DnB sound (design?)
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- KVRist
- 100 posts since 8 Mar, 2017 from Kathmandu
Currently at work and can't listen - but it depends entirely on the type of drum and bass you are trying to make. More modern stuff is usually mostly programmed in with punchy sounding hit's. A lot of people are currently going for a very tonal snare pitched up - but I think it's becoming vastly overused. The great thing about drum and bass is that there are so many different ways to do it. I prefer to low cut some kind of break at 174 bpm, chop it up. then begin layering my kick's and snares, add some shuffles and away you go.
Experiment and you'll find your own style
Experiment and you'll find your own style
Feed The Paw
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 35162 posts since 27 Jul, 2005 from the wilds of wanny
- KVRist
- 425 posts since 23 Aug, 2012 from Way Out West
you can do it that way if you want, it just takes a lot more processing. I remember watching a dnb producer on youtube a few yrs back creating his entire drum loop using 'acoustic' drums from either Toontrack, Addictive Drums or one of those, can't remember exactly. If I can remember who it featured, I'll look it up and post it! I remember him doing a lot of multiband distortion/transient shaping & parallel compression.SoundGimmick wrote:The snare sound is what I'm mostly going for. It's pitched up and possibly has a hat going with it. But what I'm actually looking for is how to do it from scratch and get the punchyness without using preprocessed drum samples, by which I mean what to do with a basic acoustic drum sample / synthesizer to get the desired sound, if possible.
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- KVRer
- 3 posts since 25 Nov, 2016
Try layering a pitched up snare with some white noise, bounce it out and mix it back into your clean snare, go easy though
- KVRist
- 425 posts since 23 Aug, 2012 from Way Out West
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- KVRer
- 5 posts since 27 Mar, 2017
This. You can download the amen break from freesound.org And also try working with some samplepacks. I like layering a bunch of loops together. You can get some really complex drum sounds this way.thecontrolcentre wrote:Take the Amen Break and play it back at 140bpm + You might want to pitch it up, rather than timestretching.
The drum break from The Winstons - Amen Brother
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- KVRist
- 100 posts since 8 Mar, 2017 from Kathmandu
I'd also recommend the Joe Ford masterclass from Digital Labs (Or any of their dnb lectures).Hooj wrote:Okay, I found it... It's actually pretty good!
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https://www.youtube.com/watch?v=pUYMJCVkirs
http://www.digitallabz.co.uk/video-tutorials
Feed The Paw
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- KVRAF
- 3089 posts since 4 May, 2012
Spades of compression.
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- KVRer
- Topic Starter
- 15 posts since 17 Mar, 2017
This is the one I happened to come across, but thanks anyways!Hooj wrote:Okay, I found it... It's actually pretty good!
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https://www.youtube.com/watch?v=pUYMJCVkirs
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- KVRer
- Topic Starter
- 15 posts since 17 Mar, 2017
What kind of compression though? Any specific technique on your mind?Unaspected wrote:Spades of compression.
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- KVRer
- 6 posts since 18 Jun, 2016
I personally make the loop myself from elements I pick up or create from scratch and then I either use a slicer or not.
- KVRAF
- 1908 posts since 7 Jan, 2004 from Earth
Your video example sounds like a TR909 snare with an EQ boost (200 or 250 hz, really narrow Q) then layer a ride underneath (not too loud)
Cheers,
David
Cheers,
David