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I'm wondering whether anyone out there can suss out those powerful stabs between bars 3 and 6 (0'06 - 0'17) of this Trevor Horn classic...



I can't tell whether that's a Jupiter-8 or an OB-X, although it feels more like the latter - I'll be trying to recreate it in either Poly-Ana, Jupiter-8V or most probably Diva.

Your contributions would be most appreciated!

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Bump...

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Horns rig at the time consisted of a TR 808,a Simmons module and Minimoog and that was it. It is possible he used a synth from the studio but my first guess would be the Minimoog.

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Hmmm...those stabs on a Minimoog? I can't for the life of me figure how you can achieve that - I mean, it's monophonic and quite warm sounding for starters.

But then again, we're talking about Trevor Horn here, so who knows what wizardry he applied to achieve that sound?

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Woody Aki wrote:Hmmm...those stabs on a Minimoog? I can't for the life of me figure how you can achieve that - I mean, it's monophonic
Well he certainly had access to a multi track recorder so it's a simple matter of overdubbing.
Trevor Horn wrote:I could program in drums and very basic sequences using the Minimoog, and that's how I did the Dollar records.
http://www.soundonsound.com/sos/mar05/a ... orhorn.htm

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Just read the bit where he 16 tracked every nuance of Theresa's vocal, then threw it into a Fairlight...if he kind of applied the same M.O. with a Minimoog for those stabs then it makes sense, albeit in a painstaking, time-consuming yet genial way!

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He didn't have the Fairlight at that time but he could have used a tape recorder.

Now i wouldn't completely rule out another synthesizer maybe handplayed even but that's what the man says.

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Yeah, I'm with you re. the Fairlight and his kit list.

What I meant was that he was already using that M.O. before he had the Fairlight, but with multi-tracking only...same as with 10CC and those amazing pads in 'I'm Not In Love'.

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