THE Psytrance thread
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Distorted Horizon Distorted Horizon https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=392076
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- 3882 posts since 17 Jan, 2017 from Planet of cats
Btw since we have some more experienced people here, would you mind sharing your wisdom a bit?
Terrafractyl mentioned something about making vids etc.. How's the progress?
Terrafractyl mentioned something about making vids etc.. How's the progress?
- KVRian
- 597 posts since 10 Jan, 2017
What do you mean by "phase peaks" exactly? The phase of the bassline being shifted by using a non-linear phase EQ with a highpass filter for example?Distorted Horizon wrote:I've done some detective work with those nasty phase peaks that occur when you toss an eq to a bassline.
Well linear phase eq obviously fights with that. But when using a stock eq for example, I found few tools that can tame those peaks.most of the times, but nothing annoying.
I tried disperser on my bass but found the effect a bit extreme and difficult to control.
I'll create some subtle and nice sounding phase shifts these days using Fabfilter Saturn - placing two crossover points around the frequencies of the 2nd and 4th harmonic. It makes the bass note sound a bit more "tidy" to me
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Distorted Horizon Distorted Horizon https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=392076
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- 3882 posts since 17 Jan, 2017 from Planet of cats
Yes. When you set your bass track volume to -12dB and then add a highpass to (for example) 30hz. RMS stays the same but peak suddenly jumps to -7dB or -8dB.andymcbain wrote:What do you mean by "phase peaks" exactly? The phase of the bassline being shifted by using a non-linear phase EQ with a highpass filter for example?
Can be seen in a bounced audio as a big.. Peak
Hm.. I don't have Saturn but thought many times that I should test it. Maybe MMultibandDistortion would do the same?andymcbain wrote:I'll create some subtle and nice sounding phase shifts these days using Fabfilter Saturn - placing two crossover points around the frequencies of the 2nd and 4th harmonic. It makes the bass note sound a bit more "tidy" to me
Bitwigs EQ5 also has a knob labeled as "shift", which also tames that peak often.
- KVRian
- 597 posts since 10 Jan, 2017
I getcha!Distorted Horizon wrote: Yes. When you set your bass track volume to -12dB and then add a highpass to (for example) 30hz. RMS stays the same but peak suddenly jumps to -7dB or -8dB.
Can be seen in a bounced audio as a big.. Peak
Always used linear phase EQ to highpass bass, then bounced the note(s) down to audio... so it's never been an issue for me. But that's just my way of working
andymcbain wrote:I'll create some subtle and nice sounding phase shifts these days using Fabfilter Saturn - placing two crossover points around the frequencies of the 2nd and 4th harmonic. It makes the bass note sound a bit more "tidy" to me
Probably - many multiband processors (as far as I'm aware) will cause some phase shift around the crossover points. This can be a bad thing in some cases, but useful when sculpting the tone of your psy bass IMODistorted Horizon wrote: Hm.. I don't have Saturn but thought many times that I should test it. Maybe MMultibandDistortion would do the same?
Bitwigs EQ5 also has a knob labeled as "shift", which also tames that peak often.
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- KVRAF
- 5664 posts since 7 Feb, 2013
I wonder what monitoring do you guys use to control this kind of stuff.
I spent last two weeks at improving my basslines and ended up in removing all plugins from my bass synth chain except for the equalizier (a fellow psy producer with very good ears helped me on the eq settings)
I spent last two weeks at improving my basslines and ended up in removing all plugins from my bass synth chain except for the equalizier (a fellow psy producer with very good ears helped me on the eq settings)
You may think you can fly ... but you better not try
- KVRian
- 597 posts since 10 Jan, 2017
For visual feedback I have a second monitor set up with a spectrum analyser and an oscilloscope running constantly. Monitoring wise I use Sennheiser HD650s and various sets of monitors (favourite being a pair of small Eve Audios).
Honestly though, you don't have to get into this level of geekery to make a decent sounding bass line. Many professional producers won't. I'm just a bit sad
Honestly though, you don't have to get into this level of geekery to make a decent sounding bass line. Many professional producers won't. I'm just a bit sad
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Distorted Horizon Distorted Horizon https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=392076
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- 3882 posts since 17 Jan, 2017 from Planet of cats
Andy would you mind sending a link here to your music?
I'd be interested to hear what are you cooking
I'd be interested to hear what are you cooking
- KVRian
- 513 posts since 22 Sep, 2015
any idea how they made this bass sound @ 3minute mark ?
https://youtu.be/rx3NvQdZOQM?t=2m54s
sounds like a regular bpf type pulsewave sound , but seems in slow mode or something? formant filter?
https://youtu.be/rx3NvQdZOQM?t=2m54s
sounds like a regular bpf type pulsewave sound , but seems in slow mode or something? formant filter?
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- KVRist
- 353 posts since 15 Nov, 2005 from Melbourne Australia
Sorry I been super busy lately, on the road, have a quite new (and first) baby in my life. Making vids for Kvr is fairly low on priorities at the moment!Distorted Horizon wrote:Btw since we have some more experienced people here, would you mind sharing your wisdom a bit?
Terrafractyl mentioned something about making vids etc.. How's the progress?
Here is Kick/Bass idea for the day though... Maybe someone out there has been doing this, or maybe it is common knowledge but...
For a while I have been using a fake kick drum as the source for the sidechain to the bassline.
This fake Kick is just a duplicated version of the actual Bazzism channel that I use for my Kick, but I do a few things to make it different...
(this is in cubase, and may be a bit different to set up in other hosts)
For starters I send the audio output of the fake Kick channel to 'no bus' so it cannot be heard in the mix.
Then I move the Cubase track delay slightly into minus. so this fake kick is actually happening 10ms or something BEFore the actual Kick drum in the track.
I also often make this fake kick have a slightly quicker decay than the real kick in the mix, as it helps make the sidechain nice and snappy.
This fake kick is then used to sidechain the bassline, instead of the actual audible kick drum. Getting the minus track delay number just right, plus the attack and the release of the sidechained compressor on the bassline all right and sounding smooth can take a bit of work, but basically doing this you can be 100% sure that when the first note of the bassline hits, the Kick has already been ducked by the sidechain.
WithOUT this minus delay, there is always going to be some delay from the sidechain + the attack stage of the compressor. so Kick and Bass will still be overlapping ever so slighty in time and competing for the same freqs in the mix. (and those are some important freqs!)
Seems a bit over the top I know but lets face it we have been going over the top in psy getting perfect Kicks and basslines for a long time now haha and it really does help IMO
While I set this kind of thing up in a track, I usually just have a bar or two in a loop and as I progress though the process of tuning the kick, bass and compressor to be just right I keep bouncing down the Kick bass (and fake kick so the sidechain is working properly) to a piece of audio in my DAW and look at it.
Really looking carefully at the end of the kick and how it interacts with the bassline and Also the end of the last bass note and how it interacts with the start of the Kick really helps.
hope that is decipherable! written in a bit of a hurry haha
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Distorted Horizon Distorted Horizon https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=392076
- Banned
- 3882 posts since 17 Jan, 2017 from Planet of cats
I'm quite sure that you don't mean a girlfriend So it has to be a baby that cries and poops.Terrafractyl wrote:have a quite new (and first) baby in my life.
Congratulations!!
My "babies" are 3 and 5 and they're super interested in synths Soon I'll start to lure the older one to practice some basic sound creation and maybe some simple music theory ^^
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- KVRist
- 353 posts since 15 Nov, 2005 from Melbourne Australia
Distorted Horizon wrote:I'm quite sure that you don't mean a girlfriend So it has to be a baby that cries and poops.Terrafractyl wrote:have a quite new (and first) baby in my life.
Congratulations!!
My "babies" are 3 and 5 and they're super interested in synths Soon I'll start to lure the older one to practice some basic sound creation and maybe some simple music theory ^^
Thanks a lot!
We are now 5 months in, what a game changer.
but yeah I can't wait to start introducing my daughter to my modular synth, I have a feeling all those knobs and flashing lights will make it not dissimilar to a giant toy
- KVRian
- 597 posts since 10 Jan, 2017
Here's the latest complete track I have online - https://soundcloud.com/groovetoads/groo ... d-deformedDistorted Horizon wrote:Andy would you mind sending a link here to your music?
I'd be interested to hear what are you cooking
Says it's a month old but it's actually more like 6 months. The stuff I'm working on at the minute is sounding a bit phatter And I've been improving on other aspects like my use of reverb, panning etc.
Would love to hear what you think anyway!
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- KVRAF
- 5664 posts since 7 Feb, 2013
Sounds great, mate, trippy and fierce, top stuff! What synths did you use for the FM sounds?andymcbain wrote:Here's the latest complete track I have online - https://soundcloud.com/groovetoads/groo ... d-deformedDistorted Horizon wrote:Andy would you mind sending a link here to your music?
I'd be interested to hear what are you cooking
Says it's a month old but it's actually more like 6 months. The stuff I'm working on at the minute is sounding a bit phatter And I've been improving on other aspects like my use of reverb, panning etc.
Would love to hear what you think anyway!
Ha, my daughter is one month younger than yours They make some pretty trippy noises at this age, do they?Terrafractyl wrote: We are now 5 months in, what a game changer.
Thanks for your sidechaining tips, I commonly use sidechaining from a ghost kick on bassline but I wasn't aware of that timing trick.
You may think you can fly ... but you better not try
- KVRian
- 597 posts since 10 Jan, 2017
Thanks very much mate!Distorted Horizon wrote: Sounds great, mate, trippy and fierce, top stuff! What synths did you use for the FM sounds?
The "squeaky" FM lead is from a Nord Lead 2X - which can produce some crazy organic timbres from it's FM. Haven't heard anything else quite like it. Was a pain to sit in the mix though.
The fatter FM lead is straight out of Serum - which I love. It's sound has a lot of depth to it - especially when you start modulating.
And the first arp that comes in is from a Virus C - which I'm not so happy with in hindsight. I'd used the Virus internal EQ to boost the mids quite excessively which kinda thinned out the sound. Flat EQ from this point forward
- KVRian
- 597 posts since 10 Jan, 2017