I'm not going to waste my time reading your long winded opinion. If you need that many words to explain why you think renting software is justified, then so be it.Scotty wrote:The comparision is appropriate but you can call it apples and oranges if you want to... I'll make it more concrete and get out of the analogy business. I not sure just how physical a software plugin is... last time I checked I couldn't suck a real moog out of my ethernet cable and was quite content that my plugins were bits of code with no real physical dimension. We could go back and forth on that all day and lose the central point so I won't do that. I'll make my point with concrete examples.
You assume that someone who is interested in subscription has less control over GAS than those that don't... that is just assertion with no basis in fact. It may well be that they can afford say $40 to $100 a month and like the flexible options to cancel and are quite comfortable printing tracks like how it was done in the not so distant past. You know when you would hire a orchestral section for the afternoon but you didn't get to keep them after the session was over. There are laws against that sort of thing.
I can give 3 cost effective subscription services examples in which I participate and get great value for the monthly outlay. That is if I decide it is worth my while to be billed that month.
Example 1: Subscribe to East West Composer Cloud and calculate how many decades it would take you to purchase the software outright at the subscription rate... Yes... decades... Purchasing the software outright hardly makes good business sense.
Example 2: Subscribing to knowledge based content sites makes a lot of sense. (Macpro video... askaudio). Yes, you can buy the courses but once you purchase, they are frozen in time. Subscribing to courseware sites can make a lot of sense if you are in a heavy learning mode and are working across software platforms. The courseware is continuously developed and your subscription gives you access to the latest courses and updates ... (Maschine MK III, Kontakt 5x etc etc). Some downloadable content doesn't age all that well... I have a shelf full of old Macintosh programming manuals, Cubase 4 and 6 books etc. and some purchased courseware on Battery 3 and Guitar Rig 3) ... all "owned", some physical in dimension and most nearly useless other than for historical purposes.
Example 3: If you produce your own music videos and routinely work in Premier, Adobe Photoshop, After Effects (that's me) or web design, game development (that's not me) you can get an affordable monthly subscription to the software and work with the latest versions of all of the Adobe software suite (which costs thousands if purchased outright) and if you were stuck you could watch one of the videos that I mentioned above to come to terms with the latest features (the kind you subscribe to where the content is developed routinely).
Maybe you need to put a few kids through University so you don't have $8000 kicking around but you still want to express your music visually...subscribe for a five months and keep the change (all $7800 or more if you need more than Premier, Adobe Photoshop, Indesign, Audition or After Effects ).
My point is not that all subscription services are worthwhile. Quite the opposite; some are extremely poor in terms of value. But having a closed mind to it on the basis of ownership prejudice may be unwise.
I live these examples and they are well and carefully considered from a business point of view. YMMV. - Scotty
I was simply stating my opinion and you're more then welcome to disagree.