Sorry my bad! fixedCaine123 wrote:video is privateElektronisch wrote:Had some fun recreating patches from Yazoo - Dont Go
To download patches, check video descirbtion
https://www.youtube.com/watch?v=J7ZpvdA ... e=youtu.be
Repro-1 (out now)
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- Banned
- 3889 posts since 3 Feb, 2010
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- Banned
- 3889 posts since 3 Feb, 2010
According to the describtion in the youtube link above this is what is said "The original actually has a fair amount of ARP 2600 in it, which means that the sounds in my version are a bit hit-and-miss"HunterKiller wrote:The Yazoo - Don't Go brass lead is a little bit different to both of those examples above.
There either seem to be two different mixes, or Youtube is destroying the quality.
So might be that not a pro-one was used?
Also in my i video i have used fair amount of post processing to make it sound like you know..old
This is without post processing (except for small limiting)
https://clyp.it/3pnscmzu
https://www.dropbox.com/s/t2n646u6dolvs ... 0.mp3?dl=0 (those who are not lazy to download)
- u-he
- Topic Starter
- 28062 posts since 8 Aug, 2002 from Berlin
We should have called it YA-200
The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
- KVRAF
- 2162 posts since 10 Mar, 2006
Mhm, that 2600 is responsible for two great brass leads, Oxygene 4 and Don't Go.Urs wrote:We should have called it YA-200
The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
"The educated person is one who knows how to find out what he does not know" - George Simmel
“It's what you learn after you know it all that counts.” - John Wooden
“It's what you learn after you know it all that counts.” - John Wooden
- KVRAF
- 13196 posts since 16 Feb, 2005 from Kingston, Jamaica
[sarcasm] Can't wait for Urs to model whatever synth was responsible for Rick Astley's Please don't go, so we can have more remakes of that equally overplayed, overrated song best left in the past. [/sarcasm]
rsp
rsp
sound sculptist
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- KVRist
- 181 posts since 8 Nov, 2014
Yeah Urs, you're no stranger to code, you know the rules and so do I, a full commitment's what I'm thinking of.zvenx wrote:[sarcasm] Can't wait for Urs to model whatever synth was responsible for Rick Astley's Please don't go, so we can have more remakes of that equally overplayed, overrated song best left in the past. [/sarcasm]
rsp
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david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1866 posts since 13 Sep, 2007
Urs if you ever model 2600 both could be sold as "Yazoo bundle". And there might be "just can't get enough bundle" - two above + Boss DR 55 vst.Urs wrote: The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
Murderous duck!
- u-he
- Topic Starter
- 28062 posts since 8 Aug, 2002 from Berlin
Tagline: "Go-To-Synths are so yesterday, everyone just can't get enough Don't-Go-Synths!"david.beholder wrote:Urs if you ever model 2600 both could be sold as "Yazoo bundle". And there might be "just can't get enough bundle" - two above + Boss DR 55 vst.Urs wrote: The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
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david.beholder david.beholder https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=159839
- KVRAF
- 1866 posts since 13 Sep, 2007
"Boys say go!" synthsUrs wrote:Tagline: "Go-To-Synths are so yesterday, everyone just can't get enough Don't-Go-Synths!"david.beholder wrote:Urs if you ever model 2600 both could be sold as "Yazoo bundle". And there might be "just can't get enough bundle" - two above + Boss DR 55 vst.Urs wrote: The main riff in the original Don't Go is an ARP 2600. Everything else is Pro-One.
Murderous duck!
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- KVRAF
- 1579 posts since 8 Jan, 2003 from Edinburgh
OK - here's a question. There has been some discussion about losing volume on a sound - when you increase resonance.
Now I finally understand what this means, as I was playing with a bass sequence, and twiddling with resonance as it was going along. To me it seems like it loses it's bottom end - but in a mix, I hear the sound disappearing when the resonance goes up a little.
This is how the synth works - so that is not a problem.
One solution to this is - don't twiddle the resonance knob on a bass sequence
I was wondering if anyone has any other ideas about how to deal with this "phenomenon". What about shoving it through a compressor (limiter) at a low threshold? Or maybe I just have to play with vol (and eq?) envelopes? Or just forget it and leave the resonance setting to be more static?
rgds,
Now I finally understand what this means, as I was playing with a bass sequence, and twiddling with resonance as it was going along. To me it seems like it loses it's bottom end - but in a mix, I hear the sound disappearing when the resonance goes up a little.
This is how the synth works - so that is not a problem.
One solution to this is - don't twiddle the resonance knob on a bass sequence
I was wondering if anyone has any other ideas about how to deal with this "phenomenon". What about shoving it through a compressor (limiter) at a low threshold? Or maybe I just have to play with vol (and eq?) envelopes? Or just forget it and leave the resonance setting to be more static?
rgds,
John Braner
http://johnbraner.bandcamp.com
http://www.soundclick.com/johnbraner
and all the major streaming/download sites.
http://johnbraner.bandcamp.com
http://www.soundclick.com/johnbraner
and all the major streaming/download sites.
- KVRAF
- 3053 posts since 25 Apr, 2011
For me, it depends on what sound i want/need. Sometimes i use a fat compressing setting, sometimes i leave the res for what it is (static value) and sometimes i use the dip in gain/volume for some kind of opening in the sound...jbraner wrote:OK - here's a question. There has been some discussion about losing volume on a sound - when you increase resonance.
Now I finally understand what this means, as I was playing with a bass sequence, and twiddling with resonance as it was going along. To me it seems like it loses it's bottom end - but in a mix, I hear the sound disappearing when the resonance goes up a little.
This is how the synth works - so that is not a problem.
One solution to this is - don't twiddle the resonance knob on a bass sequence
I was wondering if anyone has any other ideas about how to deal with this "phenomenon". What about shoving it through a compressor (limiter) at a low threshold? Or maybe I just have to play with vol (and eq?) envelopes? Or just forget it and leave the resonance setting to be more static?
rgds,
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- KVRAF
- 1579 posts since 8 Jan, 2003 from Edinburgh
thanks exma - I'm going to try playing with a compressor - otherwise I'll leave it more static
John Braner
http://johnbraner.bandcamp.com
http://www.soundclick.com/johnbraner
and all the major streaming/download sites.
http://johnbraner.bandcamp.com
http://www.soundclick.com/johnbraner
and all the major streaming/download sites.