mids down to the subs is very weak. I would start with a low shelf boost around 250hz all the way down and go from there. Remove any highpassing on the master or instruments and let them breathe and carry their natural weight. Only highpass if there's a problem rumble. Ignore the EDM "highpass everything except bass to save headroom" myth because you're not making that kind of music.

You could then look at incorporating more weighty instruments if you wanted.

Don't worry about getting more clarity - it's already there. What it needs is "oomph"!
Top
Post Reply

Return to “Production Techniques”