Sound Art & Music & Audiovisuals

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An extended version of Queens Throne which I composed a while ago as a sound demo for one of my libraries, now fully cinematic it can be part of my new album Life Bump to be released soon:

https://soundcloud.com/sampleconstruct/ ... ed-version

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My new album Life Bump on Bandcamp:

http://simonstockhausen.bandcamp.com/album/life-bump

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Sampleconstruct wrote:An extended version of Queens Throne which I composed a while ago as a sound demo for one of my libraries, now fully cinematic it can be part of my new album Life Bump to be released soon:

https://soundcloud.com/sampleconstruct/ ... ed-version
I would love to learn how to compose music like this.. how does a person learn this?

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surreal wrote:
Sampleconstruct wrote:An extended version of Queens Throne which I composed a while ago as a sound demo for one of my libraries, now fully cinematic it can be part of my new album Life Bump to be released soon:

https://soundcloud.com/sampleconstruct/ ... ed-version
I would love to learn how to compose music like this.. how does a person learn this?
I can't tell you, I grew up with music, learned to compose very early (taught by my father and self-taught), studied piano, saxophone, drums until I was 18, started with my first Minimoog at the age of 9, so music was always there, around me, in my head, my molecules, every cell of my body...

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You are very blessed and talented!!

Thanks also for you helpful input on my thread. .

Greatly Appreciated!

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First improvised recording after my soprano sax came back from the doctors yesterday, I'm much delighted...now I just have to get my chops back, but that won't take too long.

https://soundcloud.com/sampleconstruct/ ... he-doctors

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I just re-released some jazz tracks I wrote at the beginning of the millennium, recorded with my band ROYCE at the time. Band members were Christian Weidner on alto sax, Kalle Kalima on electric guitar, Daniel Schroeteler on drums, Dane Alderson on electric bass, myself playing the piano on these tracks. Mixed/produced by myself and Walter Quintus (RIP).

https://simonstockhausen.bandcamp.com/album/simon-jazz

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Stockhausen - Stegner

First track in a series of improvisations recorded live on hard-disk, performed by Martin Stegner on viola and myself on live-electronics (transforming the viola sounds in real time), synths and soprano saxophone.

Recorded live on disk in my studio on August 11th - 2017, edited and mixed on August 12th.

https://soundcloud.com/sampleconstruct/ ... ape-part-1

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Second part of a track in a series of improvisations, recorded live on hard-disk, performed by Martin Stegner on viola and Simon Stockhausen on live-electronics (transforming the viola sounds in real time), synths and soprano saxophone.
Recorded live on disk in my studio on August 11th - 2017, edited and mixed on August 12th.

https://soundcloud.com/sampleconstruct/ ... ape-part-2

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I had to transfer some recordings og older works to host them on my website, here is the recoding of the premiere of my composition Berliner Gschichten which I wrote in 1998/99, performed by the Ensemble Modern, conducted by Kasper de Roo with myself and Norbert Ommer doing the sound projection in the Grosse Sendesaal of the Hessische Rundfunk in Frankfurt.

Description:
In spring 1998 Mr. Bernd Leukert, head of the department for new music in the Hessische Rundfunk commissioned a work for a concert with the Ensemble Modern. During this time I was working in Berlin at the Berliner Ensemble (theatre) and very intensely experienced the power of this city.
I had a piece in mind which would permanently `morph´ - with parallel layers of morphing textures and dynamic, harmonic, rhythmical and timbral transitions distributed among different instrument groups - a floating music, hard to locate. I decided to move from Cologne to Berlin and started collecting the soundscapes of this city on my old NAGRA-recorder. Sounds from the different districts - Kreuzberg, Tempelhof, Mitte, Potsdamer Platz, subwaystations, urban people. These collected sounds, partially processed and modified soundbits are integrated into the piece by using a sampler and are dubbed by certain instruments or groups of instruments. This process takes away the profanity of those urban soundbits - sounds from a cigarette shop, turkish markets, chainsaws - everything turns into `music´.

This piece is dedicated to my wife Andrea.
https://soundcloud.com/sampleconstruct/ ... ble-modern

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Processing a field recording I made in New York of two Chinese musicians playing their traditional music on a Chinese violin and a banjo.

https://soundcloud.com/sampleconstruct/chinatown-drone

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