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Best Reverb Plugin
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Loki Fuego
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PostPosted: Fri Jun 01, 2012 2:09 am reply with quote
supracg wrote:
And I'm looking for one that would be good on a main lead once the track drops (my genre is mostly progressive house), not so much like an atmospheric type reverb.

Try some spring reverb.
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Wonder whether my advice worth a penny? Check my music at Soundcloud and decide for yourself.
re:vibe and Loki Fuego @ Soundcloud
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Uncle E
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PostPosted: Fri Jun 01, 2012 3:40 pm reply with quote
herodotus wrote:
Yes, but the opening post reads:

Got it! Smile

Quote:
In any case, I don't understand how a particular reverb can be 'best' in the way, say, a power supply or a water heater or a shop vac can be 'best'.

Seriously, I hate to be the subjectivist hippie of the group, but isn't taste in reverb kind of like taste in color? Can blue possibly be better (or worse) than orange?

I agree that different reverbs fit different applications. However, I can still choose a best out of all of my reverbs, which is the UAD 224. Also, while there is room for subjective opinions, we can have specialized critics for audio just as we can for food.
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filter303
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PostPosted: Fri Jun 01, 2012 3:46 pm reply with quote
I have multiple reverb plugins but my favourite is Aether.
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valhallasound
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PostPosted: Fri Jun 01, 2012 3:57 pm reply with quote
Krakatau wrote:
valhallasound wrote:
JoeCat wrote:

valhallasound wrote:
San Costello


Name-change? Tired of getting mixed up with that blues-guitarist?
Laughing


*facepalm*

Tired of typos. Probably just plain ol' tired today.

Sean "San" Costello


Better not consume San Pedro, me thinks...

HiHi


Especially since it tastes like dish soap.

Sean Costello
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valhallasound
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PostPosted: Fri Jun 01, 2012 4:14 pm reply with quote
Uncle E wrote:
UAD Lexicon 224


Which modes in the 224 do you like best? Asking for a friend.

Sean Costello
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Uncle E
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PostPosted: Fri Jun 01, 2012 10:12 pm reply with quote
valhallasound wrote:
Which modes in the 224 do you like best? Asking for a friend.

Are you referring to the "Programs"? The 224 has modes but those are utilitarian, such as Solo mode.
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valhallasound
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PostPosted: Fri Jun 01, 2012 10:30 pm reply with quote
Uncle E wrote:
valhallasound wrote:
Which modes in the 224 do you like best? Asking for a friend.

Are you referring to the "Programs"? The 224 has modes but those are utilitarian, such as Solo mode.


Whatever they are called. Programs, I guess. Whatever would be called "Concert Hall B" versus "Percussive Plate." I don't know the UAD 224 plugin, just the algorithms.

Sean Costello
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hibidy
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PostPosted: Fri Jun 01, 2012 10:34 pm reply with quote
Sean.......you are forgetting you must CODE THEM ALL!!!!!!!
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osiris
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PostPosted: Sat Jun 02, 2012 3:06 am reply with quote
This is the way my mind works: I can't justify paying hundreds of dollars for a reverb because reverb is such an innocuous part of the total sound. If you put too much, you can be accused of sounding too amateur-ish or '80's. Unless you're a big Hollywood soundtrack composer who needs something like this.
What I haven't been able to find, and correct me if I'm wrong, and I'm sure someone will, is a good reverb with a good 'duck' feature. The one thing I notice on some tracks is how when the vocals end, the reverb comes up smoothe as silk. I think most people automate this. But, I'd love this feature on a reverb, where you could sidechain it to another track.
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mr president
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PostPosted: Sat Jun 02, 2012 3:11 am reply with quote
Ive been trying to download DC duckling compressor from the KVR challenge simply because it is if not the most stupidest plugin ive ever seen developed but in a good way as it has its own sound. Cant download it from the kvr challenge page and cant find it anywhere. This comment is completely irrelevant to the forum but Im wondering if anyone can help me on this please, Im begging Prayer Prayer Prayer
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osiris
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PostPosted: Sat Jun 02, 2012 3:31 am reply with quote
Duncan Parsons did that. He has Rough Draft (as well as quite a few other things). He's always on the forum, and a nice guy to boot. You could always PM him and see if he's got a copy laying about.
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PostPosted: Sat Jun 02, 2012 3:33 am reply with quote
osiris wrote:
Duncan Parsons did that. He has Rough Draft (as well as quite a few other things). He's always on the forum, and a nice guy to boot. You could always PM him and see if he's got a copy laying about.


Thanks a lot
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Uncle E
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PostPosted: Sat Jun 02, 2012 3:59 am reply with quote
valhallasound wrote:
Whatever they are called. Programs, I guess. Whatever would be called "Concert Hall B" versus "Percussive Plate."

Concert Hall A.
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Uncle E
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PostPosted: Sat Jun 02, 2012 4:05 am reply with quote
osiris wrote:
This is the way my mind works: I can't justify paying hundreds of dollars for a reverb because reverb is such an innocuous part of the total sound. If you put too much, you can be accused of sounding too amateur-ish or '80's.

IMO, with a great reverb, you can push it up louder in the mix without having it ruin the mix. Most reverb plug-ins are too dense for this to be possible.

Quote:
What I haven't been able to find, and correct me if I'm wrong, and I'm sure someone will, is a good reverb with a good 'duck' feature. The one thing I notice on some tracks is how when the vocals end, the reverb comes up smoothe as silk. I think most people automate this. But, I'd love this feature on a reverb, where you could sidechain it to another track.

Smart Electronix has one. If you mean side chaining a reverb with a different track, I think it's only possible with your DAW.
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osiris
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PostPosted: Sat Jun 02, 2012 4:19 am reply with quote
I tried it. No.
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