Popular drum hits while melody is playing
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- KVRist
- Topic Starter
- 52 posts since 3 Feb, 2012 from Croatia
Hi,
I'm interested in a way that you'd create the following drum hits in your track. It gives the track an insane amount of energy (at least I feel it like that).
So, what twould be your path in achieving this, does it depend a lot on the melody where the drums will hit? What kind of processing you would use and such?
Fox example in a new Hardwell track
http://www.youtube.com/watch?v=ggyWCjVwaQw @0:48
or perhaps
http://www.youtube.com/watch?v=h7qO_EwKHDY @1.37
Thanks
I'm interested in a way that you'd create the following drum hits in your track. It gives the track an insane amount of energy (at least I feel it like that).
So, what twould be your path in achieving this, does it depend a lot on the melody where the drums will hit? What kind of processing you would use and such?
Fox example in a new Hardwell track
http://www.youtube.com/watch?v=ggyWCjVwaQw @0:48
or perhaps
http://www.youtube.com/watch?v=h7qO_EwKHDY @1.37
Thanks
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- KVRist
- 464 posts since 4 Nov, 2011 from Tleat
Ugh, is this music? Anyways, nowadays you can just get some generic cookie-cutter sample library and it'll have these included. Or start learning mixing and over-compression. You're welcome
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- KVRist
- 459 posts since 30 Jul, 2002 from netherlands
These are just the kind of breaks a drummer would play in a (stadium)rocksong. If you have ever played in a band you can understand how it works; the drummer is sort of emphasizing the changing of the strummed chords. Imagine a poodle-rocker guitarplayer in spandextrousers with his foot on the monitor doing chi-ching! arm in the air chi-ching! again, and the drummer going boom-boom! crash! crash! etc. Fireworks going off, big lights, the whole cheesy rock-shebang.
So, first study what the drummer is doing in a stadiumrock; where the kick, snare and crashes go, and apply that to a dancetune.
So, first study what the drummer is doing in a stadiumrock; where the kick, snare and crashes go, and apply that to a dancetune.
Last edited by monopoli on Wed Nov 21, 2012 3:54 pm, edited 2 times in total.
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
I think the key is that the kicks are leading the listener into off-the-beat chord changes, making the chord changes sound more dramatic than they would otherwise.
Pattern in the Hardwell track is
kick+change---2---3---kick-kick+change-1---2---3---4---
kick+change---2---3-kick-4-kick+change-1---2---3---4---
Pattern in the Hardwell track is
kick+change---2---3---kick-kick+change-1---2---3---4---
kick+change---2---3-kick-4-kick+change-1---2---3---4---