I think (could be wrong) that there's a bigger market for "character" compressors than EQs. An equalizer, ideally, you want to just do what it says it's doing, cutting and boosting frequencies where you specify. At least, this I've seen others say, I'm not big on compressors myself. I'll use Fruity Limiter/Maximus or the native maximizer in Renoise, depending on which program I'm using, to make things a little louder in a relatively transparent way, but most compressor plugins I've tried that were designed to color the output I didn't like that muchCaine123 wrote:i loooooooooooooooooove u-he, but please someone tell me why we need so many compressors on the market ?
it's like eq's, people say there is not really much difference (when coding is well?), so i still stick to my go-to parametric eq from fl studio, compressorwise i got my recccomp from waves and dunno yet what this will get more than other comps?
no badmouthing, only let me know what im missing on the market
and again, i only write it here and not in other compression topics cause i always checkout u-he stuff !
Then again, people also say there should be no difference with FM synths because mathematically there should be few variables, but I swear Zebra's FMO has something special going on other than just having a stereo signal path
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