16minutes (FSU Sound design track w/Bazille,Filterscape,TheFinger,Molekular)
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- KVRAF
- Topic Starter
- 8414 posts since 4 Jul, 2012 from Alesia
Project Tempo : 120bpm 4/4
https://soundcloud.com/user-564368534/16minutes
The plan is to slice the original uncompressed track up and turn it into a sample library of some kind for further mangling
Here's the recipe more or less..
1. Load up bazille, feed the output into a fresh recording session that will record all your changes to bazille.
2. Trigger bazille with a 4 bar note and start making all kinds of noise!! I did this for 16 minutes. Try not to destroy your ears..
3. Now stop the recorded track of all your bazille changes.
4. de-activate the bazille midi track and just use the bazille audio you recorded while tweaking.
5. If the track is too quiet, Run the audio through a compressor so it increases some of the lower parts in the volume.
6. Run the track through filterscape and change the EQ morphing snapshots so it does some extreme things and let it morph through the snapshots sloooow.
7. Run filterscape through molekular and FSU with w/e.
8. Create a new midi track with 2 octaves full of Midi notes (yes all the keys) played for 4 bars. Put a random arpeggiator on it and get it to retrigger at a slow speed. Get the arpeggiator to do octave jumps by 2.
6. Load another instance of TheFinger on the audio track ahead of the Molekular instance. Use the random midi data from the arpeggiator to trigger the effects in the Finger.
7. Slap a limiter on the master and export it. Load this track into your favourite slicing program and export the slices as single shots !!
https://soundcloud.com/user-564368534/16minutes
The plan is to slice the original uncompressed track up and turn it into a sample library of some kind for further mangling
Here's the recipe more or less..
1. Load up bazille, feed the output into a fresh recording session that will record all your changes to bazille.
2. Trigger bazille with a 4 bar note and start making all kinds of noise!! I did this for 16 minutes. Try not to destroy your ears..
3. Now stop the recorded track of all your bazille changes.
4. de-activate the bazille midi track and just use the bazille audio you recorded while tweaking.
5. If the track is too quiet, Run the audio through a compressor so it increases some of the lower parts in the volume.
6. Run the track through filterscape and change the EQ morphing snapshots so it does some extreme things and let it morph through the snapshots sloooow.
7. Run filterscape through molekular and FSU with w/e.
8. Create a new midi track with 2 octaves full of Midi notes (yes all the keys) played for 4 bars. Put a random arpeggiator on it and get it to retrigger at a slow speed. Get the arpeggiator to do octave jumps by 2.
6. Load another instance of TheFinger on the audio track ahead of the Molekular instance. Use the random midi data from the arpeggiator to trigger the effects in the Finger.
7. Slap a limiter on the master and export it. Load this track into your favourite slicing program and export the slices as single shots !!
- KVRAF
- 11506 posts since 13 Mar, 2009 from UK
FSU doesn't come close. There are some great "aquatic" sounds on here.
Good work
Good work
- KVRer
- 28 posts since 26 Jun, 2016 from Berlin, Germany
Super cool! I like the droney vibe, very film-ish, you need some disturbing black and white indie movie script and you are golden!
Markus
Studio manager by day..sound engineer by night!
Studio manager by day..sound engineer by night!