Howard wrote:Might be an interesting challenge for the "Zebra Redux" guys!
can we do something about that?drzhnn wrote:Sounds like an interesting idea. Too bad I don't own Diva yet
Howard wrote:Might be an interesting challenge for the "Zebra Redux" guys!
can we do something about that?drzhnn wrote:Sounds like an interesting idea. Too bad I don't own Diva yet
+1 Gazillion!!!Voice303 wrote:To me that is the one simple thing that could make patch editing much better on u-he plugins. Being able to easily A/B different presets as well can be very helpful.
I know we have undo / redo but its not the same.
I don't think it needs to store both states in the preset. I think the way it should work is this:Urs wrote:Yes, we're discussing A/B on and off. We haven't 100% decided how to implement it, but it's certainly something we're talking about.
I think the main issue is if both states need to be stored in the preset, so that it's still there if a project is re-opened. That woudl be a bit of a problem because we haven't figured anything clever out to store settings within settings - which contain settings that contain settings that contai...
+1EvilDragon wrote:Perhaps a good call would be right-clicking the A-B button and having an option to duplicate A state to B state, so you have a new vantage point from which to compare your work.
What if you hold a note and play 16 others. Then the first note blocks the voice that's supposed to be next. How would you handle this?hakey wrote:Diva - sequential voice mode.
The first note played is allocated to voice one, the second to two, and so on.
The arpeggiator + voice map modulator then becomes an eight step sequencer!
(a chromatic mode for osc voice detune would further expand the possibilities)
That's actually how it is in Modartt Pianoteq - it always holds two presets in the memory, and you can swap between them anytime. If you right-click the A-B button it even pops up with a list of sections that differ between the two presets!Urs wrote:I was of the opinion that one stores two settings that one can *always* switch back and forth between, even after loading the project again. This was the basis of doing the 8-slot snapshot EQ for Filterscape, to make it even better.
Urs wrote:Ah well… maybe it's just the good old edit/compare from the 80ies synths...
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