August Contest: Submissions

Share your music, collaborate, and partake in monthly music contests.
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One Hundred Years On

This month you are asked to submit an entry about or inspired by World War I.

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Submissions MUST follow these rules:

1 - Encoded in either .mp3 or .ogg format.

2 - A STRICT MAXIMUM of three minutes in length. If it shows up as 3:01 in my player, it's getting the boot.

3 - entered into the contest by posting a DIRECT LINK in this RULES & SUBMISSIONS thread (use the GOSSIP thread for everything else). If you cant provide a direct link, please contact one of the following people listed below, they will be happy to help you out. These people provide free hosting for the purpose of this contest only! They are not a hosting service. When contacting these people, please take the effort to understand the terms and conditions they provide.

Providers:
1 - knockman
2 - watto
3 - slartibartfast

In addition...
Kara at www.kara-moon.com/forum has offered "self service" space. Log into the forum to find out more.

But wait! There's more! If you use SoundCloud to host your entry, you might find this tutorial by kryptonaut helpful. Bear in mind that SoundCloud's free accounts have a limit (per track) of 100 downloads.

4 - Submitted by early a.m. (US Central Time) Monday, November 25th, 2013.

5 - Your entry must be composed specifically for this contest (or, if a cover, arranged/recorded specifically for this contest).

6 - Your entry must be created using at least some audio plugins, virtual synths, or software studio.

7 - Your entry should have the FILE named in a format of "yearmonth_artistname_tracktitle" (eg "1408_DefeatistVictorious_BecauseOurFathersLied.mp3"), where the artistname is the same as your KVR name. Please do not use spaces and special characters in the filename. Special considerations will be given to those that have the hosting agent change the file name.

8 - If you are going to tag your mp3--and you should--the artist name is to be the same as your KVR name, and the title tag is to be the name of your tune.

9 - One person can participate either with one entry, with one entry and one collaborative effort or with two collaborative efforts.

10 - Every submission has to be tagged with:
a) used instruments (virtual and 'real')
b) players' and singers' names (if other than entrant; collabs are allowed, sometimes encouraged, but they must be credited)
c) origin of loops and samples, if they're not free of copyright (this includes CreativeCommons material; please read and follow the license of the samples and loops you use); naming the origin of copyright free loops is also encouraged, but not mandatory. Please only use samples you are legally entitled to use.
d) name(s) of composer(s) -- if an entry is a cover this should be noted in the file name and/or the mp3 "Title" tag as well as the submission post (not everyone reads the submission posts).

11 - If there are strong doubts about the origin of the composition or parts of it, the participant should have the possibility to send a project file to the moderator, who could give it to a trustworthy person with the right host to examine it. Important: the participant should not be forced to do it.

12 - No resubmissions without permission from the moderator, INCLUDING for time-overage correction. Please PM me for permission.

13 - Any tracks not adhering to these guidelines will be very naughty indeed. Possibly disqualified upon peer review. And at least mocked for all to point and giggle.

14 - Voting (members must have at least 20 posts to vote ... although contest entrants are exempt from this ruling) will run from the submission deadline until early a.m Sunday, December 1st. Anyone voting for themselves will find ALL their votes disqualified; any entrants not voting will also be disqualified.

If you have questions, send a private message to D.H. Miltz or ask in the gossip thread.
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PRIZES

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Ben from Camel Audio has been so kind as to donate a prize of ANY of their
products this month (and later months until further notice).

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Quinto from SKNote Software Sound Synthesis has donated any one of his plugins for the contest this month. (and later months until further notice). Thank you Quinto.

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Michel Rouzic the developer of Photosounder has donated a copy (with noncommercial license) of Photosounder or a copy of SplineEQ for the October contest (and later months until further notice).

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Dave Hoskins from QuikQuak has donated a copy of Fusion Field (full license) for December's contest (and later months until further notice). Thanks, Dave Hoskins.

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Varazuvi has donated a copy of Acoustic Guitar Pro for this March's contest (and later months until further notice. Thanks, Varazuvi.

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Kong Audio has offered the choice of ErHu I, Xun, or MaTouQin for August's contest (and September's). Thanks, Kong Audio.

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Uncle E from JRR Shop has donated any one of the following: UVI Mello, UVI Digital Synsations, SONiVOX Pulse, SONiVOX Vocalizer, SONiVOX Wobble, SONiVOX Twist for July's contest (and later months until further notice).
No longer a moderator.

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My humble tribute to the pioneers of military aviation and those early fights in the sky

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The Dawn of Air Combat

Imagine all those basic air combat manoeuvring in order to cross path with the enemy and fire at will to shoot him down
I can't really make a better mix this time. Believe me, this is going to be a brutal month for me. :borg:

HW : Charvel guitar, Tech21 GT2, Mostortion, Alesis solo tube pre, Vantage bass, Rocktron Chameleon
SW : Minimogue VA, String Theory, NI Battery, NI Bandstand, DSK Elektrik Keyz, PI Elektro piano, Glaceverb, Camel space, KeFir, LFX-1310, Kjarehus classic bundle, Fusion Field
SAMPLES : samples of voices (intro) and final explosion from http://www.freesound.org - credits below
greenbastardd = https://www.freesound.org/people/greenb ... ds/240567/
ljudman = https://www.freesound.org/people/ljudman/sounds/33245/

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Phases of Madness

https://soundcloud.com/ruedirena/1208-r ... of-madness

We see three phases of this collective madness called the first world war.

The jolly marching band of the first phase is almost everybody going to war and being eager to fight for his own country. It contains a phrase from the German emperor's mobilisation speech - "Vorwärts mit Gott, der mit uns sein wird!" ("Forward with God, who will be with us!")

The second phase illustrates the horrors of the ongoing mass battles.

The third phase is like waking for a drunken night with a capital hangover, everybody drowning in sadness and mourning. There is a sample from the proclamation of the Weimar Republic by social democratic politician Philipp Scheidemann in 1918 saying "Das Morden ist vorbei." (The murdering has ended.").

May peace win over these troubled times of 2014!

Made on Ubuntu Studio 14.04 via wine with Reaper, Wusik Station, Rez, Fab Filter One, Uhe Podolski, Tobybear Micro Tuner, TAL Reverb III, Kjaerhus Classic Delay, Monteagudo OverDubber, Cockos ReaEQ, Lively Audio Maxwell Smart Limiter

Historic Wilhelm II and Scheidemann samples public domain
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Flamethrower
http://k007.kiwi6.com/hotlink/vie7mql5e ... hrower.mp3

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Inspired by the intensity of the first introduction of the modern flamethrower in war (World War I), one of the most treacherous weapons to be used against trenches.

DAW: FL Studio 10
Instruments: Camel Audio - Alchemy (6 instances), Tone 2 - Firebird (1 instance), DelaMancha - Dirty Harry (1 instance) & Basic65 (1 instance), various royalty-free sample packs for drums
Snare drums samples: the new and improved "dither algo"

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Lost Generation

FL Studio
Kontakt 5
EWQLSO Silver Edition

Haven't submitted in a while, please let me know if I need to change anything.

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Here's my entry for the month. Like others, I didn't think that the Great War was something I wanted to sound exciting or glorious, so I went with a somewhat funereal track that memorializes the tragedy.

Lament for the Great War

https://soundcloud.com/davidstiles/lame ... -great-war

Stuff I used:

DAW: MULAB 5

VSTs:

- 8Dio Adagio Violas, Adagietto Strings, and Claire Alto Flute
- Embertone Chapman Trumpet
- Kontakt 5 Factory Library organ and orchestral percussion elements

FX: Quik Quak Fusion Field

Compression and mp3 conversion by Audacity

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Berlin Juli 1914

Berlin
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Kontakt 5 with Hephaestos free female vox
Omnisphere
my voice
lots of effect plug ins in Ableton Live 9 Suite


:pray:

please redownload. the clicks and artificial noises are fixed. :)
"It dreamed itself along"

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https://soundcloud.com/psyerichybrid/war-of-chaos

https://soundcloud.com/psyerichybrid/wa ... s/download

This song is in journey of three emotions: Beginning, destruction and total sadness.






Reaper, electric Guitar, Omnisphere, Trilian, Addictiv Piano, Geist, samples of WWW.

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Trench Storming
https://soundcloud.com/clauderagonnet/1 ... h-storming
Bazille Beta, Kontakt (Spotlight strings / Apocalypse Percussion Ensemble), Alchemy and ST3 in Logic X (just moved over from 9)
Life in the trenches was horrific , but it became pure hell when your officers ordered you to get out and attack the enemy lines .

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Friedrich Brück(did not live since 1918)
(06.09.1896 - 11.03.1918)


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picture from: Archive: Photos of the Great War

The original idea of the minimal text and vocal melody was old - never finished.
Now the music came through it - new.

Hardware: Vocals, Rode NT2a

VST Instruments: NI Acoustic Piano & Battery & Massive, Fauna, Xhip, Strum, Vienna Instruments Clarinet & Perc

Samples: War Sound Fx (http://soundbible.com)

FX: Barricade, MComb, REFLEX free, Valhalla Room, ValhallaFreqEchoMkI, Camel Space, Voxengo Voxformer, FreeHaas, lots of Fl Studio Plugs & from the actual KVRDC14 Contest: REZ3, Acon Digital Multiply, GuitarGadgets, EpiCentre

Lyrics:

engl:
I just did not live since 1918

the remaining time after death
tried to think of all
what passed

germ:
Ich habe nicht mehr gelebt seit 1918
Die restliche Zeit nach meinem Tod verbrachte ich mit Nachdenken
Symphony Nr.1
Meet the Cities Repair Team Unimportant laughter
music has become meaningless...we just keep doing it

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Here's my entry:

https://soundcloud.com/vulcandj/1408-vulcandj-thiswar


This War



This War

Dawn has just broken on the battle field
Young men awaken to a rather raw deal
The trenches they lay in all covered in mud
And mixed with their sweat, their fear and their blood

The fighting, it goes on as if it won’t stop, The soldiers cannot take much more
The battles continue till the last man will drop, Doesn’t matter whose rich or whose poor
If an end is in sight, they should try with their might, To close this most venomous door
No, we can’t stop this...No, we can’t top this war

The sun is now setting giving darkness to day
The scars from the battles, they are likely to stay
Off in the distance they bring in more men
And with them they bring hope of no war again

The fighting, it goes on as if it won’t stop, The soldiers cannot take much more
The battles continue till the last man will drop, Doesn’t matter whose rich or whose poor
If an end is in sight, they should try with their might, To close this most venomous door
No, we can’t stop this...No, we can’t top this war

DAW: Pro Tools 10
Live Instruments and processing: Carvin Guitar, POD HD500, Sterling Music Man Bass, StudioV3 Mic Pre, dbx over-easy compressor
MXL V63M Mic
Plug ins: Studio Drummer, Camel Crusher, Alchemy, EZ Mix, AIR, Focusrite Scarlett Reverb, Vinyl, xPand 2, DB-33, Antares Auto-Tune
Just close your eyes. You'll find all you need with your mind.

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Heavy Load

An orchestral-ish piece with some added grit.

https://soundcloud.com/shangsean/heavy-load

http://k007.kiwi6.com/hotlink/z86dxtmj9 ... vyLoad.mp3


Created in Sonar X3 using:

Instruments:
Kontakt 5 (Albion 1 + 3)
Effects:
Standard ProChannel Tools (EQ, compressor, console, tape sim)
Nomad Factory Blue Tubes Brickwall Limiter, Tempo Delay and Stereo Imager
Breverb Sonar
Ozone 5

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Couldn't come up with an original song this month so i've just done a cover of one of the most popular songs of the First World War

Tipperary

DAWs
Reason 3
Tracktion 2

Instruments
Line 6 Variax electric guitar
Epiphone acoustic guitar
Shure SM57 mic

Plug-Ins
Tracktion Compressor, 4-Band Equaliser & Sampler
Kjaerhaus Classic Chorus & Reverb
can't sing, can't play, looks awful.....

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Shell Shock

Shell shock was the reaction of some soldiers in World War I to the trauma of battle - the intensity of the bombardment and fighting produced a helplessness appearing variously as panic and being scared, or flight, an inability to reason, sleep, walk or talk. The condition was often misunderstood and sufferers stigmatised.


ShellShock (download)
Shell Shock (soundcloud)


Sound sources:
Various field recordings made with Zoom H1

FX:
Kjaerhus Classic Autofilter, EQ, Delay, Flanger, Reverb
Melda MFreqShifter, MRingModulator, MAutoPan
QuikQuak Fusion Field
BiFilter2
CamelSpace

Magix EQ and Mastering

DAW:
Magix Samplitude Music Studio 2014

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Shot at Dawn
2:12 / 3.7MB mp3 or 3.2MB ogg

mp3 . . . . ogg

With a head full of horrors
lungs wrecked by gas
eyes blighted by nightmares they'd seen
a broken young man
broke down and ran
from the hell of the shells and the screams

For the crime of collapsing
sentenced to die
he was shot in the gray light of dawn
He was eighteen years old
He died tied to a pole
His body was buried but his ghost isn't gone


Inspiration:
http://www.theguardian.com/artanddesign ... -world-war

Used: MU.LAB, Audacity, GHi, Eos, StripBus, Roundtone, SPAN, acoustic guitar, MXL V63M.
No longer a moderator.

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