What is KVR Audio? | Submit News | Advertise | Developer Account

Options (Affects News & Product results only):

OS:
Format:
Include:
Quick Search KVR

"Quick Search" KVR Audio's Product Database, News Items, Developer Listings, Forum Topics and videos here. For advanced Product Database searching please use the full product search. For the forum you can use the phpBB forum search.

To utilize the power of Google you can use the integrated Google Site Search.

Products 0

Developers 0

News 0

Forum 0

Videos 0

Search  

This just in! "When it comes to sub-bass, I hate all limiters."

VST, AU, etc. plug-in Virtual Effects discussion

Moderator: Moderators (Main)

KVRAF
 
1584 posts since 22 Apr, 2011, from The House of Zaid

Postby @midnight; Mon Jan 21, 2013 9:36 pm

That's right, I hate every limiter when it comes to sub bass. You must either remove the sub bass, do not apply any gain reduction to the sub bass, or the sub bass will cause distortionz! :x
Has anybody ever really been far even as decided to use even go want to do look more like?
User avatar
KVRian
 
531 posts since 23 Mar, 2010, from Canada
 

Postby VibraSound; Mon Jan 21, 2013 10:20 pm

With any Limiter I keep the gain reduction meter at 3 dB Max.

If you have distortion, it probably means that you have too much bass in your mix. Mix your Kick and Bassline at lower volume.
KVRAF
 
1538 posts since 26 Feb, 2008

Postby rifftrax; Mon Jan 21, 2013 10:25 pm

Try loudmax ;)

Really excellent for zero-distortion limiting on even the most formidable material. You'll lose a tiny bit of punch but it works where most limiters fail if you can accept that trade-off.

Awesome signature by the way ... lol :hihi:
Snare drums samples: the new and improved "dither algo"
KVRAF
 
1587 posts since 20 Dec, 2002, from State of Denial

Postby Jafo; Mon Jan 21, 2013 11:34 pm

Try a multiband compressor set to limiting; it's not a panacea, but it seems to work for a lot of people.
"Wait... loot then burn? D'oh!"
User avatar
KVRian
 
1276 posts since 15 Nov, 2006, from Hell

Postby Burillo; Mon Jan 21, 2013 11:55 pm

i usually don't have sub-bass at all. HP everything below 55-60Hz.
From Russia with love
KVRAF
 
5569 posts since 6 Sep, 2008
 

Postby Mushy Mushy; Tue Jan 22, 2013 12:04 am

Burillo wrote:i usually don't have sub-bass at all. HP everything below 55-60Hz.
This.
"I was wondering if you'd like to try Magic Mushrooms"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
KVRist
 
153 posts since 24 Jun, 2006
 

Postby brandondrury; Tue Jan 22, 2013 12:40 am

There's a handful of ways to get around this. I'd say it's trickiest when doing bass drops in metal as the sub bass element is supposed to be anecdotal yet the center of attention...sorta.

With electronic music it's much easier to keep the limiter happy and the sub bass happy because low mid element can be tamed/notched by design and this alone is a huge way to increase the apparent level of the sub bass. (Similar to making a track sound brighter but cutting 1k-2k on the 2bus by 1.5dB.)

I generally compress (and/or distort) the hell out of my sub bass stuff to keep it in line as transients can be really tricky.

I've had my best results with Voxengo Elephant and I've tired, many many many brickwall limiters.

Brandon
KVRAF
 
7190 posts since 3 Feb, 2003, from Finland, Espoo

Postby bmanic; Tue Jan 22, 2013 12:52 am

It's all about compromises. You can NOT have both massive loudness and tons of subs. It is just not possible. The wave length of subs is so long that any limiter which isn't set to slow attack and release times simply can not cope with the massive bass.

Intelligent algorithms like in Elephant, Ozone, Pro-L, Sonnox and a few others will kind of automatically set longer release times depending on the incoming material but even these have to be nurtured if you want to keep the limiting artifact free on loud sub bass.

Using AD converter clipping or a hard clipping plugin is the worst offender when it comes to subs.. they will always create a lot of additional harmonics thus distorting the subs..

It's also worth noting that the amount of noticeable artifacts is very much depending on what shape the sub bass has. The closer it approaches a pure sine wave the harder it is to limit/compress it successfully without artifacts.

So, your solution? Don't go for loudness and you can have all the sub bass in the world! :D

Cheers!
bManic
"Remember the iLokalypse June 10 - June 22 2013 - Dominus"
KVRian
 
1209 posts since 9 Dec, 2008

Postby samsam; Tue Jan 22, 2013 1:18 am

Mushy Mushy wrote:
Burillo wrote:i usually don't have sub-bass at all. HP everything below 55-60Hz.
This.


eeek, horrible suggestion, give it more sub is my motto ;-)
KVRAF
 
1584 posts since 22 Apr, 2011, from The House of Zaid

Postby @midnight; Tue Jan 22, 2013 5:55 pm

Burillo wrote:i usually don't have sub-bass at all. HP everything below 55-60Hz.


even for film work?
Has anybody ever really been far even as decided to use even go want to do look more like?
KVRAF
 
3346 posts since 7 Jan, 2005, from Hamilton, New Zealand
 

Postby metamorphosis; Tue Jan 22, 2013 6:26 pm

Mushy Mushy wrote:
Burillo wrote:i usually don't have sub-bass at all. HP everything below 55-60Hz.
This.


Yuck.
XP/Vista/Win7/Win8 Optimisation, DAW Tips, AudioXP - XPFree
I made an oddly-acoustic album and an electronica thing and an alt-metal doohicky...
KVRian
 
771 posts since 19 May, 2011, from North Carolina

Postby JoeCat; Tue Jan 22, 2013 6:36 pm

There's sub, and there's sub-sub.

I'm no expert, but I've been spending some time looking the output of some bass music "pros". 50 may be way too high to cut for a lot of music, but there's still work to be done below 40 or so.

Here's the kick on a track by "Bop" (awesome minimal D&B)

Image

Here's a raw kick (from an EKS Pro):


Image

(a little bit of apples and oranges - hard to capture the images and different kicks).

Point is a lot of raw kick/bass sounds still have some unused energy down at 20-30, and my guess is it affects the limiter by introducing distortion - you may not hear something at -36 - -48 db, but it's there.

Here's the same kick with just a bit of low cut:

Image

I don't have subs here and so can't hear the difference, but most of the tracks of looked at have a similar spectral signature.

I suggest trying something similar - I never use EQ like that without an analyzer to see if I'm touching any of the energy of the sub sounds (and there are times a very sub-by bass note will need a little more room), but betting it helps.

I'm also using Ozone - you really need a quality limiter to get good results across the full spectrum without distortio.
User avatar
KVRian
 
1276 posts since 15 Nov, 2006, from Hell

Postby Burillo; Wed Jan 23, 2013 12:01 am

@midnight wrote:
Burillo wrote:i usually don't have sub-bass at all. HP everything below 55-60Hz.


even for film work?

no, i was talking specifically about music. i'm not fond of having sub bass in music at all. film work is a different matter, and i agree that e.g. explosions would probably need some sub bass.
From Russia with love
lfm
KVRAF
 
2581 posts since 22 Jan, 2005, from Sweden

Postby lfm; Wed Jan 23, 2013 12:15 am

Maybe trying to do too much on master with a limiter.

Look at working on individual tracks - and maybe Waves MaxxBass or something that has some clever algorithms to get a firm low end.
KVRist
 
329 posts since 27 Nov, 2011

Postby padillac; Wed Jan 23, 2013 12:36 am

bmanic wrote:So, your solution? Don't go for loudness and you can have all the sub bass in the world! :D


Would you say this applies mostly to mixing? As in, get the mix right without aiming for loudness, and then let a mastering engineer deal with the problem of making a sub-bassy tune loud? I know that's the general advice anyway but I'm asking specifically about the problem of getting sub-bass loud.
Next

Moderator: Moderators (Main)

Return to Effects