The output transducers. The 'acoustic' part of electoacoustic referred to the fact that this music had to be reproduced by means of speakers or headphones (Manning, P403; Holmes, p09 etc).fmr wrote:Again you show how confused you are. So, where is the "acoustic" in, for example, the magnetic tape version of Kontakte, by Karlheinz Stockhausen, or Stria, by John Chowning?Gamma-UT wrote:I just think you've picked the wrong term to describe what you want to describe, which is probably really 'electroacoustic music'.
According to Manning the difference would be that the tape version of Kontakte would be classified as 'acousmatic' because it was entirely prerecorded, but both would still fall under the term electro-acoustic. Holmes doesnt make that distinction, but specifically declares recorded-only output as being electroacoustic.Electroacoustic is a term that should be reserved for the pieces that mix electronics (being it electronic instruments, computers running software for producing or processing sound, or simply recordings of manipulated sounds) and acoustic instruments, like the version of Kontakte for magnetic tape, piano and percussion.
The Kontakte tape version alone is electronic music (yet, it isn't even "played", since it is a recording), and the version for tape, piano and percussion is "electroacoustic music".