Is it time for a post-modern interpretation of nineties music?

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Congrats, you're an imitator. I'm going to go watch TV now.

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Yeah, way too much music for any one lifetime.

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There’s a preset for that wags. Not really that interesting.

I’m trying to watch the alienist premier.

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I fail to see how Ableton destroyed music.

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yung-forever wrote:I fail to see how Ableton destroyed music.

because ableton was built around the already established, and made the skillful amateur. All you are is porn stars at this point.

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It's time to not reinterpret techno because I have a sensitive stomach. It dislikes especially that stupid and boring super repetitive German Love Parade style branch so much. If there wasn't so much rain and if they actually wanted me, I'd already have asked that western island to adopt me. As for electronic music, my country is a barbarian country. *pukesmiley*

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Dasheesh wrote:
yung-forever wrote:I fail to see how Ableton destroyed music.

because ableton was built around the already established, and made the skillful amateur. All you are is porn stars at this point.
So should making music be restricted to some elite set? If anything, that's worse because it reduces the pool of innovators.

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sorry if it would look like hijacking this thread and i prevently apologise for this, but what would think of a post-modern interpretation of SEVENTIES musics ...especially all the psychedelic/progressive/symphonic and alike overall movement ?

I always thought it was one of the most creative and elaborate movement inside rock and pop music and would have deserves all the current technical innovation and possibilities that unfortunaly didn't exist at these times ?

my two cents (as usually said...)

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I'd say it's a welcome addition to the thread. As far as psychedelic sounds, the modern crop of additive/spectral synths can definitely churn out some trippy barberpole phasing.

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wagtunes wrote: Now believe it or not, I was doing stuff like this back in the late 70s because I knew absolutely nothing about making a melody and musical convention. I'd start with a beat and just keep building on it with all this strange stuff because it's all I knew how to do. My friends flat out told me to my face that it was horrible and my own mother told me, and I quote, "Steven, it's time to get off the merry-go-round" because it was just the most monotonous stuff you could imagine, even with all the layers, which was tough to do with a 4 track Teac A3440. I had to do so many bounces that by the time I was done, the tape degradation was awful.

** EDIT ** I just remembered. I threw out everything I did before 1984. It's history. It got tossed when I sold my Teac. I threw out all the reel to reel tapes. Eh, what a waste.
I think that what I think is clever about this is that it uses the constant repetition and expectation and then uses that to wreak some mischief and madness as it descends into near disintegration, a bit like Maceo deciding to go Ornette Coleman in the middle of Soul Power or something. There's a big difference between doing something because you don't know any better and knowing precisely the resultant confusion that will ensue. :wink:

Anyway, back to the nostalgia

https://www.youtube.com/watch?v=vrN3_us0TXg
Last edited by shonky on Tue Jan 23, 2018 8:52 am, edited 1 time in total.

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Krakatau wrote:sorry if it would look like hijacking this thread and i prevently apologise for this, but what would think of a post-modern interpretation of SEVENTIES musics ...especially all the psychedelic/progressive/symphonic and alike overall movement ?
There's a sizeable psych revival going on at the moment. Check out The Heliocentrics latest album, Jane Weaver or Khruangbin for example. Some is more 60s-ish but you've got a lot of elements that featured in Krautrock and Motorik going on now, particularly with jazz-crossover artists.

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