For extreme settings like self oscilation (and also audio rate modulation of the filter) a zero delay feedback filter could be indeed important and with all synth that use this so far at self oscillation they seem to sound very close to real analogs.chk071 wrote:I haven't listened to the sound demos, but i can assure that being zero delay feedback or not does not directly relate to sound quality. A zero delay feedback filter can sound like utter crap, same with a filter not using zero delay feedback. It's just that modern, "good sounding" filters usually utilize zero delay feedback technology to sound well with extreme settings/modulations. At least that's the way i understood it. You surely won't be able to hear if, in this case, it is a zero delay feedback filter or not, just judging from the perceived sound quality.Ingonator wrote: That filter does not seem to be based on a zero delay feedback filter. Those or a real analog usually create a better quality at self oscillation and usually they create a pleasing Sine like sound and not such a piercing sound like in teh fisrt demo.
Usually what you get at proper self oscillation is not an "ear piercing" sound like in those demos here but more a less a pusre sine wave. With filter key tracking and peopre calibration of the pitch by the Cutoff (which is teh only way with self oscillation and no Oscs used) you coudl get e.g. nice Sine Lead sounds. I have one of those included with my Waldorf Pulse 2 factory presets and have also done those with some plugins (mostly those with zero delay feedback filters which includes e.g. Diva, Suarus, Monark and the Xils Lab synths).
With proper cutoff and envelope settings you could use the Sine created by Self-oscilation to create a nice kick drum sound. BTW this works nicely with teh filter included in Xils Lab StiX that has the last generation of Xils Lab's zero delay feedback filters.