Yes, exactly! "Find a compromise" here means to make somethings "variable"BertKoor wrote:Sure. And then what to do with it? Often nothing.Nowhk wrote:I hope you listen your music across different setups, right? Do you "listen" the differences of timbre also between setup (minor changes)?
But when I hear something totally unexpected and unwanted, I have found an issue in my mix in the category "does not translate well between systems" and I have to think of a solution to fix it, find a compromise so it sounds reasonable across multiple systems.
Is that what you mean?
Still not sure if the others people here agree with this, anyway
Sure I accept this. But I'm realizing that what I do is just the "base" of a project (the song). The "variable" factor is added by listener, intentionally or not. Even if you are experienced and trained, its conceptually a guess!!!cron wrote: It's important to accept that you essentially lose control over how your music is heard the moment you put it out there.
And the funny thing is that if in a future I play my own song on different setups, sounding result is (for some aspects) unexpected (yeah, still similar, but different anyway), even if its about somethings made by me I find it bizzare...
The game seems to be "learn as best as possible how to translate what you consider important on different systems and just enjoy the sounding results on every playback".