Used Performer back in 1989 (before it became “Digital”), but that wasn’t really a DAW (no audio processing). Used Deluxe Music Construction Set before that. Also dabbled in Csound, Turbosynth, Passport Alchemy, Music Mouse, IRCAM’s Max (before MSP)… then mostly missed the DAW era. Knew it was happening, tried GarageBand on occasion, did a couple of things in NanoStudio, checked out some other things. But they weren’t for me. Had a much better time plugging my Yamaha WX-11 wind controller into ThumbJam. Or MainStage.
A bit over a year ago, got into Korg Gadget on iOS. It did start to click, for me. There’s something there which works with the way my mind works. But never got that deeply into it.
Through Gadget, started using Ableton Live Lite, going through some Lynda.com training. Also clicked, to a certain extent, but not completely. It mostly got me to understand how other people do what they do, but it’s not my type of thing.
Was mostly musicking with non-DAW software like Pure data, SuperCollider, ChucK, Processing and, my favourite, Sonic Pi. Was having a blast and it was fairly equivalent to that Armiin moment described by the OP (though my references are different):
Had something like this with Sonic Pi. Partly because the onboarding experience encourages the type of learning which makes the most sense to me. Gave workshops about it and different people have different reactions. Among those who have no background in music, many get to it right away (and learn some coding skills in the process). People who have a solid background in music also take to it quickly. Those who are most reticent to Sonic Pi tend to be people who have an idea of how music “should” be.deep'n'dark wrote:So you used it and were able to like your music and you actually play these songs to everyone and feel like Armin van Buuren.Aloysius wrote:Did what?
But, back to DAWs.
Tried Tracktion T5 after hearing that they’d come out with a Raspberry Pi version. Got really confused. Really interesting to me that several people here mentioned Tracktion DAWs as the one which clicked. It didn’t do this for me at all.
Eventually bought a Lightpad Block, to try it (the Apple Store return policy is pretty decent). Never returned it. They ended up adding a full license to Tracktion Waveform. Spent more time trying to learn it. Not finding very useful documentation for it, including the permanent-beta one by Bill Edstrom. Didn’t find examples particularly inspiring. Collective doesn’t do it for me as a softsynth (and it doesn’t support MPE!) Had enough crashes that opening it feels like trying my luck. Still using it as my main “AU/VST host with MPE-recording capability”, but it doesn’t really “do it” for me.
The one which probably would do it for me is Bitwig. Eventually got a license to 8-Track and went through tutorials about it. Can really perceive where this is going. The problem with 8-Track isn’t so much the limitations but the fact that it’s mostly based on the BWS 1.6 codebase. Part of the headaches come from my attempts to use controllers which aren’t supported directly, like the Eigenharp Pico. Would probably be better with BWS 2.3. Still didn’t buy it while it was on sale in part because the sale price wasn’t that compelling. Still not deriving so much value from the DAW lifestyle as to invest that much money into it.
Will probably buy Apple’s pro app bundle for education, once Logic is updated (which might happen soon). Now, that’s a compelling price!
Not a fan of the Logic interface or workflow, but it has several compelling features including the same virtual instruments as MainStage. Having played with Melodyne Essential (bundled with Waveform) and Waves Tune, can really hear the power of exporting audio tracks to MIDI. Tried Flex Pitch in an Apple Store and it sounds like it could do the job. Plus, MPE support is a major factor for me. Logic probably won’t be the DAW which really clicks, for me. But it’ll probably deepen my exploration of the DAW world. Getting to experience “how the other half lives”.