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Big Blue Limiter is a character limiter. It is neither transparent nor intended to be. In fact it adds a little mojo to everything you run through it, if desired even when no limiting is taking place. Big Blue Limiter uses analog tube modelling in its limiting circuitry, which makes any limited warmer and fatter by adding a pleasing amount of coloration. And as if that weren't enough it also features an independent preamp that just loves to be overdriven. With its versatile sound, intuitive interface, easy operation, and negligible CPU load Big Blue Limiter feels equally at home during a mix s... [more]

Morgana aims to provide an authentic representation of an early digital sampler, designed to be musical rather than accurate. Per-voice, Morgana offers extensively modeled VCFs, amp and filter envelopes. It also features a unique interpolation method, which enhances digital artifacts, and a pre-amp to shape each sample, simulating a primitive analog-digital stage. Morgana is also capable of sampling, either through its own inputs or through a technology entitled "SampLink" which effectively allows Morgana to sample from any track in a multitrack environment in a simple and no-hassle ... [more]

Redline Equalizer is a variable (from linear to beyond-analogue) phase EQ with eight fully decramped custom EQ algorithms, dual-mono and mid/side modes, automatic perceived pre/post loudness leveling, dynamic EQ, adjustable harmonic distortion, and adjustable gain/bandwidth dependency, Redline Equalizer allows for a flexibility and variety of sounds never before seen (or heard) in equalization, according to 112dB. It can sound pristine and transparent or raw and dirty, like a vintage piece of gear with serious coloration, even at minimum settings. Features: Five fully parametric EQ bands with... [more]

Redline Monitor is a listening, mixing, and mastering tool. It replaces the extreme stereo separation characteristic for headphones with the detailed stereo image of near-field monitor speakers, turning headphones into a portable uniform listening environment. Whether in the studio or on the road, on a full-blown studio rig or your notebook, even in home studios and untreated rooms, with Redline Monitor mixes sound identical where ever you go. Features: True stereo soundstage with adjustable left/right speaker position from 30° to 90°. Transparent sound with flat frequency response... [more]

Redline Preamp livens up any "too clean" signal with a customizable combination of even and odd harmonics, saturation, and soft clipping. Redline Preamp is a vintage console channel, a musical grunge machine, and everything in between. Unique and concise editing options allow for anything from subtle coloration to high-class grunge, from vintage emulation to fattening of digital mixes. A showcase selection of carefully constructed presets ranging from the American Vintage to the full-blown Beyond Repair is included. Highlight features include proprietary zero-latency tube modelling w... [more]

Redline Reverb is a musical reverb based on a completely new and original concept that excels in both warmth and transparency at extremely low CPU usage, according to 112dB. Its core algorithm is based on the Rev-6 and Space Master Reaktor ensembles by Martijn Zwartjes. With its many sound enhancements, an intuitive and attractive new user interface, and much optimized CPU usage, Redline Reverb represents the next generation of these celebrated algorithms. Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional - check out the 112 factory pre... [more]

SampLink is a technology that allows audio to be recorded into Morgana. SampLink allows ultimate flexibility since it can be used on any track which allows VST inserts, even across different hosts. SampLink recreates what has been lost in the transition from hardware samplers to software samplers: sampling. Use SampLink to record your own instrument multisamples, to resample after applying synthesis and processing, or even to "remix" tracks live through creative audio routing.... [more]

Arachnid is a free 8-channel stereo drum sampler. Features: Interface designed with simplicity and ease-of-use in mind. 8 independent stereo channels with easy sample adding and assignable outputs. Sample loop / reverse / position / start / end adjustment, as well as tape-style manual pitch shift for each sample. Multi-mode (Lowpass / HiPass / Bandpass / Bandreject) filters with adjustable ADSR. Full inline ADSR in the amp section. Very small size (under 4MB). Full documentation built into the plugin. ... [more]

Aether is an "Auto Randomizing Algorithmic Reverb Software plug-in".Features and specification: Extreme precision floating-point engine - claimed to rival the best hardware reverb units available. "Impeccable" specifications in Space, Time, and Frequency response. 2x & 4x Oversampling, Double Precision 64bit DSP, & Band-Limited Interpolation. Variable Quality Modes & Extreme Offline Render Modes. Unique pervasive Auto-Randomizing scheme throughout the entire algorithm which keeps mixes sounding alive. Non-Exponential Decay curves with an Attack & Sustain E... [more]

2D_Drum3264 Drumcomputer is a free drum synth VST instrument. Features: 3 Kits (House, Electro, Classic). 11 Drums per kit (Bass, Snare, Low/Mid/High Tom, Rimshot, Clap, Open/Closed Hats, Crash & Ride). 10 sound polyphonic. 48 Parameters; all accessible with mouse or MIDI. Volume, velocity and panning per drum. Note: This plug-in does not have a custom GUI. It uses the plug-in host's default interface. ... [more]

2D_SuperSynth32 is a synthesizer plug-in featuring a "Super Oscillator" with detune envelope, velocity, accent and key-follow. It has 77 parameters in total. Note: This plug-in uses the host's default GUI.... [more]

2RuleFilter is a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, by LFO, or by an envelope follower. It has a interesting feature called "scrambler" that plays filtered signal randomly depending on the selected beat. The "mix" knob mixes wet and dry signals, The "volume" knob is for setting the output volume level. The"Bit Crusher" produces hard sound. Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output. Features: High Pass, Low Pass, Band Pass filter. Modula... [more]

4Front Auxiter is a high frequency refresher exciter plugin. It brings clarity to the high end by regenerating high frequency harmonics. Primary design goals: Vocal enhancer. Per/track enhancer. Master track restoration/refreshment. Old tracks restoration. ... [more]

4Front Bass Module is a FREE load & play VSTi software bass synthesizer that "generates a high quality bass sound". With the proprietary 4Front hybrid synthesis technology, 4Front modules take generally smaller space than the sampled versions of the same quality, and the CPU usage is optimal.... [more]

4Front Contour Max is designed to change the basic frequency contour of a track, or the overall frequency balance of a master. Primary design goals: Master processing. Per-track processing for balancing low and high end. Track restoration. ... [more]

Single Preset e-piano module.Low CPU usage.... [more]

4Front Piano Module is a small and versatile upright piano module with unique sound. This piano module is neither a sample player, nor synthesized. It's a hybrid technology, that combines both methods. This resulted in a great module size reduction and light CPU usage.... [more]

4Front Rhode is a vintage Rhodes/Wurly typed piano module with gentle overdrive.This module reproduces the classic sound similar to Rhodes/Wurlitzer pianos. The module is not sample based, the sound is generated on-the-fly, therefore there are 127 layers with vintage rhodes smooth overdrive, clean and continuous.This basic version is free and lacks the envelope, sensitivity/drive and room controls of the Pro version.... [more]

4Front Rhode is a vintage Rhodes/Wurly typed piano module with gentle overdrive.This module reproduces the classic sound similar to Rhodes/Wurlitzer pianos. The module is not sample based, the sound is generated on-the-fly, therefore there are 127 layers with vintage rhodes smooth overdrive, clean and continuous.... [more]

4Front Sand Brush completely regenerates high frequencies, basing on the existing partials. It can be used on hihats and other percussive sounds with high frequency content, and also on other tracks to add "sand". Depending on the settings, it can also be used to emulate the vintage vinyl sound. Primary design goals: Sand for vocal and solo tracks. Bring life back to sampled strings. Track restoration (including MP3). Vintage effect (to create vintage sound). ... [more]

4Front XLimiter is a gentle and soft brickwall limiter processor. Primary design goals: Master track brickwall compression Vocal track compression Solo track compression A special multistage algorithm provides a very soft transition envelope, thus rapid level changes at extreme Threshold level will not pump or distort as much as with the other processors. The limiter employs best properties of a single band processor, whereas additional techniques are used to provide advantages of "continuous multi-band" processing. ... [more]

Features:In/Thresh/Ceiling - the same as in XLimiter or other limiters. Clip - allows to do clipping - for crazy guys who want to make louder at the cost of digital clipping. Release - release time. SoftClip - use soft clipper for Clip mode. ... [more]

TruePianos is based on a combination of physical modeling, synthesis and sampler techniques. Using a combination of the best of what these individual technologies have to offer, TruePianos provides great playability by allowing itself to be easily adjusted to the combination of your unique playing style and the specific characteristics of your MIDI keyboard, instead of the other way around. It doesn't attempt to meticulously simulate existing pianos but instead provides realistic and expressive range of piano modules, each with individual dry sounding presets that you 'just play'. TruePianos d... [more]

W1 Limiter is a "brickwall limiter" that is a clone of Waves L1-Ultramaximizer, with "identical output".Waves' L1 (and thus W1 - for compatibility reasons) uses three times longer actual release time than standard RT60 metric. This means that if you set 50ms release in the limiter, it will actually yield with 150ms standard RT60 release time. NOTE: W1 uses the plug-in host's default interface.... [more]

IO Singularity is a virtual analog synth. Features: Two oscillators with 4 selectable waveforms (saw, sine, triangle, square, and the second oscillator has noise). Selectable sub-oscillator. ADSR. Selectable low pass/high pass filter with dedicated attack. The cutoff of the filter can be modulated by the attack generator or velocity, both of which are selectable. ... [more]

DepthCharge is a compressor plug-in with analogue VU meters and a dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain. 7AIR primarily uses it for drums, guitar and vocals, though it can be used for pretty much anything you throw at it, curbing some high frequencies on synths and pads for example. ... [more]

Catanya is a polyphonic pattern based MIDI arpeggiator. It's a tool that allows you to play a sequence based on your chord. Catanya is not a standard arpeggiator which has preset modes like UP, DOWN, ALTERNATE, etc. Catanya was developed on a higher level, it's based upon patterns. You can create your own pattern or simply choose one of the hundreds of preset patterns. When you have chosen a pattern you play a chord or chord progression, set the output to your favorite synthesizer or sampler and you will get finished track. Features / details: Multiple instances. 9x32 note matrix. More than... [more]

W2 Harmonizer is a scale-based VST Instrument Plug-in MIDI Harmonizer and Scale Viewer that converts single incoming MIDI notes into full chords based on selected scale. The full version contains 91 scales which, with 12 semitones, makes 1092 scales in total. You can use W2 Harmonizer to: Create new and unique chord progressions. Overcome lack of inspiration / Break composer's block. Create chord progression without any musical background. View and get scales from 1092 scales database directly in your DAW as VST Plug-in. ... [more]

A0 Parametric Equalizer features eight analog-sounding filters: four peaking filters - or bell-shaped - with a boost of +/-24 dB, two shelving filters with slope of one or two octaves, a high-pass and a low-pass filter with adjustable quality factor (resonance) and selectable slope. To ensure the maximum sound quality of the filters, the internal audio processing is entirely done at full 80 bit floating point accuracy. The built-in Sat0 mastering limiter makes this equalizer ideal for both track and level-safe mastering application.... [more]

Creative Amplifier Project (CAP) is a creative plug-in that simulates a simple guitar amplifier with a compressor and a distortion (but it isn't an amplifier emulation). The size of the cabinet (and the size of the speaker) can be changed smoothly in real-time and via automation allowing interesting effects to be obtained.... [more]

24 drum pads4 mute groups3 stereo outputs3 analogue sounding compressorsUp to 128 voices, with smart polyphony handlingLoad samples from front panel64 bit internal mixer Most parameters can be controlled via MIDI Pitch-bend support Note on/off support MIDI velocity re-mapper Cross-velocity support Gentle low pass filter sensitive to MIDI velocity Weighted pan Built-in audio meters Low CPU usage Sample precise synchronisationCan export and import drum kitsCan import LM-4 drum kitsSupports 8, 16, 20 and 24 bit and 32 bit floating point wave filesUser friendly editor... [more]

16 drum pads1 mute groupSamples tune-able +/- 7 half tonesLoad samples from the front panel... [more]

Mastering Peaks Processor (MPP) is an advanced mastering peak limiter, with a variable look-ahead time window. The state-of-the-art algorithm behind the processor offers clean peak limiting without audible distortion. Thanks to its design MPP also offers an "analog" feel similar to a warm studio compressor with all the accuracy of the 64-bit precision of a digital limiter. No compromise between the sound quality and the CPU usage have been made, except for some clever optimizations that are necessary to get this kind of limiter to work in real-time. No matter how loud the input signa... [more]

A0 Tape Echo is a more or less faithful emulation of the classic tape echo unit, with some additional features, including an LFO.... [more]

A0 xFlanger is a versatile flanger effect. Several applications are possible, starting from the classic flanging sound applied to guitars and electric pianos, to unusual stereo phasing effects, drums, bass and vocal processing.... [more]

aMS-Tools is a set of three "Mid-Side" tools in the VST plug-in format. Using these tools you can encode Left-Right stereo channels to Mid-Side, decode Mid-Side to Left-Right and adjust Mid-Side balance. aMS-Tools includes: aMS-Tools Encoder aMS-Tools Decoder aMS-Tools Balancer ... [more]

aMS-ToolsPRO is a multi-band "Mid-Side" tool. Using this tool you can encode Left-Right stereo channels to Mid-Side, decode Mid-Side to Left-Right and adjust Mid-Side balance separately for 4 bands. aMS-ToolsPRO will make your sound wider.... [more]

aQ-31 is a traditional 31-band graphic equalizer plug-in with a clean sound. It has switchable gain range +/- 6/12/18/24 dB per band and Q-knob to adjust the filter's bandwidth; this knob allows you to make the equalizing curve more glossy or sharp. aQ-31 v1.0 includes four versions: aQ-31m - mono aQ-31s - stereo aQ-31lr - stereo dual channel aQ-31ms - stereo with mid-side dual channel ... [more]

aStereolizer can be used to control stereo width to audio tracks or master channel. With this plug-in you can generate pseudo stereo from mono audio tracks. aStereolizer is a tool that encapsulates the complete range of standard stereo manipulation functions, including phase reversing, channel flipping, balance, pan and width.... [more]

aTube processes a signal like analog valve hardware. This enables you to achieve a valve warming effect in your digital audio workstation. aTube can be applied to a complete mix or to individual tracks and is especially good for vocal tracks. You have several parameters at your disposal that allow you to control the level of input gain, the level and the color of the warming effect and an on/off button for the output soft clip limiter.... [more]

The Brilliance Pack provides authentic emulations of the EMI RS127 and RS135 EQ units, which were built in the early 1960s to supplement the EQ on the legendary REDD mixing consoles. These 'presence boxes' were used on countless seminal recordings at Abbey Road during the '60s, including almost every album by The Beatles. The plug-ins retain the operation and response curves from the original hardware and provide control of frequencies which can improve the presence and definition of recordings and help instruments stand out in a mix. The software is compatible with all popular DAW applicatio... [more]

The EMI TG12413 Limiter plug-in continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter, and continued with the RS168 Zener Limiter in 1968, part of the TG12345 console channel in 1969 and TG12413 Mastering desk version in 1972. Two versions are included in the TG Limiter Pack: The 1969 version is the historically accurate version from the TG12410 Transfer, or mastering desks, which has the original HOLD control. The 2005 is closer to the Chandler TG1 hardware reissue which changed the HOLD control for a standard INPUT control and also has 12db higher input to t... [more]

The RS124 Compressor plug-in provides authentic emulations of the valve compressors that were introduced in 1960 and in constant use at the Abbey Road Studios throughout the decade. This is the sound of Abbey Road '60s recordings. Their warm, creamy sonic personality and unique features such as the 'HOLD' function made them the compressor of choice for recording, mixing and mastering. Each unit was hand-built and exclusive to Abbey Road Studios and are still in use at the studios today. The RS124 Compressor Plug-in modeled three of the best units from the Abbey Road collection using the origin... [more]

The TG Mastering Pack provides authentic emulations of EQ and filter modules from the original EMI TG12410 transfer console. These consoles were custom-built for EMI's studios and have been the centrepiece of Abbey Road's mastering rooms for more than 30 years. The TG12410's Tone Control and Filter modules have become secret weapons of Abbey Road's mastering engineers and these were studied and modelled to create the TG Mastering Pack. The plug-ins bring the smooth, musical sound of the original TG hardware to users of computer-based audio workstations. The TG12412 plug-in is a four-band, semi... [more]

Ableton Live is about making music. When you're writing and composing, Live is quick and responsive. When you want to record and develop your ideas, Live has the depth and toolset for intricate production. It's got the features to take your DJ skills to the next level and it's stable and flexible on stage, whether you're playing in front of 10 or 10,000 people. Live Features: Recording - Editing 24 bit / 192 kHz multitrack hard disk recording Complete MIDI and audio sequencing with non-destructive editing, unlimited undo Instant capturing and resampling of audio signals while the music is pl... [more]

crusherX-Live! is a stand alone synthesizer application whose powerful real-time granular synthesizer algorithm enables you to synthesize very complex sounds and cool multi-channel waves. crusherX-Live! distills and transforms sounds quite radically. Based on traditional granular synthesis, crusherX-Live! can be used as a synthesizer or as a versatile effects unit. Features: Up to 10 channel ASIO/DirectX. VST(i) bridges. MIDI. Effects. Sampler. FM DCO. Joystick force feedback interaction. Physical modelling X/Y controller. You can create sounds with the internal oscillators or samplers as ... [more]

crusherX-Studio! is the pure and native VST plugin version of crusherX-Live! Its powerful realtime granular vapor synthesizer algorithm enables you to synthesize very complex sounds and cool surround waves. Features: 120 presets. Stereo and 10 channel surround VST plugin with VST-Editor. Free assignable VST realtime parameters. Real-time MIDI and Joystick control. Quantization to host. Physical modelling X/Y controller. An overall multi-dimensional morphing system morphs the sound between each parameter changes (e.g. on bank loading, on undo/redo). This creates clouds of sweeping, shifting... [more]

Plugin Consultant is a free, Open Source, VST API monitoring and logging tool that makes it easier for VST plugin and host developers to debug their products and for new developers to learn how the VST API works. With Plugin Consultant you can monitor and log VST API calls between your plugin and any host, between your host and any plugin or between any plugin and any host. Plugin Consultant provides clear view of all communications between VST plugins and hosts: Shows what functions and opcodes are called and how often.Provides control of what functions and opcodes are logged and with what de... [more]

acidrack is a small virtual analog style synthesizer plug-in with 2 VCOs, 2 LFOs, arpeggiator, 3 envelopes and a multi-mode VCF. acidrack works in poly, mono, legato and with a switchable unison mode. It also has a random-generator for plug-in parameters.... [more]

stylobox is like a virtual analog or physical modelling emulation of a well known toy instrument classic. It works without any samples, so octaves are possible. The only parameter is the vibrato on/off switch, which can be used with the mod-wheel. ... [more]

transistor drums is a drum machine that uses different kinds of sound generating: the kick drum works analogue-style, the snare drum works hybrid analogue-style/sampling, the clap is granular sampled and the rest of the drums are built with samples. Velocity affects not only volume - it also has an influence on the EQ in the background, analog parameters and also (minimally) to the envelope. Also built in is a microtuning random generator which generates for every drum beat a tiny difference mainly on pitch but also on other parameters to generate a more sensitive pseudo-realistic sound. A ... [more]

Features: Software synthesizer, subtractive. Two band limited oscillators (minblep). Ringmod, sync. Real glide. Multimode filter, self oscillation possible, real keyboard tracking. Two envelopes, two low frequency oscillators. Modular modulation. Per-sample modulation and glide. Per-voice distortion with static filter. Quite fast, very high quality. Perfect note logic (mono/low/high/last/poly to 16 voices). Correctly implemented round robin voice stealing, other modes planned. Free for free use, commercial licence planned, restricted for now.... [more]

AfterShock Digital Delay is the first plug-in in the "Kevin Briggs Signature Series". AfterShock can hold a delay for up to 6 seconds and features 3 independent delays: one left, one right and one center. Each of these delays has separate controls for feedback level, volume level and delay type. You can select from tap delay, host tempo delay and standard delay. Additionally, dry/wet mix knobs are included, giving you a transparent, flexible, and powerful delay effect. Features: Three independent delays. Each delay is individually adjustable. Delay times of up to 6 seconds. Delay ... [more]

BIG, short for Bass Integrated Gain, is a highly tweakable bass amp and effects suite. BIG comes with a built in Noise Gate, AcmeBarGig's Granite Compressor, and a preset manager with web interaction for sharing presets. BIG also comes with AcmeBarGig's proprietary cabinet shaper technology, which is capable of emulating virtually any Cabinet. Just like DIG, BIG also contains "Gut" technology. Gut technology allows you to go into the inner workings of the amp itself and change its primary functionality. Crossovers and filters can be adjusted to dramatically change the way the amp fu... [more]

Brain 2 is Preampus Brain's bigger, better brother. Inspired by some of the greatest amps ever, Brain 2 is capable of some vintage sounds, smooth blues, classic British crunch and things will get a little hairy with the gain cranked, apparently. AcmeBarGig suggests that if you're in the mood for some Classic Rock tone, or want that vintage crunch, then Brain 2 is your go to guy. Brain 2 is not as evil and crushing as some of the other amps but it still packs a huge punch and all the while you can be confident in it's ability to clean up and give you some great glassy clean sounds with the gain... [more]

AcmeBarGig describes C-15 as "insanity controlled". "One turn of a knob lets you know this amp is one step away from being out of control, but the knob itself possesses all the harness required to make sure that C-15 does not lose its head. Forcing a C-15 to hold back is not the best way to treat it, in the real world that can manifest itself in many ways, in the ABG C-15 head it manifests itself in limited tone qualities, Crank it up and let it cut loose, you will be rewarded with a high gain that delivers crisp over tones and rich soundscape. This is a METAL Head, nothing else... [more]

Cab Enhancer can be used to either emulate a cabinet without the use of IR, enhance an existing IR cabinet, or enhance a mic'd cabinet. IR cabs can lose some of the "live" feel no matter what equipment or how you place a mic, it will always be like that it is a simple matter of physics. So, what Cab Enhancer does is place back some of that live 'feel', so to speak. To illustrate how the CabShaper will help out, consider the example of a snare drum. When you hit a snare drum hard or soft the sound of that snare drum changes with the velocity of the strike. These tonal changes occur w... [more]

The Canadian Metal Pack consists of six plug-ins - three from AcmeBarGig and three from LePou plug-ins - plus three Cabinet Impulse Responses from Catharsis Studios, designed specifically for LePou plug-ins' SoloC. AcmeBarGig RedShift Overdrive. AcmeBarGig Preampus Distortus. AcmeBarGig Scar Unlimited. LePou plug-ins SoloC Full Stack. LePou plug-ins SoloC Head. LePou plug-ins SoloC Preamp. AcmeBarGig's Red Shift Overdrive allows you to replace the tone of your guitar's pickup with a huge list of alternatives and provides you the versatility you need without having to spend money on sev... [more]

Preampus Dick Head is the first release in AcmeBarGig's Classic Hybrid series. Dick Head is a Head ONLY so you will need to use some external cabinet modeling. AcmeBarGig says that Dick Head is at its best in the higher gain territory where it's "a powerhouse of ballsy high-gain tone". This amp is versatile: "it'll take you on a tonal journey through crazy high gain territories and Texas Bluesville before you arrive at your Jazz City destination".... [more]

DIG, short for Dual Integrated Gain, is a highly tweakable guitar amp and effects suite. Based on of a pair of high gain 12AX7 tubes, DIG is capable of everything from shimmering cleans to the highest gain heavy metal shred tones. Internally customizable parameters allow you to completely change the character of the amp and model real amplifiers. Features: All features are bypass-able. Twin 12AX7 preamp tubes, individually bypass-able. for a range of crunch and searing lead tones. Tweakable tonestack EQ for precision sculpting your tone. 2 Tweakable Crossovers and 2 filters for emulating your... [more]