I haven't bought from them myself, but I recall this thread and they appear to be legit:anti_phase wrote:Umm, strange site... resellers sell plugins cheaper than their developers? Is that legal?
http://www.kvraudio.com/forum/viewtopic.php?p=6342216
I haven't bought from them myself, but I recall this thread and they appear to be legit:anti_phase wrote:Umm, strange site... resellers sell plugins cheaper than their developers? Is that legal?
Commercial version has just been released with more featuresIzak Synthiemental wrote:Oh, there is also Code Red Free which models an Abbey Road console channel (as Waves Redd does). Not sure how deeply it models the console characteristics, but it has the original EQ curves and the preamp saturation on board. I guess such features as left-right or channel crosstalk are not modelled here. It's quite nice!
http://www.kvraudio.com/product/code-re ... lass-audio
http://www.kvraudio.com/forum/viewtopic.php?p=6216042
What is this Prochannel equivalent?cryophonik wrote:Which DAW are you using? I know that Sonar has a built-in ProChannel equivalent that I preferred over NLS for both sound and (esp) for ease-of-use. If you're not using Sonar, maybe other DAWs have a similar feature?anti_phase wrote:Recently I was in a friend of my friend studio and he used NLS on every channel and busses, sounded much better with it. So I really want to implement this Non-Linear Summer feature in my DAW. But NLS is pricey a little. Are there some more good alternatives?
I have Redd and Scheps, neither are really that subtle. Scheps is probably the more subtle of the two as you have great control.TheoM wrote:fwiw i didn't like code red much.. this time waves gets the win IMO. Am thinking about REDD.
This is something I was thinking as well when I first read about NLS. So can we confirm if this is the case? That this is in effect "only" saturation and not actual summing of channels. I could imagine one way they could achieve actual summing without bypassing the DAW, by having each channel plugin somehow compensate the signal so that the resulting combination within the DAW summing results in the desired result.Burillo wrote: ... i find it hard to believe that they do, in fact, bypass the DAW summing. if that were the case, they would have to either silence the output after the NLS channel, and feed it all into the bus through some out-of-band communication with the bus; or it would have to ignore all the FX you put after NLS channel. neither of those are happening AFAIK, so i don't think they too offer some sort of magic summing algorithm. at the end of the day, bus is still a stereo bus, and does the same stereo summing thing other plugins do.
Hi i think you are confusing me with someone else. VCC is the one I use for subtlety, i like the obvious effect waves redd adds. I am anti nebula, i hate the whole convoluted system and website even. No thanks. Scheps is a neve 73 eq. Sorry what does that have to do with redd?HardSinc wrote:I have Redd and Scheps, neither are really that subtle. Scheps is probably the more subtle of the two as you have great control.TheoM wrote:fwiw i didn't like code red much.. this time waves gets the win IMO. Am thinking about REDD.
If you want subtlety why not just use Nebula? It costs less and less than NLS.
umm not exactly It`s more about non-linear summing. Even Waves separates this term from SaturationHardSinc wrote:Because Scheps also adds console style saturation, which is what the thread is about
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