Programming drums makes me want to hang myself with a necktie.
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- KVRAF
- Topic Starter
- 4751 posts since 22 Nov, 2012
Seriously. How do you guys get off on this stuff? Especially bass drums. There is a reason I'm a keyboard player. Programming drums is the most tedious boring sterile destructive thing to ever happen to music.
/endrant
/endrant
- KVRAF
- 2475 posts since 6 Jul, 2013
Tips:
- "Play", don't program
- Get physical - *playing* with your body is a much more compelling experience than, eg fingers (or mouse!)
- A real drum kit is super fun!
Failing that:
- Get someone else to do it
- Or Go Ambient
- "Play", don't program
- Get physical - *playing* with your body is a much more compelling experience than, eg fingers (or mouse!)
- A real drum kit is super fun!
Failing that:
- Get someone else to do it
- Or Go Ambient
- KVRAF
- 4818 posts since 25 Jan, 2014 from The End of The World as We Knowit
- KVRAF
- 3054 posts since 25 Apr, 2011
I love itDasheesh wrote:Seriously. How do you guys get off on this stuff? Especially bass drums. There is a reason I'm a keyboard player. Programming drums is the most tedious boring sterile destructive thing to ever happen to music.
/endrant
https://soundcloud.com/igloomag/meltt
Last edited by exmatproton on Mon Jul 24, 2017 2:45 pm, edited 2 times in total.
- KVRAF
- 7358 posts since 9 Jan, 2003 from Saint Louis MO
I really enjoy drum programming, and also finger drumming on pads... and real drumming with hand drums or Wavedrum or taiko.
Perversely, I find myself increasingly moving toward a musical style that avoids driving the rhythm with percussion, so I only occasionally use it for accents now. But I notice a lot of my monophonic synth lines have a drum programming influence.
Perversely, I find myself increasingly moving toward a musical style that avoids driving the rhythm with percussion, so I only occasionally use it for accents now. But I notice a lot of my monophonic synth lines have a drum programming influence.
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 35171 posts since 27 Jul, 2005 from the wilds of wanny
You're doing it wrong.Dasheesh wrote:Programming drums is the most tedious boring sterile destructive thing to ever happen to music.
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- KVRAF
- Topic Starter
- 4751 posts since 22 Nov, 2012
Well, you guys are better at this then I am. I'm going to have become better with drum programming because I can't sit in front of a computer screen and stare at little black squares all day trying to force something interesting to happen. I'm completely uninspired. There is a reason I dumped ableton too.
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- KVRAF
- Topic Starter
- 4751 posts since 22 Nov, 2012
chk071 wrote:Do you mean programming the sounds, or programming the beats?
I mean staring at known catalogued quantified expected sounds all placed in their neat little synced places going around in static circles is killing my brain cells.
- KVRAF
- 1793 posts since 9 Apr, 2011
It doesn't have to be that way - the grid can give you an interestingly arbitrary tool to think about rhythm in new ways. https://www.youtube.com/watch?v=xFwWEWcFTmMDasheesh wrote:chk071 wrote:Do you mean programming the sounds, or programming the beats?
I mean staring at known catalogued quantified expected sounds all placed in their neat little synced places going around in static circles is killing my brain cells.
"musician."
http://soundcloud.com/nine-of-kings
http://soundcloud.com/nine-of-kings
- KVRAF
- 2475 posts since 6 Jul, 2013
Then don't do it that way. Get out of the edit screen. Pick up some drum pads and sticks. Play and record. If it sucks, play it again. More than one way to skin a cat.Dasheesh wrote:Well, you guys are better at this then I am. I'm going to have become better with drum programming because I can't sit in front of a computer screen and stare at little black squares all day trying to force something interesting to happen. I'm completely uninspired.
When I was young I *loved* programmable drum machines, and spent a lot of time developing patterns and songs, then moved into the sequencer world and loved the detail and realism I could add with more sophisticated techniques.
These days, I don't really enjoy doing that kind of work so much, but will do it where necessary but one thing I really can't understand or get behind is the people that start all their tracks with a looping 4x4 kick drum, and spend three days crafting a kick drum sound they like before anything else... I mean, if it's your thing, fine, but it's not mine.
And some people just aren't very drum orientated - I've known really good musicians who become fumbling newbies at the very thought of a kick/snare pattern. If drums aren't your thing, use loops, collaborate, or do something else that you *do* enjoy...
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- KVRian
- 716 posts since 20 Apr, 2017
Playing perc is like playing a buncha instruments all at the same time. Every piece of kit has a voice and the stuff you write gotta have that call and answer relationship like a decent melody. And its gotta feel real, so play it in to get all the flow and timing feeling right. You write the same melody all the time? Like draw it to the grid and all that? Yea you're gonna hate yourself hahaha
- KVRAF
- 10602 posts since 31 Aug, 2013 from Somewhere near the Morgul Vale.
I've been doing it now for 29 years. At first, I enjoyed the novelty of it. Until then, my recording partner would play a real kit, but really couldn't do much more than a basic Ringo beat. So, I found it a little liberating to be able to put things in that he couldn't do. But then I noticed how sterile the tracks sounded in comparison to a real kit mic'ed with 2 very cheap mics: one for the kick, and one overhead. Anyways, I found certain drum machines easier to program than others. I liked the early Roland TR606s and 707s, as well as the R5/8, and R70. Now, using Logic and ADD, and having set up a drum programming page in the environment, my eyes glaze over, and it is one of my least favourite tasks to building song backings.
But, yeah, coming up with beats I'd often move around and play 'air-drums.' I also try to 'think like a drummer,' which some would call an oxymoron.
But, yeah, coming up with beats I'd often move around and play 'air-drums.' I also try to 'think like a drummer,' which some would call an oxymoron.
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-Martin Luther King Jr.