Advanced MIDI gate can be used to easily mute an audio/VSTi track via MIDI. For example, it can be used to create the stuttering effects commonly found in trance and psy-trance. AMG is different to other midi gates because: The envelope can control a filter instead of a VCA. The envelope is tighter than most other MIDI gates. Noise can be added to the signal to make the sound more aggressive. Either the left or right channel can be delayed slightly to fatten the sound. When you stop your sequencer, the plugin disables itself so that you can edit the gated track without having to switch the ... [more]

Beat morpher is a sample playback drum machine "with a difference".You specify start and end positions for each drum hit, then you can morph between the two patterns using a slider or by just pressing the auto-morph button - the beat will gradually morph over a specified number of bars. This effect was inspired by the music of Simon Posford aka Hallucinogen and Shpongle (with raja ram).... [more]

Dronebox can turn your guitar into a sitar. It is a bank of six resonant, tunable comb filters with extensive modulation options. It can be used to create lush evolving drones or to add resonance to drums or whatever source material you wish to process. Features: 6 comb filters that can be tuned by note name (e.g. C2), frequency (Hz) or by MIDI input. Volume, Pan, Polarity, Damping and Decay time controls for each comb filter. An Oscillator to reinforce the drone. Advanced Excitation section to feed the comb filters with different noise. Resonant filter. Four LFOs and a Modulation Matrix. P... [more]

The Endless Series are four effect plugins based on an auditory illusion known as "Circular Pitch" or more commonly the "Shepard Tone/Scale" after Roger N. Shepard who discovered it in the 1960s. Shepard showed that using basic additive synthesis it's possible to create the illusion of a continuously rising or descending chromatic scale. The term circular pitch was used because, although the scale sounds as if it is moving in one direction, in fact, after twelve steps it returns to where it started. For more info see Wikipedia.Endless Flanger is a circular pitch/barber-pole... [more]

The Endless Series are four effect plugins based on an auditory illusion known as "Circular Pitch" or more commonly the "Shepard Tone/Scale" after Roger N. Shepard who discovered it in the 1960s. Shepard showed that using basic additive synthesis it's possible to create the illusion of a continuously rising or descending chromatic scale. The term circular pitch was used because, although the scale sounds as if it is moving in one direction, in fact, after twelve steps it returns to where it started. For more info see Wikipedia.Endless Phaser is a circular pitch/barber-pole ... [more]

The Endless Series are four effect plugins based on an auditory illusion known as "Circular Pitch" or more commonly the "Shepard Tone/Scale" after Roger N. Shepard who discovered it in the 1960s. Shepard showed that using basic additive synthesis it's possible to create the illusion of a continuously rising or descending chromatic scale. The term circular pitch was used because, although the scale sounds as if it is moving in one direction, in fact, after twelve steps it returns to where it started. For more info see Wikipedia.Endless Shifter is a circular pitch/barber-pole... [more]

The Endless Series are four effect plugins based on an auditory illusion known as "Circular Pitch" or more commonly the "Shepard Tone/Scale" after Roger N. Shepard who discovered it in the 1960s. Shepard showed that using basic additive synthesis it's possible to create the illusion of a continuously rising or descending chromatic scale. The term circular pitch was used because, although the scale sounds as if it is moving in one direction, in fact, after twelve steps it returns to where it started. For more info see Wikipedia.Endless Tone can be used to synthesize classic ... [more]

Formant filter is a mono VST effect that uses a bank of five band pass filters to put the formant peaks from one sound onto another. It includes vowel presets but you can input your own values using the custom formant mode. There is an LFO to control the formant shift and also a slider which has a range of two octaves. This slider responds to CC#1 (mod wheel).... [more]

Gatecomb is a stereo comb filter. The frequency of the comb filter is controlled by an AHDSR envelope which is either triggered in sync with the sequencer or by the the incoming audio reaching a certain threshold. There is also a filter to control the sounds (which can sometimes be very brutal). When processing a stereo track, the right filter can be offset by octaves or semitones.... [more]

Grainfreeze is a basic granular synthesis effect plugin, designed to create the illusion of freezing incoming audio like the Reaktor "grainstates" instrument. There are four different grains. When you press freeze, the audio goes into the four grains/buffers. There is an envelope to control the shape of the grain and to smooth the sound. You can set a different length for each grain and also delay the time at which the buffer is stored. You can also create a fade so that the frozen audio gradually appears. An LFO can control the pan for each grain. MIDI notes will also trigger the freeze.... [more]

LFO Chopper is a simple Amplitude modulation/tremolo plug-in with many different LFO shapes.... [more]

pMix (short for preset mixer) is a new composition and performance tool that facilitates the control of multiple plugin parameters using an intuitive graphical interface. pMix hosts four VST plugins and lets you interpolate between presets by navigating a 2D visual environment. Presets are represented by coloured balls that are positioned on a plane. The size of each ball and its proximity to the cursor affects the weight of the associated preset in the interpolation. pMix is easy to use and has some fun features such as automation, real time visual feedback and randomisation.... [more]

PolyComb is similar to Dronebox but the comb filters are controlled by polyphonic MIDI input. This allows rapid chord changes with up to 32 note polyphony. Features: 32 note polyphonic comb filter controlled via MIDI or onscreen keyboard. Up to 6 voices of Unison for thick detuned effects. Advanced Excitation section to feed the comb filters with different noise. ASR Envelope which can be routed to Volume, Filter Cutoff and Pitch. Two LFOs for the pitch and filter. Resonant filter. Pitch bender to adjust the pitch of all combs at once. Delay effect. Preset chord generator with five chord type... [more]

SE64 is a monosynth that makes retro computer game noises. Features: Two oscillators: One can be set to saw, triangle, sine or a variety of PWM waveforms. The other is a triangle wave which is ring modulated with oscillator 1. Envelope Generators for pitch, pulse width, amplitude and filter cutoff.Arpeggiator which can recreate the "chord" parts from C64 SID tunes.2 Bit crusher effects.... [more]

The Doppler Effect is the name given to the perceived pitch change when a sound source moves past the listener. The pitch is higher as it approaches and lower as it moves further away. Examples of this are the sound of a passing train, ambulance or race car. Spacestation allows you to apply this effect to any sound source so it's useful for sound designers or for musicians wishing to create spatial movement in their sounds/music.... [more]