do you always use a DRUMBUS?

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Caine123 wrote:a compressor is the only thing which is normall on a drumbus isnt it?
No. I use EQ from time to time, usually passive like Waves PS56 or sometimes PuigTech.
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Yes If the mix is fairly busy with lots of little details, I do like using some compression on it to help "glue" things together better.
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thanks a lot mates! so not only kicks, snares, claps, but also hihats get into the drumbus?
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Snips and snails and puppy dog tails.
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for me; if I'm using one drum instrument and perhaps a sample kick = no drum bus - I'll send everything over the kick to a verb send

if I'm using more than one instrument and/or multiple percussive samples = drum bus with compression and verb(again, high-passed over the kick)

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awesome i used a drum bus in the last few projects, it gives the percussions some more oomph, i like that!
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As I do dance music, yes, but not always with something on it, and I never route the kick to it anymore. I do like to drive all the drum percussion into a firm setting on Pro-L and dig into it a bit, to reduce the transients by a a dB or so. Sometimes If I want more compression in time with the kick I'll side-chain the kick to that "drum buss" but the kick itself is always clean to the master out.
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Often a couple of them. Usually one is processed a lot and lower in level, one is cleaner. Parallel compression is your friend.

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I use a bus for the kick just for mixdown / mute actions.

However, I use separate buses for percussion and claps. In fact the other percussion is sidechained under clap for greater impact. Then it's fed into common percussion bus with all the reverb, transient shapers and other neat things.
Also, it's always handy to solo or mute percussion or other buses.
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DJ Warmonger wrote:I use a bus for the kick just for mixdown / mute actions.
Why do you send one single track to a bus for mixdown and mute actions? Can't you do that with the track itself?
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3 layers for the kick i'd say,so just bus'em

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deft_bonz wrote:
DJ Warmonger wrote:I use a bus for the kick just for mixdown / mute actions.
Why do you send one single track to a bus for mixdown and mute actions? Can't you do that with the track itself?
Return tracks in Ableton have separate tab so they all show together and close to each other. I think it's handy.
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Tricky-Loops wrote: (...)someone like Armin van Buuren who claims to make a track in half an hour and all his songs sound somewhat boring(...)

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