By Xenos
On 10th June 2009 Version: 1.5 Read all reviews by Xenos
2 of 3 people found this review helpful.
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GUI
Sound
Features
Docs
Presets
Support
VFM
Stability | I was fortunate to get an assignment from Rob Papen to create a new soundbank for his Predator synthesizer, of which I was given a copy to work with. Honestly, I way underestimated this synth! Do not be fooled by Predator's comparatively low cost in comparison to Rob Panpen's other synths. This puppy has TONS of neat tricks and secrets hiding under the hood which are not readily apparent until you sit down and spend some quality time with it.
User Interface:
Very convenient layout. Everything is neatly orgainized into sections, which makes learning all the functions much more intuitive. Predator is actually quite a complex beast compressed into a relatively small space and there are quite a lot of options within the modulation and LFO sections. Clicking on a slot in the free modulation area will bring up a large menu, both for modulation sources and modulation desinations. I like this a lot better than having everything all on the screen at once.
Sound:
This is where Predator shines. You can create sounds that sit very well in the back of a mix and also sounds that slice through it like a hot knife through butter. The sound quality is most certainly professional and I have no complaints here. Predator has it's own unigue quality and a very modern sound. It does not pretend to be an emulation of an analog synth or a Virus, but what it does do, it does very, very well. I would recommend Predator as a great go-to synth in your arsenal. This isn't just a Trance synth, guys :). I got some nasty growling, metallic, Robert Natus-esque leads out of this synth that I wasn't quite able to do on other synths. This puppy can also do trippy, evolving soundscape pads with complex programming. Drum & Bass and Dubstep guys would love Predator as well. You really gotta check out the effects section. Rob Papen's synths have by far the best effects sections I have ever heard in a software synth. Dubstep style modulated delay speeds with an LFO modulated filter routed AFTER the delay in the chain... oh yeah, that's what I'm talking about :).
Features:
Like I said earlier, do not be fooled by Predator's relatively simple appearance and comparatively low cost. For starters, there are a very large number of oscillator waveshapes. You are not limited to just sine, saw, square and noise. There are all manner of esoteric digital waveforms for imitating such classics as the Ensoniq ESQ-1, Korg DW synths and other digital hybrids from the 1980s. There is also FM capability, which adds a bit of extra edge to your sounds without outright emulating a DX7. This is great for gutteral, ripping high-passed leads and deep, digital sub basses. The modulation section is the core of Predator's magic and the place where you will find all its hidden secrets. You have 2 slots for modulating effects parameters. Just about any source you can think of can be used for this. You also have 2 dedicated LFO slots. Then, you have an 8 slot free modulation section. With your sources you have all of what you would expect, but the magic lies in some of Predator's more esoteric options. "Offset" is a great and useful example. By routing this to an LFO, you are now able to do audio-rate modulation (very fast LFOs). You can modulate one LFO's speed via another LFO, the modwheel, aftertouch, or even one of the 2 free envelopes. The Chord Play feature is a must-have for House and Techno folks. Simply play any chord, hit "learn" and that chord will be memorized and saved as part of your new preset. The effects section is absolutely stunning. Not only are the effects themselves of high quality, but there are A LOT of them! Chorus, Flanger, Bitcrusher, Distortion, Comb Filter, Reverb, Multimode Filter, etc, etc. Each of these effects have a very large selection of parameters -- and each parameter can be modulated! Reverb size via an LFO? Yes. Delay speed via an envelope? You bet. Flanger speed via modwheel? Count on it :).
Presets: This is the area where I think Predator could improve. The factory presets are quite good, yes, but there are many things Predator can do which are not shown in the factory sounds (audio rate modulations via "offset" parameter, very complex atmospheres, use of white/pink noise as a modulation source, heavily modulated effects, etc).
Value for Money:
Excellent :). For $150 USD, it's a great buy. Great sound, loaded with features and very stable. This would be one of my "deserted island" synths lol. |
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