I have captured a few of the issues I encountered so far in this video (39MB .MP4).
There seem to be a number of issues with this feature:
- Even though the note clip was the only clip on the track, the track may still get converted to a hybrid track. This is obviously not in line with the description in the User Guide, section 11.2.2, p. 242:
- Even though the track has now become a hybrid track, the Detail Panel Editor does not show Audio Editor and Note Editor buttons. This is obviously not in line with the description in the User Guide, section 11.2.2, p. 243:Since this was the only note clip on the track, Bitwig Studio has converted it from an instrument track to an audio track while preserving the entire device chain.
If there were no other note clips on the track, it would have been converted from an instrument track to a hybrid track.
- Another (minor) issue is that Bitwig Studio may produce an audible 'tail' artefact when bouncing and analysis of onsets finishes.Since hybrid tracks allow both audio and note clips to be present, the Detail Panel Editor now has its Audio Editor and Note Editor buttons to keep things straight.
- The analysis of onsets may miss some relatively obvious transients - but I guess that should be expected to happen with a one-size-fits-all analysis. A configurable sensitivity setting for analysis of onsets would probably be very useful.
- More importantly, the recorded audio may have a gap at the start of the audio file, and as a result, all its onsets (transients) may be offset, so that they do not line up with the grid (while the corresponding note events are placed exactly on the grid, and the used sound has an immediate 'attack').
- Automatically setting the clip start to the first onset (i.e. the next one after its current start position) seems to work very strangely: one apparently has to click '<< Onset' to slide the start to the previous onset rather than the next one. This seems very inconsistent and counter-intuitive.
- After editing the resulting audio clip to make onsets line up (better) with the grid, the audio clip may audibly go out of sync with the project. Deactivating (all) the device(s) on the track does not fix this; only removing (all) the device(s) on the track does. But having to remove the instrument device chain entirely arguably implies missing the whole point of having hybrid tracks in the first place.