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Product	Rapture
Developer	Cakewalk
Primary Type	Synth (Wavetable)
Price (MSRP)	$199


Buy Cakewalk Rapture from zZounds.com	Cakewalk Rapture available at SameDayMusic.com

Plug-in Formats

Instrument(s)

Operating System Availability

Operating System	Latest Version	Download	Is it Available?
	1.2.1	Demo / Trial
	1.2.1	Demo / Trial

Miscellaneous Information

Copy Protection	Unknown
Supported Sample Formats include	sfz
Banks & Patches	Download Banks
Average User Rating

Compatibility Unknown

Rapture is described as "the ultimate wavetable synthesizer for igniting the sounds of today's pop, dance, and electronic music". It combines an advanced modulation system with an non-aliasing wavetable resampling engine.

Feature Highlights:

Wavetable synthesizer with "cutting edge" sound manipulation capabilities, well suited for electronica-related music styles.
Non-aliasing resampling engine.
Over 500 sound programs.
Six fully-programmable, stereo sound-generating Elements.
Multi-waveform Oscillators with ring modulation.
Two 16-mode filters per oscillator with LoFi and Drive.
Over 40 Envelope Generators, LFOs, and Step Generators.
Comprehensive MIDI Modulation Matrix.
Mix and modulate all Elements through global FX and dynamic Step Generator.
Graphical envelope generators and LFOs for ease of use.
Expandable with native support for SFZ sample formats.

Rapture offers comprehensive sound design capabilities with patches that blend up to six different Elements. Out of the box you get a collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences.

At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators. These wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning. Rapture's high resolution anti-aliasing rendering engine ensures that every note of every voice will be pure and vibrant.

Rapture offers over 40 Envelope Generators, LFOs, and Step Generators per patch. These Step Generators breathe life into your sound, allowing for dramatic trance gate effects and percussive rhythms. With graphical step sequencing of sound parameters, Rapture provides a modern extension to traditional envelopes and LFOs, allowing you creative control of Pitch, Filters Amplitude, and other parameters.

Rapture's global and per-Element FX stages provide the finishing touches to your sounds. In the Global FX Stage Rapture offers 3 multi effect units with 9 Delay and 3 Chorus types, 3 Parametric EQs, and a dynamic Step Generator for volume with independent L/R control. The per-Element FX stages offer the multi-effect units and EQs mentioned above, plus two 16-mode filters per oscillator with LoFi and a 5-mode Overdrive section for additional control.

A comprehensive MIDI Control Matrix provides for extensive MIDI controllers mapping of all of Rapture's functions, with the added sensitivity over modulation depth and smoothness control. An X-Y pad lets you assign multiple Rapture parameters to X and Y axes, allowing you to intuitively glide between various parameter levels with ease.

All KVR Audio news items relating to Rapture.

Cakewalk announces FA-66 FireWire Audio Interface	14th January 2010
Cakewalk announces New Line of Keyboard Controllers	14th January 2010
Cakewalk and Ourstage.com launch "Your Music Anytime, Anyplace" Songwriting Contest	24th September 2009
fisound releases Universal 120 for Rapture	23rd July 2009
Cakewalk releases Rapture v1.2.1 Hotfix	22nd June 2009
Cakewalk updates Rapture to v1.2	30th April 2009
Cakewalk announces SONAR V-Studio 100	1st April 2009
Cakewalk announces Rapture v1.2 Update	1st April 2009
Cakewalk releases Craig Anderton's Electronic Guitars Expansion Pack for Rapture and Rapture LE	15th January 2009
Cakewalk announces $99 DAW Synth Upgrade Offer for Dimension Pro and Rapture	29th August 2008
Galbanum releases Second Coming Rapture Expansion	26th August 2008
Galbanum announces Synth Expansion Line and releases Piscis Rapture Expansion	2nd June 2008
Heatseekers release Dramatica for Rapture	8th May 2008
Cakewalk announces Dimension Pro v1.3 and Rapture v1.1.1 updates	17th January 2008
Cakewalk releases Minimoog Tribute Expansion Pack for Rapture, Rapture LE, and SONAR 7 customers	17th January 2008
Cakewalk announces Pro Suite	5th October 2007
Cakewalk releases SONAR 7 Producer Edition and SONAR 7 Studio Edition	19th September 2007
Cakewalk releases Expansion Packs for Rapture and Dimension Pro	29th June 2007
Galbanum releases Architecture Waveforms Cakewalk Edition	19th May 2007
Cakewalk releases Rapture v1.1 (incl. x64)	6th March 2007
Cakewalk announces Holiday Giveaway Extravaganza	7th December 2006
Cakewalk releases second Expansion Packs for Rapture and Dimension Pro	1st November 2006
Cakewalk releases free Expansion Packs for Rapture and Dimension Pro	17th July 2006
Cakewalk updates Rapture with Intel Mac support	3rd July 2006
Cakewalk launches MusicTeq 2006 Synth Mastery Tour	15th May 2006
Cakewalk release Rapture demo version	21st April 2006
Cakewalk releases Rapture and announces v1.1 (incl. Intel-Mac)	29th March 2006
Cakewalk announces Rapture	19th January 2006

User Reviews by KVR Members for Rapture.

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By x_bruce
On 12th March 2007
Version: 1.x

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x_bruce

4 of 4 people found
this review helpful.

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GUI

Sound

Features

Docs

Presets

Support

VFM

Stability

User Interface:
Rene and company have done a good job at Cakewalk. Rapture's interface is quite functional although it may take some time getting used to it.
Having done so, you will be pleasantly surprised at the amount of data squashed into this multitimbral or single channel instrument; you decide as you work with it.

Sound
I was somewhat concerned when I saw the word wavetable synthesis as part of Rapture's features. The synthesis is wavetable based, but the wavetables are frequently single and relatively tiny.
The good news is the wavetables are well designed and enable a large number of sounds, mostly of the synthetic type, and frequently used as a performance based synth.
Many of the presets use two or more of the six channels available. They are similar to Korg's Combination patches and fairly similar to the Korg Radias' implementation of its various synth engine's techniques. The major difference being the Radias has 128 waveforms, one per sound, and a huge synth engine beyond, but both use extensive splits, layers, Mod Matrix expressions that some synths just don't feature.

Lastly, the synth engine, besides being compact but brutally capable, features many forward-looking ideas such as large, changeable controls of envelopes and functions such as pitch, filter cutoff and resonance ala Absynth.
Unlike the prior reviewer, I don't feel Absynth and Rapture are all that similar. Their approach is not at all similar. Also, comparing Rapture to M42 isn't exactly fair.
Keep in mind I'm a big fan of M42 and it's cousin M41, but they too work differently and can't get the same ammount of sounds per patch, nor can they work multitimbrally. They have two oscillators whilst Rapture has up to six, and they are heavily editable in comparison.
They are different synths and that is the only reason I point these things out.

Features
Though it took me a couple of weeks to really get the idea behind Rapture I'd have to say it is a massive synth!
The presets sometimes didn't serve it well, nor did the somewhat skimpy manual - though it should be pointed out that while skimpy, the manual is exceptionally good and if read, will teach you the synth's 'way' of making sound.
When I say the sounds are sometimes a disservice, I don't mean the quality. In fact, there are some star sound designers and Cakewalk has released two new sets.
Also, you can import your own samples. They are meant to be small, but I experimented with wavetables as I know them and got PPG/Wavetable type sounds. That said, you can get those sounds once you understand the way Rapture works.

One of the most pleasant things about Rapture, and this is where the synth programs can confuse, is that it can make perfectly simple, deep synth sounds as well as sizzling leads and patches that range from tepid to non-stop undulating and changing.
And to me, that's the beauty of Rapture. As a lot of people go for the incredible and flashy things it can do, I like synths of this type to be able to do everything, particularly since they have the capability to.

The arpeggiator is excellent, consider using it over several channels. The LFOs have over 100 waveforms. There is an X/Y controller and waveshaper ala' Z3ta.
There isn't a sound you can't make in here, but that speaks for digalog sounds, not rompler stuff.

Documentation
Great manual in many languages but short. Though short it is fact filled and that is better than most any hard or soft synths out there.

Presets
As mentioned, the sound developers and patch designers are like a who's who of great quality work. There's about 400 patches in a nicely designed database that helps you find what you are looking for.

Customer Support
Cakewalk and RGC audio have always offered great service to me. I'd expect nothing to have changed.
Value For Money
The first week I got it I questioned Rapture's value. There are a lot of killer synths at the $200 /$300 range. But once I learned to use it, the value is very, very reasonable.

Stability
I have yet to have a crash with Rapture and I'm using it on a Athlon XP2400 with 1 gig of ram. It does use considerable ram so don't bother if you don't have a gig minimum.

Conclusion
Slick design, smart interface with many options and excellent quality sound.
Pros: can take the place of a few synths
Cons: you probably have those synths
Realization: You may have a lot of the sounds Rapture can do all over your synth library, but there is a nice syncronicity to Rapture's sound.
It is in the Native Instruments, VirSyn range of sound quality and should be a serious contender as your next synth.

By zerocrossing
On 9th February 2007
Version: 1 (Demo)

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zerocrossing

4 of 5 people found
this review helpful.

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GUI

Sound

Features

Docs

Presets

Support

VFM

Stability

Wow, I'm shocked no one has reviewed this, so I guess I will. It's my first review.

First I'd like to say that I'm mainly a guitarist, but I cut my teeth in synthesis on old modular stuff at an audio engineering school in NYC, and later saved for a Roland Juno 106. That type of education doesn't get you all that far and I ended up in Music retail. Anyway, I *LOVE* synthesis and in the vain of Adrain Belew and Robert Fripp spent years in love/hate relationships with guitar synths.

So, over the last year I've had to dismantle much of my hardware rig and move to software. It's been a fun ride so far. Recently I asked myself, "why did you ignore Rapture?" I think I thought why have another wave table synth since I had the Korg Legacy Suite. Silly of me. Rapture is a totally different animal So I downloaded a Mac and PC version of the demo software and had at it.

I was blown away. This synth is about to become my go-to synth, I'm sure of it. Sure it's geared towards modern electronica, but the ability to import an audio file to use as an osc makes it AMAZING in a similar way that Absynth (another of my favorites for different reasons) is. This baby can ring like a DX, yet pump like a minimoog... often at the same time. Few VSTi's can really get a filter to "quack" in that really warm organic way that Rapture can. As an ex Virus C user I think Rapture does a better job at modern dance sounds and is easier to program. A A/B'd it to Albino too and I found it better to my ears as well.

Speaking of program, I spend my days (that often run into nights) as a graphic designer/animator and there is precious little time for making new tones. Most of my time has to be spent playing or I end up being a sound designer, which while very fun, isn't as fun as playing IMO. No problem here as Rapture comes with a TON of presets and there isn't a bad one in the bunch.

Then there's the arp and step/wave sequencing ability... wow. It's not quite an M1Galaxy (which I love) synth but boy can you get lost in the evolving, pulsing morphing madness this synth can do.

So... if you have $200, I'd say don't hesitate, go to your favorite retailer and pick this up. It really seems like it could be a "desert island" synth. My only request to Cakewalk is this: Why no MIDI learn with the X/Y pad? Silly. If you want to see how this is implemented perfectly, check out Zebra2 (which btw, is one of my favorite synths ever). Seem silly to include this and expect people to use a mouse or trackpad to control it.

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