Thank's a lot for the feedback, Erik. Now that we can freely assign as many Makros a we like in Falcon (we had 8 in MachFive), I can add much more detailed controls, so the user gets as much control as musically/sonically necessary/sensible. With scripting I could even add more Macro pages, but no need for overkill...ErikH wrote:Thank you, Simon. It's a very good set and the makro's you chose are very well chosen - I usually prefer to start without reverb and delay and then add a little just to add a bit of 3D and it's easy to be able to do this with a makro. There is one patch in there that is extremely close to a sound I have had in my head for a few years now - the beginning of the Transporter - so that makes the set a 'no-brainer' for me.
And I think which kind bass flute sound you mean, it has been haunting me for days now (also last years when I sampled Andreas Mazur, who played the flutes for the HALion library), it's such a deep, warm and sonorous sound...