VST Effects | Mac OS X

+binaural places a sound at a specific position around the listener's head. Use it with a reverb to create a virtual environment. When used with its LFO, +binaural can place various beats or parts of a loop in specific repeatable positions.... [more]

+chebyshev is a distortion unit which uses various low-order chebyshev polynomials to add even or odd harmonic distortion.... [more]

+compand is a combined compressor/expander plugin. It has a soft-knee control as well as a switchable RMS/peak level detector.... [more]

+decimate offers bit depth and sample rate reduction for added aliasing and decimation noise.... [more]

+decimate VST is a bit-depth and sample-rate reduction plug-in for adding aliasing and decimation noise.... [more]

+matrix is a mid-side to left-right encoder and decoder. For mid-side microphone arrays, but also useful when needing to apply effects to only the center or the sides of a stereo mix.... [more]

+morphfilter holds two filter shapes; these shapes are set by drawing, or by capturing the spectra from the incoming sound. You can morph between these two filters. +morphfilter's depth control can change the strength of filtering, or even invert the filter for an "anti-filtered" sound.... [more]

+phasescope is a standard studio tool for seeing the phase relation between your left and right channels.... [more]

+spectralcompand performs smooth timbral filtering. It can be used to tame resonant frequencies or for radical changes of tone. In expansion mode, +spectralcompand becomes a highly tunable broadband noise remover, capable of removing hiss, hum and machine noise, without damaging the original sound.... [more]

+spectralgate is a spectral version of the noise gate/ducker dynamics processor. It combines a noise gate/ducker and a multiband processor to give you a plugin that can be used both as a frequency dependent gate or as a level dependent filter.... [more]

Originally designed and built during the 1960s, the 1176LN was the first to use a Field Effect Transistor (FET) as a voltage-controlled variable resistor, and that innovation was the key to the product's unique character. An in-depth analysis of the 1176LN's "personality" allowed Universal Audio to methodically reproduce those results within a plug-in architecture, and now offer that same character to computer-based audio workstations. Features: Ultra-fast attack time. Unique, analog-friendly, "warm" characteristics. FET Gain Reduction Emulation. Supports the popular "... [more]

The 1970 Classic Console Compressor is part of The Classic Console Compressor Bundle, offering digital recreations of the the buss compressor/limiter of two famous British mixing consoles. The Bundle includes the 1970 Compressor and the 1980 Compressor with two versions each: Compressor/Limiter/Side Chain version and Compressor only version. The 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm. The 1980 Classic Console Compressor features digital recreation of the IC input and voltage co... [more]

1973 is a tribute to the Neve 1073, often considered to be one of the best large-format console channel modules ever made. Punchy, detailed...... [more]

1975 Classic Console Compressor digitally recreates a popular feed forward 1975 VCA Compressor ("Warm and Aggressive"). Two different URS 1975 Classic Compressor plug-ins are included: Compressor/Limiter/Side Chain version, with a modern "Brick Wall Limiter" that was not found on the vintage unit. Compressor Only version, which is 3x more DSP efficient. It will act as a Limiter when the ratio is set at 10:1 and above. The Compressor's Knee is fully adjustable from hard to soft. The Compressor/Limiter/Side Chain version has adjustable knee as well. This allows for: ... [more]

The 1980 Classic Console Compressor is part of The Classic Console Compressor Bundle, offering digital recreations of the the buss compressor/limiter of two famous British mixing consoles. The Bundle includes the 1970 Compressor and the 1980 Compressor with two versions each: Compressor/Limiter/Side Chain version and Compressor only version. The 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm. The 1980 Classic Console Compressor features digital recreation of the IC input and voltage co... [more]

2WarpDelay pairs two warped-lattice IIR filters with a pair of delay lines and a bitmap which it scans to extract filter coefficients. A stereo signal is fed through two delay lines followed by a warped IIR lattice filter. The lattice filter can be of any order from 1 to 80 and uses reflection coefficients extracted from an image. This output is fed through a saturation stage and a ducking / limiting stage before being fed back, again, into the delay lines. The lattice filter is warped, and by adjusting the warping parameter its frequency response can be easily adjusted. Resonance controls ... [more]

907A Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer's 907A module, and it creates a variety of tonal effects by passing its input signal through eight band-pass filters, one low-pass filter and one high-pass filter. The 907A is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is simple to use yet capable of complex and unique timbres. Features: 24db Low-pass and high-pass filters. Eight fixed-frequency band-pass filters. True stereo operation. Low CPU usage. Full MIDI learn mode, for MIDI CC con... [more]

914 Fixed Filter Bank is a major upgrade to the discontinued 907A plugin, and is a recreation of the Moog 914 module. It creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter. The 914 is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. A tool for the sound designer's palette, it is simple to use yet capable of complex and unique timbres. Improvements over the original 907A include a bandwidth control, separate level adjustments for wet and dry signal, ... [more]

The A Series EQ digitally recreates the sound of API's 550B vintage Four Band Equalizer. Each band offers 7 switchable filter frequencies spanning 4 to 5 octaves. The four bands overlap for track sweetening or specific problem solving. The low and high bands are selectable peak or shelving. Specifications: Number of Bands: Four. Low and High bands are Peak/Shelf switchable. Low-Mid and Mid-High are peaking type. Filter Frequency Centers: Low: 30, 40, 50, 100, 200, 300, 400Hz. Low-Mid: 75, 150, 180, 240, 500, 700, 1Khz. Mid-High: 800, 1.5K, 3K, 5K, 8K, 10K, 12.5K. High: 2.5K, 5K, 7K, 10K, 12.5... [more]

The A-MIX EQ is a seven band equalizer. It features five bands of fully parametric EQ plus High and Low Pass filters with variable slope. Each band offers overlapping frequencies spanning 4 to 5 octaves. The five bands overlap for track sweetening or specific problem solving. The low and high bands are Shelving or Peak for that tight low end and smooth high end. Input and output metering and line level trims for complete gain staging. The Numeric display windows show current settings for all parameters. Specifications: Number of Bands: Seven. LF (Low) and HF (High) bands are Shelving o... [more]

The URS A10 Series EQ digitally recreates the classic sound of API's 560B vintage Ten Band Equalizer. Specifications: Number of Bands: Ten.Frequencies : 31Hz, 63Hz, 125Hz, 250Hz, 500Hz, 1Khz, 2K, 4K, 8K, 16K.Numeric Display displays Cut and Boost to .1db.Click Numeric Display to enter amount of Gain in .1db increments.Filter Boost/Cut: +/- 12dB.Filter Slope: 12dB per Octave.Input and Output Meters with Gain clipping indicator.Phase reverse switch.In / Out Bypass switch.Input and Output Line Trim -12db to +4db.... [more]

Acoustic Feedback is a realistic simulation of guitar feedback. After years of hard work spent on perfecting every detail of Vintage Amp Room, the developers at Softube felt obliged to create what they felt was the missing link between a real amp and an amp plug-in. The result is a simple and intuitive plug-in which emulates the feedback effect which occurs between the guitar and the amplifier. Bundled with a special edition of White amp* from Vintage Amp Room, Acoustic Feedback aims to "rock your socks off". Features: Realistic simulation (physical modeling) of guitar feedback. ... [more]

ADT - Artificial Double Tracking is a plug-in which emulates the "Artificial Double Tracking" technique invented by The Beatles at Abbey Road Studios. It takes a mono input signal and generates a stereo signal with the original signal panned to one side and the ADT signal panned to the other. ADT - Artificial Double TrackingThe ADT technique was developed at Abbey Road Studios by engineers recording The Beatles in the 1960s. To free John Lennon from having to sing everything twice for real double tracking they came up with an artificial replacement: they sent the original signal to a... [more]

ADverb is a model of a vintage digital plate reverberator. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb. Features: Simple-to-use reverb settings, with pre-delay, time, and size, plus an extensive filtering section to shape the reverb tail. Fluid and logical vintage-style user interface. Optimized reverb algorithm for low CPU load. MIDI Learn feature for full hardware control of all parameters (VST only; handled by host in AudioUnits version). ... [more]

Aether is an "Auto Randomizing Algorithmic Reverb Software plug-in".Features and specification: Extreme precision floating-point engine - claimed to rival the best hardware reverb units available. "Impeccable" specifications in Space, Time, and Frequency response. Unique pervasive Auto-Randomizing scheme throughout the entire algorithm which keeps mixes sounding alive. Non-Exponential Decay curves for "lush" sound. Discrete Early Reflection and Late Reflection Engines. 33 Space Type Models. Over 250 factory presets ranging from sublime acoustic emulations ... [more]

AirEQ is an equalizer "created to meet every single expectation of musicians, mixing engineers and producers". AirEQ aims to accurately reproduce the analog equalization characteristics: the curve precision and the phase's variation are the key points of the analog sound. It also reproduces musical tuning ways which are an important part of the sound of a high-end equalizer. AirEQ also features a special "Air" band, which Eliosound claim is a new type of filter that helps you to restore or to add sound brightness. Features: Eight-band AMLT (Analog Matched Linear Transf... [more]

Alchemist is a sophisticated multi-band processor. Based on the Flux dynamic processing algorithms, Alchemist features a state-of-the-art IIR cross-over with selectable slopes from 18 dB per octave to 54 dB per octave, with variable corner frequencies. Every band owns a complete dynamic processing section including compressor, expander, de-compressor, de-expander, working in parallel with independent Angel's Share and Hysteresis parameters. A transient processor and a MS controller are also available for each frequency band. The sound can be processed from single broadband to five bands. The ... [more]

Alloy provides key sound shaping effects for your tracks and busses, bringing them to life with six processors designed to give character to every element of your mix: Dynamics: new Vintage mode, sidechaining, more. Transient Shaper: enhance percussive sounds. De-Esser: tame vocal sibilance. Exciter: with Harmonic Scaling XY pad. Limiter: zero latency, advanced phase tools. Equalizer: exceptional sonic quality, precise controls. MacroPresets: over 150 presets. Equalizer Alloy's powerful 8-band EQ offers precise controls and a large spectrum overlay to give you good visual feedback: Enter E... [more]

Altiverb is a sampled acoustics Reverb plugin for that offers realistic one, two and four channel sampled acoustics of real halls, cathedrals, bathrooms and virtually any real acoustic environment. Included are dozens of acoustic samples ranging from the Amsterdam Concertgebouw to bathrooms and closets. Altiverb also lets you sample acoustic spaces - or hardware reverbs - on your own. Altiverb is the first reverb plug-in to take full advantage of the power of Apple's Altivec Velocity Engine which means that it requires a G4 as a minimum specification to even run.... [more]

DCAM: Synth Squad is a collection of 4 software instruments: Strobe: a performance synth - easy to program, begs to be played. Amber: a divide-down string ensemble synth emulation. Cypher: a complex 3-osc synth with dual filters/waveshapers and realistic audio-rate modulation. Fusor: a semi-modular layering/FX/step-sequencing environment for the above synths. One of the first attempts to realistically model the divide-down string ensemble synths from the '70s, Amber captures the lush, psychedelic sound of these much-loved but often-forgotten instruments. A formant filter, 3 separate chor... [more]