any unique sounding scales? or chord progressions?
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- KVRer
- Topic Starter
- 7 posts since 9 Sep, 2012 from canada
Hey guys, I made this post because Im so sick of using and hearing the same scales and chords in music, and im getting kinda bored of using the same blues scale in my pieces.. Just wondering if you guys have any favourites that you use in your stuff...im looking for more of an exotic, darker, jazzier kinda feel..feel free to post regardless though! Thanks!
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
super locrian: E F G Ab Bb C D.
octatonic variant: E F G Ab Bb C C# D.
Take a mixolydian and sharp the 4. some call it 'overtone' scale.
you could take the harmonic minor and take modes off of it the way people consider modes compared to major.
symmetrical octatonic: C D Eb F Gb Ab A B... or the same construction beginning with a whole tone.
C Db E F# A A# B. one way to consider that is as a kind of blues except at the tritone of your key...
pentatonics such as C Db F Gb Bb.
make them up yourself once you see a few of these as you like them.
a resource for many over the years is Slonimsky: Thesaurus of Scales and melodic Patterns.
You could get hung up on scalar thinking though, I did for a time. But these kinds of things are def. food for thought.
octatonic variant: E F G Ab Bb C C# D.
Take a mixolydian and sharp the 4. some call it 'overtone' scale.
you could take the harmonic minor and take modes off of it the way people consider modes compared to major.
symmetrical octatonic: C D Eb F Gb Ab A B... or the same construction beginning with a whole tone.
C Db E F# A A# B. one way to consider that is as a kind of blues except at the tritone of your key...
pentatonics such as C Db F Gb Bb.
make them up yourself once you see a few of these as you like them.
a resource for many over the years is Slonimsky: Thesaurus of Scales and melodic Patterns.
You could get hung up on scalar thinking though, I did for a time. But these kinds of things are def. food for thought.
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- KVRer
- 1 posts since 4 May, 2012
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Check out this these two sites. I use them to decide what type of track I want to work on. I question the emotion one but it helps with ideas.jazzraps wrote:Hey guys, I made this post because Im so sick of using and hearing the same scales and chords in music, and im getting kinda bored of using the same blues scale in my pieces.. Just wondering if you guys have any favourites that you use in your stuff...im looking for more of an exotic, darker, jazzier kinda feel..feel free to post regardless though! Thanks!
http://www.looknohands.com/chordhouse/piano/ (http://www.looknohands.com/chordhouse/piano/)
http://www.gradfree.com/kevin/some_theo ... l_keys.htm (http://www.gradfree.com/kevin/some_theory_on_musical_keys.htm)
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- KVRian
- 514 posts since 11 Jun, 2005 from Western Third of the shire of the Horse Bay
Since I discovered it, I've been a big fan of the double harmonic scale, a.k.a. Arabic or Byzantine scale.jazzraps wrote:exotic, darker
C Db E F G Ab B C
It can sound quite exotic (to someone raised on Western music) and lends itself to tritones and diminished chords quite a bit so can sound pretty dark.
I find it useful to flatten the seventh from time to time, turning it into the Phrygian dominant:
C Db E F G Ab Bb C
And it is as it is and we take as we find / Always next season's buds on the bough / But I'll never find a better time / Hard though it is to allow / I'll never find a better time / To be alive than now
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- KVRist
- 59 posts since 25 Nov, 2005
I know what you mean. I'm sick of using and hearing the same letters of the English language all the time - it does get boring after a while doesn't it.jazzraps wrote:Im so sick of using and hearing the same scales and chords in music
It constantly amazes me how people can keep writing books and screenplays using the same 26 letters. Surely there must come a point where all the combinations have been used? If we invent another letter or two, I'm sure books would be much more interesting.
- KVRAF
- 3879 posts since 28 Jun, 2009 from Wherever I lay my hat
I love Hungarian (or, politically incorrect: gypsy) minor:
C D E♭ F♯ G A♭ B.
Lends itself splendidly to vivid improvisations and "devilish" textures.
C D E♭ F♯ G A♭ B.
Lends itself splendidly to vivid improvisations and "devilish" textures.
- KVRAF
- 8182 posts since 22 Sep, 2008 from Windsor. UK
Lost_Highway wrote:Since I discovered it, I've been a big fan of the double harmonic scale, a.k.a. Arabic or Byzantine scale.jazzraps wrote:exotic, darker
C Db E F G Ab B C
One of my favourites.
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Aroused by JarJar Aroused by JarJar https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191505
- KVRian
- 1048 posts since 16 Oct, 2008
Bullshit comparison. In 12tET 400 cents is 400 cents is 400 cents and it's always M3 and dim4 and the fifth of the fifth of the fifth of the fith (i.e. Pythagorean ditone) etc. etc. A better comparison would be using the word "dog" for cats, lions and lemurs as well as dogs. Cf "pommes" in language.HordePrime wrote:I know what you mean. I'm sick of using and hearing the same letters of the English language all the time - it does get boring after a while doesn't it.jazzraps wrote:Im so sick of using and hearing the same scales and chords in music
It constantly amazes me how people can keep writing books and screenplays using the same 26 letters. Surely there must come a point where all the combinations have been used? If we invent another letter or two, I'm sure books would be much more interesting.
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
You don't get what the OP is about. This is a truly bogus analogy. the OP is looking for extended vocabulary.HordePrime wrote:I know what you mean. I'm sick of using and hearing the same letters of the English language all the time - it does get boring after a while doesn't it.jazzraps wrote:Im so sick of using and hearing the same scales and chords in music
It constantly amazes me how people can keep writing books and screenplays using the same 26 letters. Surely there must come a point where all the combinations have been used? If we invent another letter or two, I'm sure books would be much more interesting.
- KVRAF
- 5223 posts since 20 Jul, 2010
Look into alternate tunings, such as Just Intonation. We've lost a lot of nuance by adopting the 12-tone equal paradigm. Even just applying a stretch tuning (adding a bit of keyfollow to pitch, just enough to push the extremes apart noticably) can breathe life into the most staid overused 12-tet chord sequences.
Hearing the same chords and scales IS a valid complaint and a very important one in modern music in my opinion, because often tuning issues are completely overlooked especially in softsynths. Hopefully soon tuning information will be standardized and "de rigeur" like MIDI was and all synths can share it freely.
Hearing the same chords and scales IS a valid complaint and a very important one in modern music in my opinion, because often tuning issues are completely overlooked especially in softsynths. Hopefully soon tuning information will be standardized and "de rigeur" like MIDI was and all synths can share it freely.
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!
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- KVRist
- 59 posts since 25 Nov, 2005
Sorry, I thought they were trying to compensate for lack of imagination.jancivil wrote:the OP is looking for extended vocabulary.
Isn't focussing on depth better than breadth?
There are hundreds of examples of amazing music which only uses a few chords.
Do you really think Mozart would have written better music if he had used the Hungarian Minor?
- KVRAF
- 3879 posts since 28 Jun, 2009 from Wherever I lay my hat
Define "better" or even "amazing" music. Good luck with that.HordePrime wrote: Sorry, I thought they were trying to compensate for lack of imagination.
Isn't focussing on depth better than breadth?
There are hundreds of examples of amazing music which only uses a few chords.
Do you really think Mozart would have written better music if he had used the Hungarian Minor?
It's not about "better", it's about finding new ways to express yourself. There are emotions that can't be expressed in simple major or minor scales - like biting into an under-ripe banana, for instance, or finding a curious lump in your armpit one tranquil Sunday morning.
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Bronto Scorpio Bronto Scorpio https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98170
- KVRAF
- 5546 posts since 13 Feb, 2006 from Wiesmoor, Germany
A lot of great music has been made with guitars, why should anyone learn to play piano? #terribleanalogyHordePrime wrote:Sorry, I thought they were trying to compensate for lack of imagination.jancivil wrote:the OP is looking for extended vocabulary.
Isn't focussing on depth better than breadth?
There are hundreds of examples of amazing music which only uses a few chords.
Do you really think Mozart would have written better music if he had used the Hungarian Minor?
Cheers
Dennis
- KVRAF
- 5223 posts since 20 Jul, 2010
Make your musical life broad and the depth may well take care of it's-self.
http://sendy.bandcamp.com/releases < My new album at Bandcamp! Now pay what you like!