So I got a little curious about how they did those 3-minute symphonies with so little tech and I found this:
http://www.recordingeq.com/motown/motownengr1.htm
"The Lost Step in the Recording Process"
It's all about how recording engineers handled the bouncing of tracks on a 3-track Ampex tape recorder by "premastering" tracks. The Motown "system".
They did so much with so little. This is a great (short) article and may be of interest.
"Any staff engineer would record a basic session on three tracks. The engineer was strictly forbidden from using any eq, compression or any other type of signal processing." Words for me to live by.
I've been listening to Motown singles in glorious mono (as it was intended)
How to do this, that and the other. Share, learn, teach. How did X do that? How can I sound like Y?
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I've been listening to Motown singles in glorious mono (as it was intended)
2017-04-29T01:19:02+00:00
So I got a little curious about how they did those 3-minute symphonies with so little tech and I found this:
http://www.recordingeq.com/motown/motownengr1.htm
"The Lost Step in the Recording Process"
It's all about how recording engineers handled the bouncing of tracks on a 3-track Ampex tape recorder by "premastering" tracks. The Motown "system".
They did so much with so little. This is a great (short) article and may be of interest.
"Any staff engineer would record a basic session on three tracks. The engineer was strictly forbidden from using any eq, compression or any other type of signal processing." Words for me to live by.
SODDI
https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=154793
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Post by timboalogo » Thu May 18, 2017 7:31 pm
I love old Mowtown too, thanks for sharing the link!
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