Of course not!! Notes have various durations, that are expressed as a number of beats, or a fraction of a beat. Timesig denominator determines how long a note (actual played event) with the length of one beat is going to last at a particular BPM.tony tony chopper wrote:you're not saying that a note is always 4 beats, are you?EvilDragon wrote:Well, it plays a note that's on the beat, yeah. "Beat" doesn't produce a sound - that word is used as a measurement unit (like centimeters, liters, etc.). Notes produce sound, on the other hand - they're the actual events.tony tony chopper wrote:I've always thought a metronome was supposed to play beats
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- KVRAF
- 23102 posts since 7 Jan, 2009 from Croatia
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tony tony chopper tony tony chopper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=3103
- KVRAF
- 3561 posts since 20 Jun, 2002
Of course not!![/quote]EvilDragon wrote:
you're not saying that a note is always 4 beats, are you?
I'm even more confused than I already was before this thread.
Told differently, FL offers a 2-value setting, which is enough to define the relationship between 3 parameters, namely bars, beats & steps.
A traditional time signature only offers 2 values as well, for the concept of "note", bars, and beats.
So SURELY there is a mapping between the "bar, beat, step" system and "note, bar, beat" system?
Basically, it should be possible to express "note" using bar, beat & step, no?
really nothing of this makes senseEvilDragon wrote: Timesig denominator determines how long a note (actual played event) with the length of one beat is going to last at a particular BPM
first, there are time units defined as "a fraction of a note", as if a note was a time unit, and then there is such a thing as "a note with the length of one beat".
How can a time unit can be explained as a played event? I'm sure it makes sense on some remote planet, but this is earth.
I thought you were kidding when you wrote "a note is an event, defined as a duration between MIDI note on and note off"..
It's like I'm saying "my appointment lasts 4 hours. What is an hour? An hour is 1/4 of an appointment".
Last edited by tony tony chopper on Mon May 04, 2015 2:28 pm, edited 1 time in total.
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- KVRAF
- 2070 posts since 5 Oct, 2005
ED , I thought there was note - the length measurement and note - the event.
I think of the length measurement as a note being a bar.
That's why you get 4 quarter notes, 8 8th's ,16 16th's per bar/measure.
Once you start playing with time sig your "bar" isn't necessarily 4 beats of your original measure any more.
Is that not how it works?
Are you saying Hoagy Carmichael and the Stark Reality have been wrong for all these years ?
https://www.youtube.com/watch?v=FIm60fP_KwY
I think of the length measurement as a note being a bar.
That's why you get 4 quarter notes, 8 8th's ,16 16th's per bar/measure.
Once you start playing with time sig your "bar" isn't necessarily 4 beats of your original measure any more.
Is that not how it works?
Are you saying Hoagy Carmichael and the Stark Reality have been wrong for all these years ?
https://www.youtube.com/watch?v=FIm60fP_KwY
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- KVRer
- 23 posts since 11 Jan, 2011
the problem is that despite steps_per_beat is a multiplicative inverse of the denominator, in fl studio it still does lengthen the beat. it does not subdivide, as musicians would expect. that is why a few guys including me point out that even if it looks right in the piano roll, it's not having the correct tempo anymore (tempo needs as much halfing as you double the denominator)tony tony chopper wrote:
Told differently, FL offers a 2-value setting, which is enough to define the relationship between 3 parameters, namely bars, beats & steps.
A traditional time signature only offers 2 values as well, for the concept of "note", bars, and beats.
So SURELY there is a mapping between the "bar, beat, step" system and "note, bar, beat" system?
Basically, it should be possible to express "note" using bar, beat & step, no?
(written in a hurry. sorry if i need to correct me later again)
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- KVRAF
- 1524 posts since 6 Nov, 2012
It shouldn't. The length of playing notes are determined by tempo. You can understand by reading this behavior for example in other DAW.EvilDragon wrote:Changing the denumerator will change the duration of notes being played.
http://www.steinberg.net/forums/viewtopic.php?t=56065
- KVRAF
- 23102 posts since 7 Jan, 2009 from Croatia
Perhaps I've wrongly expressed myself. I meant only for the metronome in that sentence. Naturally, when you change from 4/4 to 4/8, you WILL want your metronome to click in double-time.tooneba wrote:It shouldn't. The length of playing notes are determined by tempo. You can understand by reading this behavior for example in other DAW.EvilDragon wrote:Changing the denumerator will change the duration of notes being played.
http://www.steinberg.net/forums/viewtopic.php?t=56065
Last edited by EvilDragon on Mon May 04, 2015 2:40 pm, edited 1 time in total.
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tony tony chopper tony tony chopper https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=3103
- KVRAF
- 3561 posts since 20 Jun, 2002
sure, but the question is, how is 4/4 different from 8/8, by adjusting the piano roll snap.maruks wrote:tony tony chopper wrote: it's not having the correct tempo anymore (tempo needs as much halfing as you double the denominator)
That is, say that you want 4/8, why is it that this can't be expressed as a time signature of 2/4, and then showing a twice finer grid using the snap?
DOLPH WILL PWNZ0R J00r LAWZ!!!!
- KVRAF
- 23102 posts since 7 Jan, 2009 from Croatia
It CAN be shown like that, but the composer might choose not to do that, because accents are different in 2/4 as opposed to 4/8. That's a whole different thing. Metrically, you get bars of same length in 4/8 and 2/4, that's true. It's a similar case as with sharps and flats in this regard.tony tony chopper wrote:That is, say that you want 4/8, why is it that this can't be expressed as a time signature of 2/4, and then showing a twice finer grid using the snap?
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- KVRAF
- 1524 posts since 6 Nov, 2012
As you can see in the link in my last post, denominator isn't related to BPM. BPM in the computer music is formally determined by quarter note per minute.EvilDragon wrote:Of course not!! Notes have various durations, that are expressed as a number of beats, or a fraction of a beat. Timesig denominator determines how long a note (actual played event) with the length of one beat is going to last at a particular BPM.
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- KVRer
- 23 posts since 11 Jan, 2011
ps, i knew i would screw that part up
(tempo needs as much halfing doubling as you double the denominator)
(i forgot one division)
that's what seemed correct to me yesterday
fl_steps_per_beat = fl_16 / music_theory_denominator
corrected_tempo = usual_tempo * 4 / fl_steps_per_beat
(tempo needs as much halfing doubling as you double the denominator)
(i forgot one division)
that's what seemed correct to me yesterday
fl_steps_per_beat = fl_16 / music_theory_denominator
corrected_tempo = usual_tempo * 4 / fl_steps_per_beat
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- KVRAF
- 1524 posts since 6 Nov, 2012
My bad. I got what you tried to say.EvilDragon wrote:Perhaps I've wrongly expressed myself. I meant only for the metronome in that sentence. Naturally, when you change from 4/4 to 4/8, you WILL want your metronome to click in double-time.tooneba wrote:It shouldn't. The length of playing notes are determined by tempo. You can understand by reading this behavior for example in other DAW.EvilDragon wrote:Changing the denumerator will change the duration of notes being played.
http://www.steinberg.net/forums/viewtopic.php?t=56065
- KVRAF
- 23102 posts since 7 Jan, 2009 from Croatia
Of course it isn't. But it DOES influence how fast the metronome is supposed to tick.tooneba wrote:As you can see in the link in my last post, denominator isn't related to BPM. BPM in the computer music is formally determined by quarter note per minute.
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- KVRer
- 6 posts since 14 Jan, 2015
Clearly, for creating many forms of modern music much of this is unnecessary, as is support for multiple time signatures. If you don't want to implement this stuff in FL Studio that's totally understandable, but why take such a dismissive tone when you so clearly lack understanding?tony tony chopper wrote:hum.. WHY do you only have "one line for D" - if that's not pure masochism? Yes, that's what I'm saying, classic musical notation IS by itself masochistic, at least today.
Just explain that most users don't need these features so it's not a priority. Flaunting your ignorance in this manner is pretty embarrassing.
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- KVRAF
- 35434 posts since 11 Apr, 2010 from Germany
To be honest, i'm actually wondering how many of the people arguing here pro multiple time signatures really need and use them. I listen to various types of music, and i don't remember a track with multiple time signatures in them. I mean, unless you do classical music, or greek folklore, are there really many genres which feature tempo changes in them?GuitarGuy420 wrote:Clearly, for creating many forms of modern music much of this is unnecessary, as is support for multiple time signatures. If you don't want to implement this stuff in FL Studio that's totally understandable, but why take such a dismissive tone when you so clearly lack understanding?tony tony chopper wrote:hum.. WHY do you only have "one line for D" - if that's not pure masochism? Yes, that's what I'm saying, classic musical notation IS by itself masochistic, at least today.
Just explain that most users don't need these features so it's not a priority. Flaunting your ignorance in this manner is pretty embarrassing.