What is the max number of Tracks that you have used in a song?
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- KVRist
- Topic Starter
- 180 posts since 15 May, 2001
I am approaching 50 tracks in this song that I am making and I am getting nervous. I hope I don't lock up my computer or something. I have a pretty nice computer but still...
So what is the max number of tracks you have had going at once? If more than 50, what are the specs on your computer?
So what is the max number of tracks you have had going at once? If more than 50, what are the specs on your computer?
- Banned
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
Always when I have more than 40 tracks, my computer shuts down with a blue screen and the message: "Stop! The Beatles made great songs with only 4 tracks!"
- KVRAF
- 3303 posts since 6 Jul, 2012 from Sick-cily
I make Rock Music and I use to have max 16 tracks, the first 6 for EZdrummer of others drums with multiout , someone to some vst synth (that I export in wave) and others to record guitars, bass, synths, vocals etc etc...
Anyway not only the number of tracks can stress the PC, there's also plugins, automations etc etc...
50 tracks seems too many, have you a 3 orchestras orgy???
Anyway not only the number of tracks can stress the PC, there's also plugins, automations etc etc...
50 tracks seems too many, have you a 3 orchestras orgy???
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
Define 'tracks'. Do you mean 50 MIDI, and each to its own soft instrument?
That to me is a lot of MIDI tracks but I do a lot with one track, I mean I don't typically have to do it like ten yrs ago with a whole track for each articulation.
Project loaded now uses 41 and two of the drum tracks speak to 30/24 pieces. 94 stereo channels, most of the channels are pretty loaded, bussed down to 14 stereo outs.
I wouldn't be able to do this without VE Pro, though, as much automation and FX as I use.
I'd be freezing tracks all the time and a much slower workflow. Here I am using a MacPro 8 core 4.1, early 2009 vintage, 24GB RAM. I used to use the machine below as the Master to this slave but the difference is actually pretty negligible.
I remember one project with over 200 audio tracks which if I'd have had issues with performance I'd have organized differently. That was a quad core MacPro ca 2008, 3GB.
That to me is a lot of MIDI tracks but I do a lot with one track, I mean I don't typically have to do it like ten yrs ago with a whole track for each articulation.
Project loaded now uses 41 and two of the drum tracks speak to 30/24 pieces. 94 stereo channels, most of the channels are pretty loaded, bussed down to 14 stereo outs.
I wouldn't be able to do this without VE Pro, though, as much automation and FX as I use.
I'd be freezing tracks all the time and a much slower workflow. Here I am using a MacPro 8 core 4.1, early 2009 vintage, 24GB RAM. I used to use the machine below as the Master to this slave but the difference is actually pretty negligible.
I remember one project with over 200 audio tracks which if I'd have had issues with performance I'd have organized differently. That was a quad core MacPro ca 2008, 3GB.
Last edited by jancivil on Thu Sep 11, 2014 6:55 pm, edited 1 time in total.
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- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
Do you mean songs or any piece of music regardless of whether it has a singer or not?
If you mean the latter, it could be a huge number. When I have put together the digital equivalent of tape collages, it could be a huge number - I'll probably keep mixing down tracks while I'm doing it, so I can easily lose count.
I've also put together pieces of music with just one track.
If you mean the latter, it could be a huge number. When I have put together the digital equivalent of tape collages, it could be a huge number - I'll probably keep mixing down tracks while I'm doing it, so I can easily lose count.
I've also put together pieces of music with just one track.
- KVRAF
- 12352 posts since 7 May, 2006 from Southern California
The most I have used in a project of my own is 78. Though I usually bounce and consolidate tracks a lot so there are fewer tracks when I'm doing my final mix than when I was doing the initial arrangement/composition. Usually my tracks have 10-30 tracks.
I have worked on projects for other people that had more than 300 tracks. At that point organization, labeling and color coding are crucial. I wouldn't work on a project like that without detailed project notes. Usually the people who are creating projects this big are using Pro Tools HD systems where a lot of the signal processing is off-loaded to DSPs. It's also common to see use of mult-timbral instruments/hosts on separate computers (using something like Vienna Ensemble Pro).
My main mixing rig is a 12-core MacPro with 16GB of ram.
I have worked on projects for other people that had more than 300 tracks. At that point organization, labeling and color coding are crucial. I wouldn't work on a project like that without detailed project notes. Usually the people who are creating projects this big are using Pro Tools HD systems where a lot of the signal processing is off-loaded to DSPs. It's also common to see use of mult-timbral instruments/hosts on separate computers (using something like Vienna Ensemble Pro).
My main mixing rig is a 12-core MacPro with 16GB of ram.
- KVRAF
- 35289 posts since 14 Sep, 2002 from In teh net
- KVRAF
- 10243 posts since 7 Sep, 2006 from Roseville, CA
I don't think I've ever really kept track of the maximum number and I'm not sure why it matters, but 50-60 tracks and 12 or more buses isn't uncommon for me. I'm primarily a Sonar user and soft synths can be instantiated as a single instrument track, or as separate MIDI and audio tracks - I'm accustomed to using the latter, so that increases my track count. If I'm working in PT or Logic, I use instrument tracks so I end up with fewer. I also have a separate audio track for each of my drum parts (e.g., each pad in Battery 3 or Superior Drummer gets routed to its own audio return in my DAW), so that ups my track count. I also layer vocal parts, particularly background vocals/harmonies, so that ups my track count some more. Yes, I easily could get by with fewer (or even more) tracks if I wanted to, but that's not the way I choose to work.
Track count is just a number. It's meaningless.
Track count is just a number. It's meaningless.
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- KVRist
- Topic Starter
- 180 posts since 15 May, 2001
Yes, I meant audio tracks, sorry.
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
Audio tracks...maybe around 24...
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
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Touch The Universe Touch The Universe https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=190615
- KVRAF
- 4770 posts since 2 Oct, 2008
How about how many versions or streamed synth samples for a song. I got atleast 2000 for this one song I'm working on, with 79 gigs of total sample data. Not kidding But worth it tweaking and tweaking, them stream then adjust then stream. Have enough for an album for one track. Could probably split it into 8 songs but the album would all be in the same key, same tempo...
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fluffy_little_something fluffy_little_something https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=281847
- Banned
- 12880 posts since 5 Jun, 2012
4 is too few, but indeed I think there is nothing wrong with limiting things to, say, 8 tracks (plus automation tracks, but I don't really count them as tracks) plus a few vocal tracks.Tricky-Loops wrote:Always when I have more than 40 tracks, my computer shuts down with a blue screen and the message: "Stop! The Beatles made great songs with only 4 tracks!"
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
When I had that high number (which I noted from revisiting the thing and consolidating the audio to an archive in order to basically clear up some space recently), any given 'track' was a container for a piece of audio that was bounced down or the FX had been applied offline directly to the event rather than FX on the channels. So it's impossible to compare '# of tracks' without defining what it means in your project.Satasha wrote:Yes, I meant audio tracks, sorry.
Last edited by jancivil on Thu Sep 11, 2014 6:48 pm, edited 1 time in total.
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
I still have to bounce mine...
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
- KVRAF
- 35289 posts since 14 Sep, 2002 from In teh net
Yes, I prefer to keep things minimal.fluffy_little_something wrote:4 is too few, but indeed I think there is nothing wrong with limiting things to, say, 8 tracks (plus automation tracks, but I don't really count them as tracks) plus a few vocal tracks.Tricky-Loops wrote:Always when I have more than 40 tracks, my computer shuts down with a blue screen and the message: "Stop! The Beatles made great songs with only 4 tracks!"