Monark is seriously impressive.
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- KVRAF
- 2628 posts since 30 Mar, 2007 from In and Out Burger
bill45 wrote:Diva has that killer organ patch
Wow...that is an expensive synth for one patch.
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- KVRAF
- 14985 posts since 26 Jun, 2006 from San Francisco Bay Area
As a Komplete 8 owner it's only a matter of time before I get it via an upgrade... I just wish Komplete 9 was a bit more... exciting.
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- KVRAF
- 1571 posts since 19 May, 2011 from North Carolina
Almost missed this sale - kept seeing Razor (which I already have) half price...
I actually like the fact that the feature set is paired down (and, once the filter work, etc. was done, it would have been cake to add a bunch of distracting features given the Reaktor development environment). I loved Logic's ES M. Feels more like an instrument that way.
I go play now and pretend I just spent a lot of money on hardware...
I actually like the fact that the feature set is paired down (and, once the filter work, etc. was done, it would have been cake to add a bunch of distracting features given the Reaktor development environment). I loved Logic's ES M. Feels more like an instrument that way.
I go play now and pretend I just spent a lot of money on hardware...
- KVRAF
- 1571 posts since 19 May, 2011 from North Carolina
...and that interface is awesome - very, very clean and perfect contrast (all the Reaktor stuff - Prism, Razor, etc. has been like that lately).
Plus, those of us who like to carry our LPK25's in a backpack always appreciate the PB and mod wheels
Plus, those of us who like to carry our LPK25's in a backpack always appreciate the PB and mod wheels
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- KVRAF
- 5201 posts since 6 May, 2002
Why would you want a synth for organ patches rather than dedicated organ emulator? That's what I don't understand. Several 80s synths such as DX7 have presets like "Juno strings", but don't those patches become redundant when you have an actual Juno synthesizer or VSTI?bailees7irish wrote:bill45 wrote:Diva has that killer organ patch
Wow...that is an expensive synth for one patch.
The Roland Juno will have patches called "Moog Bass", but isn't it better to use Monark or a real Model D for all your Moog Bass needs?
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- KVRer
- 28 posts since 28 Mar, 2009
Thanks PAK for such detailed answer. I already have DiVA and komplete 8, so I think I'm going to wait a bit and get Monark when upgrading to komplete 9 or 10, for now DIVA sounds good enough for me, but for some reason its minimoog is not my favorite, I love the rolands better.PAK wrote:Diva's current Moog model struggles to reproduce the same amount of bass at certain settings. When that's not the case they can closely match each other on many levels. The other main difference is there's a more direct "in your face" punchy quality Monark's envelopes impart which, IMO, shares more in common with analogue hardware, and Diva would sometimes require compression / transient shaping to better match that.patcub wrote:How does Monark compare to Diva?
The flip side is that's partly what makes Monark sound slightly "aggressive" at times, and it might struggle a bit more than it should to flip between a more "rounded" sound and the edgey sound it has. So perhaps not perfection yet. But it's getting closer
Monark also drifts a lot more at default settings. That's why (EG) some will have noticed you're playing a bass sound and then the timbre changes and it starts to lose the bass, particularly when all 3 oscillators are engaged and using similar wave shapes. Diva chooses a more controlled and consistent approach by default, which means it avoids those sorts of annoyances. The disadvantage is it means less movement in the voice, where Monark might come closer to some peoples idea of VCO hardware. You can go into the trimmers and adjust things in Diva (voice drift and variance options), but it creates the overall impression of things being slightly more "locked down" in Diva otherwise.
I also think Monark does a better job in the feedback/distortion department (plus it offers the 2 types), and it'd be nice to see some more options in Diva (other than the Rotary FX drive ).
Other than that, Diva has a lot more stuff, and some of the above differences might be said to work in favour of being polyphonic, depending on what you wanted..
- KVRAF
- 25397 posts since 3 Feb, 2005 from in the wilds
Lots of people feel that way about the originals too...patcub wrote:for now DIVA sounds good enough for me, but for some reason its minimoog is not my favorite, I love the rolands better.
- KVRAF
- 2472 posts since 6 Jul, 2013
Forget what the name says - if that patch is the one you like, who cares what synth it comes from or what it's called? It may be that it's the slightly Roland-ey flavour you like, which you wouldn't get with another instrument...electro wrote:The Roland Juno will have patches called "Moog Bass", but isn't it better to use Monark or a real Model D for all your Moog Bass needs?
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- KVRAF
- 5201 posts since 6 May, 2002
Point is its an attempt to synthesize a sound from one synth on another.
I am not going to go to a sampler for a DX7 piano when I have an actual DX7 unless its broken, locked up in storage or something else inconvenient. Likewise, I'm not going to a sample library and MIDI keyboard for Fender Stratocaster if I have one and really know how to play. For an amateur player, the synth emulation route might have its merits.
I am not going to go to a sampler for a DX7 piano when I have an actual DX7 unless its broken, locked up in storage or something else inconvenient. Likewise, I'm not going to a sample library and MIDI keyboard for Fender Stratocaster if I have one and really know how to play. For an amateur player, the synth emulation route might have its merits.
Intel Core2 Quad CPU + 4 GIG RAM
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- KVRAF
- 5201 posts since 6 May, 2002
Another point is spreading sound types over various synths is a good idea. I can use Monark for deep monosynth bass with DIVA adding a nice pad. Not every sound in a track has to come from one softsynth. Using different synths for different things can also help speed up sound creation / selection because you're using them in a more restricted way. I find too many options can slow down the creative process.
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- KVRAF
- 25397 posts since 3 Feb, 2005 from in the wilds
Just cause something is named Moog Bass, does not mean that is so... That can be a simple way to give the idea of the kind of sound it is but it may still have its own unique character that a Moog could not emulate...electro wrote:Point is its an attempt to synthesize a sound from one synth on another.
- KVRAF
- 5223 posts since 20 Jul, 2010
Too rigid thinking. A good example: synth brass. It's an instrument unto it's self.electro wrote:Point is its an attempt to synthesize a sound from one synth on another.
I am not going to go to a sampler for a DX7 piano when I have an actual DX7 unless its broken, locked up in storage or something else inconvenient. Likewise, I'm not going to a sample library and MIDI keyboard for Fender Stratocaster if I have one and really know how to play. For an amateur player, the synth emulation route might have its merits.
If you want a guitar sound you could play a guitar, cut up a guitar loop, synthesize a guitar-like sound, or use a sample library. All different flavours of a general sound/idea/set of expectations.
Likewise the "moog bass" patch on the Roland - "moog" is just code for "dark and punchy and funky".
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